Zincir

Francesco and Marta run a husband-and-wife design company in Rome. When Francesco's aunt dies in Istanbul he travels there to sort out the hamam Turkish steam bath that she left him. He finds a love and warmth in his relatives' Istanbul home that is missing from his life in Italy.

In this film that wavers unsteadily between a comedy and a tragedy, Murtaza (Mujdat Gezen) is a deluded security guard whose fanatical reverence for "duty" verges on the psychotic. He is incapable of seeing himself for what he is -- and as a consequence he is often the unwitting and unknowing brunt of jokes. His wife and daughters are painfully aware of his shortcomings, but they generally suffer in silence. One of the daughters ends up working in the factory to help the family out financially, and when Murtaza finds her sleeping on the job one night he hits her so hard she eventually dies from the blow. Though that is not the end of it, by any means.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

Sivan, at around the age of 20, is a native of the Southeastern region of Anatolia. His father Saho is the leader of the Givdanli tribe who stays distant both to the state and to the insurgents who are influent in the region, in order to secure its existence. One day, Sivan meets with the girl he loves, Berfin in a field around the village. The same day the field is burnt by saboteurs and the whole harvest of the village is wasted. The investigation initiated after the incident, changes Sivan's life drastically. Taken in for an interrogation, Sivan is caught between the police and the insurgents. Thinking his son's life is in peril, Saho assures Sivan's fleeing out of the country. Taken to Germany by the help of a illegal network, Sivan is located in a refugee camp. However, in this new land whose language is alien to him, Sivan will go through an ordeal which will add a new dimension to the residue of his experiences in Turkey.

Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.

"Yolcular" is a 1979 feature film directed and written by Yavuz Pağda, starring Halil Ergün and Meral Orhonsay.

Hacer is over 30 years old but 'still' single. Her two younger siblings are also unmarried. This creates great unrest in family. That day, the parents get prepare for dinner in a depressed mood. Arif, the brother, has problems with his fiancée, announces at dinner that he and his partner have broken off their engagement. Earlier that day, Hacer had a marriage interview at the demand of the family and said no to him, and has to explain it to her father, who is already infuriated by Arif's speech.

The film tells the story of Murat and Helga, Turkish agents fighting against German spies during World War II. Helga's father, Alex, is a German spy who hates Turkey. Helga, who was born and raised in Turkey, does not share her father's views. After Alex's death, Murat, acting on orders from Turkish intelligence, is tasked with enlisting Helga to uncover the Germans' plans regarding Turkey. Helga is to marry Hans, who has taken Alex's place, thereby enabling her to learn the Germans' plans. The love between Helga and Murat will complicate this mission.

Ferdi is released from prison after serving his sentence. His rivals are waiting for him in the small town where he lives. During his sentence, a woman named Selma moves to the same small town. Selma works as an oriental dancer in a bar to support her child's education. However, Selma's presence causes a stir in the peaceful town. It is revealed that Ferdi's rivals are the cause of the conflict, and having mutual enemies brings Selma and Ferdi together.

The fight of the striking railroad workers.

“Hür Adam” or “Free Man” in English is the real-life story of a very influential Kurdish scholar in Turkey that had lived between 1877-1960, 'Said Nursi'. A writer, philosopher, and philanthropist, he compiled many books on Islam covering various themes of faith, brotherhood, and philanthropy and exploring the reasons behind societal weakness, poverty, ignorance, and divisions.

Turkish metalworker Cafer moves his family from a village in Turkey to Germany, viewing it as a land of opportunity. However, their new life brings unexpected challenges. As they adjust, his wife becomes deeply involved in the women’s movement, leading to a profound change in her perspective.

Seyit, a resourceful doorman of a middle class apartment in Istanbul, finds himself in a struggle for power when the new superintendent decides to crack down on his slack attitude.

The lawyer falls in love with the singer Melek, who is new to town. He goes to listen to her every evening. He offers all kinds of gifts to persuade the woman, but this woman who adorns his dreams never gives him the answer he expects.

Rıza is a father of 5, who has economical problems but happy nevertheless. Everything changes when his younger son gets hit by a car.

The film tells the story of Kadir and his family's struggle to escape the mafia. Kadir's father was killed for opposing the mafia. His mother, Fatma, takes her husband's truck and works to support her two children on her own. Years later, her son Kadir and daughter Nur have grown up. Kadir quits his job to become a powerful figure and joins the mafia. His family is deeply concerned about the work he is doing. As Kadir rises through the ranks in the criminal underworld, his boss Reşit sets a trap for him. This situation will lead Kadir's family into disaster.

Late 19th century in Alexandria. Two traditionally rival Turkish families, "Seferoglu"s and "Tellioglu"s are competing for the "Green Valley". The winner will be determined by Daver Bey, who has a beautiful young daughter, Leyla. Both families try to arrange a marriage between a man from their family and Leyla, so that Daver Bey will be inclined to give the green valley to his "relatives". Tellioglus, who are behind in the race, desperately find a final solution: They will fake their idiotic butler, Saban, as the highest ranked Ottoman soldier in Egypt: Tosun Pasha.

A group of women in a small village get organized against the macho men of the town.

The story of four days spent by a hired killer who benefited from the amnesty law with a hired woman.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

Two rebels battle an evil king in a fantasy medieval Turkish kingdom. Identifying tattoos, galley slavery, stoning, beheadings, sword fights abound. A disneyesque fantasy history yarn, except for the rather extreme violence.

As a girl grows up, her world starts to become more complicated. She notices lines appearing on people's faces that she hadn't noticed before. While trying to see the hidden lives in between her neighbors' facial features, her own face struggles to ignore an unwanted line from her childhood.