Zakera men Waraq

Cairo Class (Dofa'at Al Qahera) is a 2019 Kuwaiti-Egyptian period drama set in 1950s Egypt. A group of Kuwaiti students — mostly women — travel to Cairo to enrol at Cairo University, embarking on a transformative era of art, open-minded ideas, political currents, and extraordinary love stories. The series follows their individual journeys as they navigate romance, ambition, friendship, and self-discovery against the backdrop of a vibrant and culturally rich Cairo.

The role of events in the seventies of the last century, when Kuwait was an example of human and material development and progress. The series deals with several social and humanitarian issues, such as social class, materialism, love of control and equality between men and women, through three families that struggle directly and indirectly among themselves.

The events of the series revolve in a comic framework about (Moza) and (Thnayan), the heads of a family, which includes 5 children, who together try to constantly reunite the family through the weekly meeting of the grandparents with their children and grandchildren in (Zuwara), shedding light on the problems that afflict family relations, which It can cause disconnection or strife if not handled wisely.

Married to Rasheed with whom she runs a school, Hela thinks she has the perfect husband. Only because she doesn’t know his secret…

The series discusses the relationship of people to each other, and influenced by the words of those around them, especially with regard to the rumors that are spread.

Inspired by true events, the world hidden behind a prison’s walls is revealed through the life stories of three unique women.

The series discusses the issue of love, and whether love can fix all our mistakes and change our destinies, and love here is not limited to love between men and women, but love in its comprehensive and complete sense, such as the love of parents and love of the homeland, the series also sheds light on many issues that affect the Gulf society in general and the Kuwaiti society in particular.

Set in the 1940s, the series chronicles the life of Umm Harun, a doctor residing amongst the townspeople in Kuwait and faces numerous challenges, she and her family as well as the Jewish community at large.

Within the framework of the social drama, the events of the series revolve, where the family (Abdullah Al-Afour) lives in one house in the light of interdependence and unity, but with his son Ghazi assuming the position of a minister, things change, and many problems and personal interests appear, which affect the interdependence of this family.

Fatima a mother of seven children, loses her memory at 1983, for thirty years, when she regains her memory she finds out that she don't know her children's whereabouts she sets out to find them with all her power willing to be reunited with them once again and this time forever.

Having spent almost half her life incarcerated, 80-year-old Ghanima is finally released from prison. She must strive to let go of the past and make a fresh start.

The series presents, in a framework of mystery and suspense, a group of separate episodes, where each episode deals with one of the most prominent and famous true crimes that occurred in Kuwait over different years.

In 1970s Kuwait, the blind but fearless Wedad stitches by day and sings behind the veil by night. When tragedy strikes her sister, survival becomes a quest for justice. Huda Hussain leads in a transformative role.

The events of the series revolve around “Abu Ibrahim” (Saad Al-Faraj), whose house burns and loses all his family, after which he lives a stage of schizophrenia and a painful and poignant life because of his feeling of guilt for what happened.

After the death of a loved one, a woman decides to pursue her passion for writing by penning television scripts.

Nadia seeks to catch a rich husband and trap him in any way, so she tries to get close to Ziad, then his brother Essam, and finally she marries their father, Saleh, without any of them knowing about her relationship with the other. Things develop when Saleh learns about the matter and what Nadia seeks.

The series revolves around the father “Adam” and his seven daughters, who raised them alone after his wife “Karima” left him because she wanted to marry a rich person, so he struggled to raise them alone with his extreme poverty.

A Kuwaiti mother has six daughters and one son struggling with her daughters after leaving her husband's house to start a new life.

Silver is a fifty-year-old woman, but her mind stopped at ten years and influenced her in terms of behavior and thinking, she is kind and affectionate, dealing with others with pure intention. But she has many experiences with her family and those around her, where many treat her with opportunistic.

In the framework of the social drama, the events of the series revolve around Noura, who sacrifices for her brother Faisal, and enters prison instead of him in a drug case, and when she serves the punishment and comes out, she is surprised by Faisal's repudiation of her, threatening to expose his matter if he does not compensate her the years of imprisonment.

A domineering mother controls the fate of her three daughters despite the difficulties they face, as one of them separates from her husband, the second’s husband goes to prison, and the latter suffers a tragedy that makes her go through various kinds of torment.

The series talks about a family consisting of a father, a mother, and their children, and the daily life problems and comic paradoxes they face.

The series takes place in a comedy drama about Manal, who takes care of her two nieces (Maryam and Mashael) and so on her brother Hakim, and she has many comedic ironies when her friend Maha marries a rich man.

The series discusses the idea of separation of spouses, and deals through its events some of the reasons that may lead to this, through a range of different stories that may occur in social reality.

Omour A'iliyya — Family Matters — is a 2026 Kuwaiti social drama streaming on Shasha platform. Written by Fahad Al-Aliwa, directed by Ahmed Abdel Wahed, and produced by the acclaimed Abdullah Boushahri — who also stars alongside Shajoun Al-Hajri — the 30-episode series follows intertwined families navigating the complexities of daily Gulf life, with multiple dramatic storylines reflecting the evolving dynamics, tensions, and relationships within the modern Kuwaiti household.

When a thief steals Omaima's car, he finds her child inside and he takes her with him. Omaima's life begins to collapse, as she believes that she has lost her daughter, which makes her devotes her life to supporting the orphans' rights in various care homes.

Under one roof, a family consisting of a father, a mother, their children, and their daughters-in-law live together. As their relationships become increasingly complicated, the siblings compete and conflicts arise, gradually exposing their hidden secrets.

Kan Fi Kull Zaman is a Kuwaiti anthology drama written by Heba Meshari Hamada and led by the iconic Souad Abdullah, who portrays over ten different characters throughout the series. Breaking away from the traditional 30-episode format, the series presents a collection of standalone stories — each spanning two to four episodes — blending social, political, comedic, and heritage themes drawn from Arab life, delivered in a tone that shifts between light comedy and quiet tragedy.

The work tells the story of Jacob's family and his brother Youssef, Jacob is an authoritarian man with whom God gave two daughters and believes that giving birth to girls is a shame and brings destruction, but Youssef, the younger brother, is a good man whom God has blessed with a seed of boys, but it turns into a curse because of his brother, who carries hatred and envy to him.

The series revolves around the social situations that women go through before and after marriage, by highlighting the stories of four women who live in one house, where they share memories and situations that they went through, especially the painful and harsh memories that they went through after their marriage.

The events of the series revolve around a wealthy woman named "Ghanima" who is very controlling over her family and her husband, which makes them radically turn against her and leave her alone.

A forty-year-old woman named Amna, whose husband dies after suffering a serious illness, raises her three children, Salim, Aziz and Saja. Amna finds herself raising her niece, Khadija, after her wealthy father dies, but things get complicated when Aziz tries to seduce Khadija.

A social drama, about the conditions of Kuwaiti society, through the character (Soraya), who is going through bad psychological conditions; Where she gets married twice more, after having married before them in a traditional marriage, at a young age, she did not understand the circumstances going on around her, and then she gets married to an Egyptian doctor who leaves her after he returns to his wife.

Rommanah becomes a wealthy woman overnight. She starts spending her money recklessly, which puts her in various comical situations.

I Will Not Ask for Divorce is a Kuwaiti series that revolves around a case, based on a question, which is: who asks for divorce, the man or the woman, and sheds light on the relationship between the woman and the man, and the problems that stand in the way of marital happiness until the matter reaches between them an emotional divorce and isolation, but both of them refuse to ask Divorce, for fear that he will give up his material rights.

A satirical Gulf comedy about three sisters who plot to sabotage their eldest sister's marriage through a series of failed schemes. Amidst family rivalries and humorous situations, the show highlights social pressures.

Four friends from different cultural backgrounds come together in one school. Their friendship continues despite all the differences that should make them apart.

The life story of Manayer, a mother of five, who is selfish and does not care about anyone's affairs except her own.