Yukiko

An African immigrant living illegally in Belgium is desperate to find his own sense of belonging.

How do you bring together such different people as Odette Saint-Gilles, an aging, forgotten actress living in a welfare home, Augustin Dos Santos, a pool boy at the Ritz Hotel, Bettina Fleischer, the heroine of a popular soap, and Raphael, a young, disturbingly handsome man? Together, will they have a last chance to make their dreams come true?

He invents puzzles. He’s committed body and soul to his work and needs silence to be able to concentrate. She is an accomplished pianist and can’t live without music. She must prepare for a competition that could change her life. They are going to be forced to coexist without seeing each other.

Emma meets François at an airport in France. He is an astronomer who studies the phenomenon of black holes, and Emma finds herself immediately taken with him. Their romance flourishes during a stay in the countryside. But one day, François disappears on a bicycle ride. Left alone in a big house, Emma becomes afraid and returns to Paris to continue her life as a real estate agent. Soon after, François' brother Michel contacts her and together they try to solve the mystery of François' disappearance. But when he encounters Emma, Michel begins to transform into a ghost. Emma slowly begins to realize she possesses a frightening power that she was not aware of.

Japanese Yann Dedet's Land of the Singing Dog concerns a musicologist, Toyo Mahiru (Gen Shimaoka), and his wife, Yoshiko (Katsuo Nakamura), who travel to a remote French village because Toyo has heard there is a citizen of the village that owns a singing dog. As the childless pair humorously adjust to their new surroundings, they soon spend more time concentrating on conceiving than in searching for the talented canine. The subdued, reflective Land of the Singing Dog was screened as part of the Director's Fortnight at the 2002 Cannes Film Festival.

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

A man spreads the rumor of his fake homosexuality with the aid of his neighbor, to prevent his imminent firing at his work.

In this mainstream French comedy, a television writer creates a hit series based on the experiences of her housekeeper. The writer Nathalie does this in desperation as she has a deadline and is utterly blocked. She goes to Petlet and begins transcribing her memories of the lively goings on in her rural home village. Each memory is an episode in itself, and the show becomes a smash hit, but when Petlet realizes that her boss has been cashing on her life stories and taking all the credit, she gets angry and quits leaving Nathalie with no maid and no one to watch her children. Later Petlet's adult children demand that their mother return to demand credit and a piece of the action. But Petlet remains undecided.

Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them: what is in the basement may well change their lives forever.

Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

The opera by Georg Friedrich Handel.

While emptying the Parisian apartment of her mother Kyoko, who has just died, Akiko discovers a pile of notebooks specifically left for her. The notebooks are her mother's personal diary, which she started writing in 1964. Laden with the strange inheritance, Akiko decides to take her mother's urn back to Japan to her maternal family, and in the process discovers that she is herself part of an intimate area of her mother's life about which she new nothing. The film travels between two generations of women, from the France of the New Wave to Japan after the atomic bomb. While looking for the right place to disperse her mother's ashes, Akiko goes back in time and tries to find her own place. Akiko, the heroine of this documentary, refers to her mother the actress and her mother the feminine icon of the 1960s. The film is carried along by this dialog beyond death, just as it is by Kyoko's past and Akiko's destiny.

Paul Olivier has created a parallel universe with his rules and rituals allowing him to overcome the trauma suffered in his childhood. His fate will be sealed when his path crosses with Sasha.