Yet Another Cloudy Day

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.

A young man has to go back to his childhood home and a neighborhood that is now unknown to him; a child suffers his father's paranoia and violence; two siblings fight to hold on to the only things they have left. Three stories intersect in what seems to be an endless blackout that will bring out their darkest sides.

Five juvenile delinquents break out of jail and attempt to make their way to a house in the Mendoza foothills of Argentina.

After a brutal loss, Sofia comes out of her thoughts to face an unbearable pain.

A former soldier reunites with his comrades, who are unaware that they are dead.

Amalia arrives at Olga’s house to celebrate her birthday. At the party, they discuss taboo subjects: one’s daughter is dating a bisexual boy, while the other’s granddaughter sells erotic content online. Uncomfortable, Amalia seizes an opportunity to leave. Back home, she reveals her best kept secret.

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

The first sequence of About Swimming is significant. Immersed in a pool, Dominique, an open water swimmer, performs an automatic routine that is nevertheless executed with care, elegance, and discipline. Her career is on the rise: she just qualified for the Olympic Games. As she prepares to fulfill one of her lifelong and every professional athlete’s dreams, she receives the news that she is pregnant. The present, which was supposed to be prosperous, has become an uncertainty for the swimmer. Only water - whether in the intensity of the sea, a swimming pool or in her bathtub at home - seems to guarantee Dominique a moment of serenity. The strength of the film directed by Manuela Aguilar and Berenice Vigna lies in the affectionate and calm view on the protagonist, who is seen in a limit situation where her family and sense of duty seem to prevail over her own desires.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.

A Blank is a first-person documentary about the relationship between the protagonist-director Ramiro and his mother, Elsa, and how his upbringing in the countryside and the dramatic separation of his parents shaped his life today.

A young actress directs a casting for a film about the flood in Santa Fe. Between the voices of people, current, past, and her own experience of the landscape, questions begin to arise.

Diana wakes up in her beach house when her ventilator fails. In an imaginary conversation with her father, Astor Piazzolla, she reveals what she could never tell him in life, until her final words reveal that she, too, has died.

A story slowly reveals itself: a spattering of campfires and makeshift tents is actually a caravan heading to the US border in search of safety and a new life. Silent images and fragments of touching conversations calmly direct the viewer’s attention to individual destinies. What seems so abstract and far away, suddenly becomes close and alive.

Hazira survived Srebrenica. She saw the war, it corroded her life. She has been stuck in a refugee camp in her own country for 29 years, working hard and unceasingly to make ends meet and keep the trauma at bay.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Director Annika Mayer's mother mentioned to her one day that she wanted to dispose of the family's old Super8 film footage. Just in time, Annika is able to save the material from the 1950s and 1960s. The footage shows a model family of the post-war period in the FRG. This irritates her, since she knew about her grandmother's unhappy marriage. Upon closer questioning of her father and grandparents, she realizes the extent of the violence in her grandparents' marriage and her father's childhood.

61. La Verdad Interior reveals the creative process behind TELEMUNDO [screened in the New Visions section], a collaborative film directed by James Benning and starring himself and Sofía Brito. It is a journey, an interview. The connection between a film director with a great carrier and a young actress who decides to film the creative process that thrives between the two. A film-essay in which these two beings find ways of overcoming the language barriers.

James Benning watches tv with a young girl.