Xini

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.

18-year-old Nacho shows up at the cow-breeding ranch of his father, Marcos, whom he barely knows. His father is worried because, as the ranch’s yearly auction is approaching, several cows are dying without explanation. When Nacho finds out who is killing the cows and why, he understands the magnitude of the problem. Cornered by distress and confusion, he’ll have to choose: being a boss or not being a boss. Perpetuating the system, the insult, the abuse, or refusing to take part in it.

A woman comes to understand her son's transition after meeting a young trans man from her small Town. In him, he sees a reflection of what her son could aspire to be if he had more confidence. This experience ultimately serves as a bridge for her to reconnect with her family and with herself.

Vaulting (artistic gymnastics performed on horseback) player Carmen of the women's team. A coach and teammates guide a young girl to a strange rite. However, as they navigate their enigmatic relationships, a subtle tension begins to circulate among them.

Fernando, a naval officer, arrives in the city of Rosario to work on an oil tanker. But his move seems to conceal other motives.

Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...

On the night of their first date, two women get involved in strange scenarios, forcing them to decide if they should call it a night or stick together till the end.

Carmen practices Vaulting (artistic gymnastics over a horse) and has a tense relationship with her coach and teammates, as they will introduce her to a strange rite.

Emilia arrives at her Aunt Ines’ hostel at the Argentina-Brazil border looking for her long lost brother. In this luxuriant jungle, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.