Wolfgang Amadeus Mozart - Don Giovanni - La Scala

In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.

Massenet's opera centres on its charming but contrary heroine, the vivacious young Manon who longs for luxury and excitement. We first encounter her en route to a convent, where her family are sending her to be educated. Along the way, she falls in love with the young student Des Grieux, and, impetuously, runs off with him. She soon leaves him, however, to become the mistress of a rich nobleman. Thus begins her descent into criminality and depravity, all too soon dragging the besotted Des Grieux with her, until she is imprisoned. Despite its tragic story, the opera is full of French charm and vitality – typified by the ambiguous Manon herself. Her plight is touching because of the subtle play of innocence and calculation in her character. The score contains many sparkling arias and ensembles, moving rapidly from moods of exuberance to tenderness, with perfect dramatic timing. Recorded live at the Staatsoper Unter den Linden, Berlin, April/May 2007.

Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.

Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.

In the depths of the Rhine, the three Rhinemaidens guard the Rhinegold, a treasure of immeasurable value. The Nibelung dwarf Alberich is dazzled by the sight of it. The girls explain that whoever wins the gold and forges it into a ring will gain power over the world, but must first renounce love. Frustrated by his unsuccessful attempts to catch one of the girls, Alberich curses love and steals the gold. Wotan, lord of the gods, is reproached by his wife Fricka: he has promised to give Freia, goddess of youth, to the giants Fasolt and Fafner in return for their building a fortress for the gods. When the giants demand their reward, Loge, the god of fire, suggests an alternative payment: the ring Alberich has forged from the Rhinegold, and his other treasures. The giants agree, and Wotan and Loge leave for the Nibelungs’ underground home.

Celebrated tenor vocalist and classical-pop crossover Andrea Bocelli toplines this live concert from 2011. Mounted in New York City's Central Park, it features appearances by frequent Bocelli collaborators Celine Dion and David Foster. Selections include: "My Prayer," "Ave Maria," "Amarcord," Home On the Range," and many more.

Daniel Barenboim conducts the Staatskapelle Berlin in this production of Verdi's opera starring Anna Netrebko and Plácido Domingo. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.

Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.

Take That, Lionel Richie, Katy Perry, Andrea Bocelli, Sir Bryn Terfel, Freya Ridings and many more perform live from Windsor Castle in celebration of Their Majesties' coronation.

"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.

With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.

Live from the Metropolitan Opera 19 December 2009.

Since her thrilling, 1995 debut at the San Francisco Opera, soprano Anna Netrebko has starred with opera companies and orchestras worldwide. This video gathers some of her best moments in excerpts from Giacomo Puccini's "La Boheme"; Charles Francois Gounod's "Faust"; Wolfgang Amadeus Mozart's "Don Giovanni"; Vincenzo Bellini's "La Sonnambula"; and Antonin Dvorak's "Rusalka." Also included are interviews with Netrebko and her colleagues.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession. (Filmed live at the Lincoln Center with the New York Philharmonic from March 5–8, 2014.)

Staatsoper Berlin’s new production of Rameau’s tragédie lyrique, directed by Alletta Collins; featuring costumes, sets and lighting designed by Ólafur Eliasson; and musical direction by Simon Rattle, who makes his debut with the Freiburg Baroque Orchestra.

Filmed at the Teatro del Silenzio (Theatre of Silence) in Lajatico over three nights in 2024 and marking his 30th year as an artist, this once-in-a-lifetime event sees classical star Andrea Bocelli appear in his home of Tuscany with a star-studded lineup of special guests to perform songs that have been the pillars of his career. This 4-disc package features two shows – “The Celebration” and “30 Years of Musical Inspiration” and over 4 and a half hours of performances. Bocelli is joined by an 80-piece orchestra, a cast of over 200 musicians and family and friends including Ed Sheeran, Jon Batiste, Shania Twain, Brian May and more. It’s a night that transforms both the landscape and beautiful Tuscan sky into something totally spectacular. The result: a mesmerising and truly unforgettable concert.

Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death.

Impressed by Jean Cocteau’s rewrite of Antigone, Stravinsky asked the poet for an adaptation of Oedipus Rex. The resulting libretto brings together the key scenes of Sophocles’s tragedy translated by the Abbé Jean Daniélou into Latin—a language that, according the composer, “is not dead but engraved in stone, and so imposing that it is immune to any popularization”.

Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”

Rufus Wainwright has composed a requiem in memory of those lost to the Covid-19 pandemic. This ode to life uses the full power of the Radio France Philharmonic Orchestra and features actress Meryl Streep.

Picture a day like this recounts the story of a woman bereft at the loss of her baby, who is told that she has a chance to restore her infant to life: "Find one happy person in this world and cut one button from their sleeve. Do it before night and your child will live." After a series of initially promising encounters end in disappointment, can she pull off the miracle she needs? Find out in this fable about human nature, a tale of self-discovery where the flow of music—performed by the excellent Mahler Chamber Orchestra, marking their 25th anniversary—follows the flow of life.

Johann Sebastian Bach’s *St John Passion*, performed in Leipzig by the young boys of the St Thomas Church Choir, which the composer conducted for twenty-seven years.

Mia Thermopolis is now a college graduate and on her way to Genovia to take up her duties as princess. Accompanied by her friend Lilly, Mia continues her 'princess lessons', like riding horses side-saddle and archery. But her already complicated life is turned upside down once again when she learns that she is to take the crown as queen earlier than expected, all while she meets a mysteriously charming young man.

An all star cast unite to perform a distinctive BBC Wales Television adaptation of Dylan Thomas's radio play, presented in collaboration with National Theatre Wales, to mark the centenary of Dylan Thomas' birth. The plot reveals the innermost thoughts of the residents of the small, Welsh fishing village Llareggub as it delves into the dreams of various townspeople including blind sailor Captain Cat, who is haunted by visions of drowned shipmates, Mog Edwards and Myfanwy Price, who dream of each other, and Mrs. Ogmore Pritchard, who dreams of her former husbands.

The story of Len, who made a billion dollars from inventing a new toilet roll, and his 12-year-old son Joe who appears to have everything he could want but what he really needs is a friend.

Mozart did not write the Requiem as despairing funeral music for his impending death. Rather, the piece proclaims eternal light and redemption. Together with a first-class quartet of soloists, the choirs of the Bavarian and Swedish radios and the distinguished musicians of the Lucerne Festival Orchestra, Claudio Abbado uncovers this more hopeful and forgiving essence of the Requiem.