In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
William Tell (German: Wilhelm Tell) is a 1923 German silent adventure film directed by Rudolf Dworsky and Rudolf Walther-Fein and starring Hans Marr, Conrad Veidt and Erich Kaiser-Titz. The film portrays the story of the legendary Swiss national hero William Tell.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A newlywed fears she's going mad when strange things start happening at the family mansion.
At the height of Reign of Terror Maximilien Robespierre orchestrates the trial and execution of several of his fellow leading French revolutionaries including Georges Danton.
In China, Professor Gesellius has completed his long research on the many uses of opium. When he is about to return home, he hears about a special variety that produces fabulous sensations because of the way it is made, but can also cause the total destruction of the mind and body of the person who consumes it.
The sawmill owner Ramin disappears from one day to the next. Concerned, his family learns from the bank that he wrote a check to an agent named Frisch. He supposedly wanted to use it to buy a good. However, that did not happen. When Ramin's body is found, the police stumble upon Ursula von Tweel, who knew the dead man.
A biopic of former Emperor of France, Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant 1797 invasion of Italy.
That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.
After finding her sister dead, Maria tries to find out who or what is to blame.
Amid the Russian Revolution of 1917, a mutiny aboard the battleship Sevastopol helps revolutionary forces seize control of the port city. Maria, the daughter of the deposed governor, struggles to protect her family and reunite with her lover while a ruthless former servant, now a revolutionary commissar, pursues her. A dramatic blend of romance, naval action, and revolutionary violence, this 1937 Nazi propaganda film presents the upheaval through an intensely anti-communist perspective.
In 1918, a German regiment is granted five-hours leave in Berlin.
In Russia shortly before the outbreak of the First World War, Princess Vorontsov (Ellen Richter) is in love with a high-ranking officer of the tsarist army. When he is murdered, she craves revenge. The leading suspect is a lawyer with ties to nihilist revolutionaries. On behalf of the secret police, she travels to Switzerland in order to gain his trust and facilitate his arrest. Too late she realizes that she has been toyed with all along. Her fiancé was not the man she thought she was.
Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.
A young man succumbs to gambling fever.
When Irmgard becomes pregnant from Georg, a free-love disciple, she decides, for the sake of her child, to pretend they are married. The secret plan is to wed his twin brother, John, who will pretend to be Georg in front of the priest. Soon after that happens, Georg disappears and is declared dead. Years later, Irmgard is trying to escape John, who is obsessed with her. In the mountains, she finds a stranger willing to protect her.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
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