Who Flung Poo

Trailer Town is a unique motion picture experience, truly unlike anything you've seen before. A sexual interpretation of inner violence, about out-of-work comedians living in a trailer park run by a soap opera star. The old comedians cannot work anymore due to their addictions, and come up with the filthiest, most offensive routines they can devise, to strike out at mainstream society, their only audience being themselves. When Bill recieves an eviction notice for having too many wild parties, he takes to the roof of his trailer with a rifle, and declares he is a victim of an 'aluminum holocaust.'

"Touch Me In The Morning" is the story of "Coney Island McGuire" a "change of life baby" son of an alcoholic jail bird father and "flatulence freak" mother. "Coney" stumbles through the intricacies of his divorced parents' new relationships, only to see his father's penis ripped off by his mother's new boyfriend. Subsequently, his father becomes a woman and his mother a pre-op Lesbian male only to fall in love again and reform the family.

Material from this film (as well as other sequences previously shot but never used in other films) were eventually edited into what became Period Piece in 2006.

60 year old widow and cystic fibrosis sufferer Daisy (Gayle Wells) hooks up with crack addicted lonely ex-cop Rick (Walt Dongo) in a trailer park romance.

Apartheid has been ordered to Green Hockers Rehab Center for excessive drinking. His habit is so bad that his life has become one continuous case of the DTs. As a matter of fact, a disembodied old man with the same initials seems to be controlling his attempt at sobriety. Forced to wear a monkey around his neck to highlight his problem, said simian comes with two bags of rocks around its legs. The longer Apartheid stays, the more rocks will be removed and the less weight he will have to be subjected. Of course, DT doesn’t help. He offers disquieting visions of smiley faced stones that punch people out, remote control apes that choke people to death, and others with equally oppressive addictions of their own. As he battles with the bottle, losing most of the time, all Apartheid wants to do is get away from this abusive clinic. Little does he know that, just like Hotel California, he can check out any time he likes, but he can never, ever, ever, leave.

Wiggly Harris is a volunteer worker at a senior citizen's home. Due to his obsession with stealing wigs, Wiggly has a warrant out for his arrest. Freaked out that his unemployment benefits have almost run out and bombarded with relationship issues(his stripper girlfriend demands that Wiggly lose his virginity to her and start meeting her sexual needs in one of the most memorable sex scenes ever filmed) Wiggly is quickly losing his grip. Further frustrated by his oddball parents (the father, a religious fanatic who feels the end of the world is coming soon, and the mother, who collects photos of food) Wiggly comes to a horrific end.

A young man who likes to Rollerblade must face the fact that the documentary about ants his father is making might is driving his father insane.

Black Jesus just can’t take it any more. He hates his dying wife and his transsexual son - but not for the reasons you think. She won’t let him obsessively cut coupons, and he/she fetishizes guns to the point of distraction. His other daughter is a dope fiend, and his recently deceased father was an out and out pervert. And don’t even bring up autistic child prodigy Hobie. Desperate to play the violin, the partially blind boy spends his days roaming around the city, instrument in hand and toilet paper tube up to his bad eye. When the youthful talent meets European Ernie, it seems like everything will be all right. He coaches the child, and even suggests someone who might be able to teach him a thing or two. In the meantime, Mom and the sexually confused Shamu build a bomb. With Black Jesus out of the house, they intend to avenge the cultural attacks on religion once and for all.

Two elderly criminals spend their final night in Los Angeles, California at the Golden Eagle Hotel prior to their departure to Las Vegas, Nevada, to lead a life without crime. Unfortunately, on the hottest night of the summer, these two ex-criminals seemingly get caught in the malice of prostitutes, pimps, drunken bums, fighting monkeys, and young runaways.

In this third volume of the Best of Tromadance, viewers can sample fifteen of the best films from the 2003 and 2004 Film Festivals totally over three hours. Titles include Giuseppe Andrews' "Dribble;" winner of the Tromadance / Kodak Independent Soul Award, Kevin Maher's "Monkey Brains," "Kung-Fu Kitties" and "Marijuana's Revenge" by the filmmaking team of Philip Gunn, Daniel Guiterrez and David Valdez. Also included are Matt and Greg Brookens' "Skunk Ape!?," Jamie Greco's "PDA Massacre" and others.

Nothing more than a simple set up – four of Andrews’ company getting smashed in a seedy hotel room – this improvised look at men out to party is strangely spellbinding. There are the typical taunts about penis size and sexual prowess, and with liquor involved, things soon turn violent.

Latuga is a desperate woman living a desperate life. Divorced from fancy suit store owner Classe, she is forced to live in a small studio apartment and care for the couple’s ex-heroin addict son Puzo. The boy, obsessed with a toy barbeque pit, is always on the verge of some horrific act.

"In this vignette oriented piece, a group of people discuss their own often unique perspective on life. Unlike other titles in his canon, Esoterica is completely apropos. Each sequence suggests the inner psychological struggles of seemingly normal people, the whole “private conversation in their head” thing given new and startling voice over reality. They are talking to themselves - and responding. All the standard players are here - icons from the past (Vietnam Ron, Walt Dongo) as well as new faces (Nolan Ballin, Sara Flanders) fresh and buoyant with the boy genius’s love of language. Together, their paint a stunning portrait of human frailty and mental mania." (review excerpt by Bill Gibron)

"Baby Swiss is obsessed with a strange science fiction film. She fantasies about living in its futuristic ideals, and keeps a separate DVD copy in a strongbox under the house just to be on the safe side. Naturally, this drives her unattended husband to the local whorehouse, known as The Village of the Moon. There, he meets up with other unhappy men and drowns his sorrows in high priced call girls. In the meantime, Baby Swiss discovers a kind of platonic love with a like minded neighbor. He is so desperate to be part of her life that he will wait outside her window. Their relationship will turn on whether she cleans the glass, or closes the blinds. And all the while, a homeless Greek chorus champions the freedom of living on the streets, unencumbered by the mindless machinations of being part of this so-called “proper society”" (review excerpt by Bill Gibron)

While the rest of America slept, DIY filmmaker/musician Giuseppe Andrews has made over 30 experimental features. Set in some demented alternate universe (i.e. Ventura, California), they are populated by real-life alcoholics and drug addicts, trash-talking senior citizens and trailer park residents dressed in cow outfits and costume-shop wigs. Director Adam Rifkin creates a wildly surreal, outrageously funny and strangely touching portrait of a truly Outsider Artist inhabiting a world few of us even know exists.

“Two wannabe ‘gangsta’ white boys share a trailer – and a case of squirrel-influenced stomach flu. An old man channels the spirit of a horse known as Mr. Ted and writes a hate-filled tome in the steed’s name. Two meth dealers discover a rat in their lab and one adopts it as his very own pet. A young man must face the fact that his mother is a whore and his father is her pimp. A middle aged man must face the fact that his mother is dying of emphysema and losing her marbles. And what do they all have in common, aside from an addictive need to drink the latest alcohol-laced specialty beverage, Pussy Juice? Why, it’s the unending craving for sex and/or sexual fulfillment – and sometimes, not in the way “normal” people view such biological and physiological desires.” (review excerpt by Bill Gibron)