Where the Breakers Roar

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

Vivienne Ware is defended by her ex-beau when she's accused of killing her faithless fiance.

Drama written by the film's star Linda Arvidson, under her married name Linda Griffith, was her both her final screenplay and film appearance.

In the Kingdom of Never-Never Land there live a great Lord and Lady, each presiding over their own domain. This great Lord goes for a stroll through his estate and coming to the border of his own land he is struck by the entrancing beauty of the contiguous estate, so like his own, that the inclination to intrude is irresistible. His peregrination is halted by the appearance of the great Lady, who is indeed as fair as the flowers that clothe her land. He introduces himself and invites her to stroll with him in his gardens. She is in like manner entranced by the beauty of his possessions. How alike in beauty are they; a veritable fairyland. If they were only one, for it seems they should be. This thought is mutual, and the Lord proposes a way, a marriage, and so a betrothal of convenience ensues. They know nothing of love and so are content in the anticipation of being Lord and Lady of all Never-Never Land.

Agnes, a singer in a country church, is practicing one day when a vaudeville manager hears her and offers her a job. Over the objections of the curate who loves her, she accepts the offer and goes to the city. Later the curate goes to hear Agnes perform and, fearing that her soul is being corrupted by show business, he asks her to return to the small town with him. When she refuses, he is prepared to kill her in order to protect the purity of her soul. This brings about her change of heart, and together they return to the little church.

On his deathbed Steele Weir's father tells his son of a band of criminals who framed him for murder and robbed him of valuable land in the West. Under contract to build a dam, Steele goes to the headquarters of the gang; and becoming aware of his identity, they plot against him with the services of lawyer Martinez. He, however, proves to be Steele's friend and obtains evidence against the gang. When Ed Sorenson, the leader's son, steals the evidence, Steele's sweetheart, Janet, outwits the enemies, and after many adventures the bandits are convicted and Steele wins the girl.

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.

An experiment goes wrong and blinds a newly married chemist. The chemist's wife does not want to take on the burden of caring for the blind chemist, and her younger sister take her place.

On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.

A disfigured young woman with two beautiful sisters is courted by a blind man. Will he still love her when his sight is restored?

After three years at sea, Edward returns home to find his sweetheart forced into an engagement with a much older man.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

"Fine feathers make fine birds", and handsome gowns make handsome women. Hence it is when Isabelle appears on the scene clad in a gown that is a masterpiece of the dressmaker's art she easily fascinates the male contingent, among whom is Enrico, the sweetheart of Veronica, a street singer. Enrico is so enraptured at the sight of Isabelle in her resplendent attire that he becomes her abject slave, casting aside the poor, peasant-clad little Italian street singer, who has loved him devotedly. Crushed almost beyond endurance the poor girl stands sobbing at the entrance of the park where the inconsistent lever left her. Her tears attract the attention of a wealthy young couple who happen to pass. In answer to their queries she tells them how contemptibly her sweetheart acted, and all because of the fascinating influence of a gown.

A man arrives home late and drunk as usual. His wife reminds him that he's supposed to take their daughter out to a play. While watching the play, he's faced with his own drinking evils and how his life would be without them.

A documentary looking at the life and career of film director Frank Capra. Hosted by Ron Howard.

A look at the life and work of Charlie Chaplin in his own words featuring an in-depth interview he gave to Life magazine in 1966.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.

Walter MacIntosh and Abe Salisbury are filmmakers in the process of viewing their swashbuckling romance epic, 'The Loves of LaVorees', starring silent screen idol, Romaine Salisbury, hotly contested within Hollywood and part of an expensive silent film production, only for Bovine Productions to switch to sound production and reveal to them for the first time, Romaine's real all-talking, all-singing voice.

Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.

Ben Turpin's rival marries his college sweetheart played by Phyllis Haver.

This 1940 presentation features highlights of earlier (1928 onward) Oscar ceremonies including Shirley Temple and Walt Disney, plus acceptance speeches for films released in 1939 with recipients and presenters including Vivien Leigh, Judy Garland, Hattie McDaniel and more, with host Bob Hope.

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

Two miners are fighting over a woman, and one is about to murder the other in his sleep. At the critical moment, the woman introduces her fiancé from the city.

Jane Ray, a very clever reporter of crimes of passion, or "sob sister," for a New York tabloid, begins to feel depressed by the sordidness of her latest assignment, the investigation of a young woman's murder by her husband. Despite her growing distaste for her profession, Jane gets her story and, with typical ingenuity, frustrates her competitors' attempts to follow her lead.

The theft of a sacred diamond band from a Hindoo shrine starts the action.

The head of a big movie studio is pulling his hair out because the company is bankrupt unless they can find a writer for a smash comedy. An aspiring writer is awaiting outside the office and the producer agrees to see him. He listens while the writer tells his story and acts the numerous parts. The story is rotten, but the producer lets him escape while vowing vengeance on any other author who would read his story aloud.

Based on Shakespeare's play. Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.

Two lovers elope and expect to be pursued by her father. But the clever father has tricked them into running off, and celebrates their wedding when they return home.

A dishonest undertaker stirs up droll, laughable tragedy between two devoted husbands and their loyal wives in his attempt to build up an insurance sideline when the undertaker business fails.

Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.