Where There Is Truth There Is God

Unable to conceive, Thakurain Lajjo enlists the help of her maid, Mahua, and approaches a demon named Nevla, who assures her that she will indeed give birth but if it's a daughter, then she must surrender her to him, to which she agrees. Shortly thereafter, she gives birth to a daughter, Kamya, but refuses to surrender it. Mahua poisons her, abducts Kamya, and takes her to Nevla, but Thakur Pratap Singh intervenes just in time, banishes the former to a coffin in a cavern, and rescues his daughter. 18 years later, Kamya herself will be compelled to approach and resurrect Nevla in order to win the love of Kumar - who she is obsessed with - and will do anything to make him her's forever.

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

Kali is an uppercaste but naive and dim-witted Brahman and lives with his stepmother and her son. He has fallen in love with Pushpavali who is of a low caste. Kali's mother frowns on this and on the next small pretext throws him out of the house.

The film blends classic tales from the Shiv Puran and the Ramayana. It begins with the celestial powers of Sati Anusuya, which lead the trinity of gods (Brahma, Vishnu, and Mahesh) to test her virtue, resulting in them temporarily turning into infants at her ashram. Later, the narrative transitions into key events from the Ramayana. Goddess Parvati (Uma) doubts whether Lord Rama is truly an incarnation of Lord Vishnu. She tests Rama by disguising herself as Sita, but Rama respectfully addresses her as Mother, proving his divinity. The second half follows the core events of the epic, including the battle with Ravana, Sita's agnipariksha (trial by fire), her exile, the birth of Lava and Kush, and her eventual return to Mother Earth.

Teen Bahuraniyan (English: Three Daughters-In-Law) is a 1968 family comedy movie. The film is a remake of 1967 Tamil movie Bama Vijayam (Bama's Visit). The film's three lead ladies reprise their roles from the original movie. Teen Bahuraniyan is family story of 3 daughter in laws and their husbands. The movie shows how their relations takes different colour at various situations and how the father Prithviraj Kapoor plays vital role in the family to keep things going.

Widower Ram Kapoor frequently throws lavish parties to overcome his loneliness. That changes when his son, Rajesh, returns home with a proposition. Ram's life soon spirals out of control.

Baijnath alias Baiju is a slacker, trouble-maker, unemployed, and a flirt. The villagers rally together and force his father to ask him to leave the village, which Baiju does. Baiju's travels take him to the castle of a king, who has a beautiful daughter named Ratnavali. When he sees Ratnavali, he is smitten by her beauty and falls head over heels in love with her.

In the 16th century, when Prince Salim falls in love with a beautiful courtesan named Anarkali, Emperor Akbar's disapproval leads to a battle between father and son.

A social drama that focuses on the struggles of a cherished daughter as she navigates societal expectations and family conflicts that threaten her personal happiness and romantic choices.

The film follows the adventures of Aladdin and his finding a magical lamp which helps him in attaining the love of Princess Badar.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

A Hindi social drama directed by Kalidas, starring Pradeep Kumar, Rajendra Kumar, and Vyjayanthimala.

The tyrannical Angulimal (Bhushan), a bandit wearing a garland of severed human fingers and who engages in bloody mystical rituals to achieve divine power, eventually succumbs to the Buddha’s teachings. Nimmi played Angulimal’s lover.

Mera Qasoor Kya Hai is a 1964 Hindi film starring Dharmendra, Nanda and Om Prakash. The film's music is by Chitragupta.

Superintendent of police, Rajesh, is asked to look after a police station in Goa, where he meets his old friend, Shekar, but soon Rajesh finds himself in a dilemma where he must re-evaluate his commitment to their friendship.

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.

Bombay-based Rajesh lives a fairly wealthy lifestyle with his parents, mom - a housewife and dad - a rather parsimonious businessman, named Amirchand. One day while walking on the beach, he comes across a beautiful blind girl named Shivani. He instantly falls in love with her. She also likes him, but understands that they cannot be married. Regardless of this, Rajesh asks his parents to permit him to marry her, to which his mother agrees, but his father refuses. Then Mr. Rai, Amirchand's friend, intervenes, he offers to pay for getting Shivani's eyes tested, and if she succeeds in getting her sight, then and only then can Amirchand permit his son to marry her.

Vijay is in love with Arti, but while he tries to woo her he becomes embroiled in a murderous plot that involves Arti, her father and the beloved businessman Mahendra Nath

The Portuguese in 16th century India plot to take over the country.

Bright students Ravi, Adi and Surya are angry when they find out that their high school marks are just below the cutoff mark to get an entrance to the college of their choice. Out of frustration, Ravi twangs his guitar during his grandfather's classical music lesson. The old man, instead of getting angry at this behavior, challenges the boys first to a musical contest and then to a cycle tour to Kanyakumari. These challenges test the young kid's minds, characters and endurance.

The Principal of New Era High School in Panchgani finds an orphan, Raju, who had lost his parents to plague, brings him home, and enrolls him in the school. Raju notices that while every student has parents and visitors, he has no one to call his own. He gets distraught and is assured by the Principal that he does have a relative in Chacha Nehru (Jawaharlal Nehru, the Indian Prime Minister). Raju believes him, and when he finds out through his teacher, Uma, that Nehru will be delivering a speech in Chowpatty, Bombay, he sneaks off in the trunk of a car. Upon arrival he faces harsh realities, his money is almost stolen, and he is befriended by a cynical deranged male, who tells him that Nehru is now a speech-prone politician and is unable to hear what the common citizen has to say...

Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.

This was the first of the two films based on the same mythological story directed by B.K. Adarsh, featuring his wife Jaymala as the female lead, and having the same title. The second film, released in 1970, featured Pradeep Kumar as the male lead and was produced by Jaymala. This film had Prithviraj Kapoor in the lead role and was produced by Adarsh himself.

A philosophical drama follows a disillusioned man's journey to rediscover his lost humanity in a society that has forgotten what it means to be a true human.

A young doctor, Dr. Deepak, uses faith cures and is expelled from his profession. After successfully curing a Prince, he becomes a Chief Medical Officer but is framed for murder by a jealous State Physician. When his sweetheart falls ill, Dr. Deepak must cure her from prison, leading to a "satisfactory ending."

"Living Legend - Raj Kapoor" is a revealing portrait of Raj Kapoor, a charismatic personality who held centre-stage in the Indian film industry for more than four decades! In a highly personalized interview, Raj Kapoor talks to the film's director, Simi Garewal, about his emotional evolution.. his regrets.. his love.. his music.. his films and his philosophies. The viewers are also treated to glimpses of haunting scenes and songs from his films.

Thakur Virendra Singh lives a wealthy lifestyle in India along with his wife and a son, Kumar. His relative Bihari is envious, and successfully switches his son, Kishan, with Kumar, and also ends up killing Virendra. In this manner, Kumar grows up a wealthy lifestyle, while Kishan lives a poor lifestyle, shunned by his father and his mother, who has lost the use of her vocal chords. Bihari takes Kishan to his brother in Bombay, and leaves him there to lead a life of crime. 20 years later, Kishan has grown up and is now a master burglar. He meets with another burglar, Mary, and both decide to be fifty fifty partners. However, Mary has other plans, she ditches Kishan and joins forces with Diwan Shamsher Singh to masquerade as the long-lost daughter of Ranimaa of Chandpur. Mary does not know that it was the Diwan who has done away with Rajkumari Ratna, and he will not hesitate to kill Mary - or anyone else who dares to stand in his way and the treasure of Chandpur.

A male and a female in their human forms are in love with each other. When the male turns back into a snake, he is shot by a member of a hunting party, who thought the snake was going to attack the woman. Enraged at the brutal killing of her beloved; the female snake begins to take revenge on the six involved, killing them one by one after assuming the form of a human.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

Being financially weak Rajib and Soudamini are unable to fulfill the requirement of their only son Babul. Babul who takes a great interest in housie gets pampered by a family of his neighbourhood who doesn’t have any child.

A top secret microfilm gets stolen and secret agent 077 aka Rakesh is assigned to retrieve it from the enemies. The adventure of returning the microfilm to its rightful owner intertwined with Rakesh's evolving love story forms the basis of the plot

Mystery about a wife who appears to be leading a double life

Sudhir goes to take care of his family business in Goa. He is attracted to Maria, a mysterious woman who meets him in an old graveyard.