Three scenes about three couples with each portraying maybe the turning point of their relationship. First scene, Lim & Amelia are a couple who had been together for almost five years. While he works as a salesman and trying to save up for marriage, the girl are not sure if he’s the one she wants to marry. One day he confronts her about a letter from her admirer. Second scene, Pete & Bernice are a couple who had been together almost ten years. They’re not married because he doesn’t believe in marriage. While she tags along, one day she might realizes this may not be the man she wants to end up with. Third scene, we see Amy & Lai are a pair of secret lovers. This maybe their last meeting or maybe not. They may had loved each other in the past they may not now in this scene. This is the third and final part of James Lee's Love Trilogy which takes offers a glimpse of the life of three lovers.
In the near future, Major is the first of her kind: a human saved from a terrible crash, then cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals.
After the mysterious disappearance of their baby daughter, a young couple receives strange videos and realizes someone has been filming their daily life — even in their most intimate moments. The police set up surveillance around their home to catch the voyeur but the family starts to crumble as secrets unravel under the scrutiny of eyes watching them from all sides.
Mrs. Chew and her three daughters run a small but flourishing restaurant. Most of the customers come for the house specialty: Homemade Curry - cooked from an old family recipe. Nobody suspects that the special ingredient that turns Mrs Chew's curry from standard fare into a gourmet's delight is human flesh!
A migrant worker recounts a strange tale about her past when her boyfriend proposes to her.
A perpetual gambler wiling away his life in a pool hall, a dead-end copy shop worker and an old age home resident struggle to find a place to connect.
CUAK, which roughly translates to 'cold feet', follows the story of Adam on the verge of getting married and having second thoughts as he goes through the events that lead up to this moment - how they first met, the in-laws and best friends and making tough decisions such as converting ones religion to get married. The film is uniquely told by 5 directors who each direct each of these events as segments of the film, combining together to make one full narrative in a variety of different styles - ranging from drama and comedy to noir and mockumentary - making CUAK a truly Malaysian movie with themes that resonate with a universal audience regardless of race or religion.
If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.
Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardianship of her aunt, Madame Tien, who shuffles her between two jobs - working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a 'baby factory' scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.
Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts martial arts film. The role requires extensive training and though Moon is at first uncertain, she leaves her young son in the care of Roger’s assistant and commits herself to back-breaking training. As soon as she starts to gain some confidence, Roger breaks the news to her: the only way the film can move ahead is to cast her ex-husband, Julliard, as the male lead.
The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.
Christophe, a young horse racing jockey from Paris, is filled with hope and ambition. Yet after a race, he tests positive for illegal substances and is subsequently suspended from racing. He decides to move to Macau, in Asia. There his circumstances change very quickly: he wins one race after another, earning himself large amounts of money and success with women. But, his new life also brings him an ever-increasing sense of solitude. Macau has its own unspoken rules that Christophe thinks he can ignore. But events start to gain momentum as the net tightens around him. Motivated by love for an intriguing young Chinese woman, Christophe ends up gambling with his own destiny, but this time on the card tables.
A mainland Chinese filmmaker, exiled to Hong Kong for her politically-charged work, reunites with her mother on a trip to Taiwan.
The films story takes place over the course of one day. Bapak senses that he does not have much time left and so he invites his offspring to have dinner with him the next evening. He want to discuss some family matters concerning their inheritance, a large part of which is his home, a large sprawling house set in an acre of prime real estate located in the centre of Kuala Lumpur. An unexpected visit by two strangers leads Bapak to change his plans and bring the dinner forward to that evening instead.
What happens when prey and predator are both trapped on a luxury cruise ship? Two gold digging girls, Bella and Intan, come face to face with three Datuks, three Datuk's wives, two Datuk's children, one private detective and one diehard fan of Bella's. Who are the predators and who are the prey? On a voyage that's full of surprises, anything can happen!
If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.
Shares a lead actor · Same director
Mrs. Chew and her three daughters run a small but flourishing restaurant. Most of the customers come for the house specialty: Homemade Curry - cooked from an old family recipe. Nobody suspects that the special ingredient that turns Mrs Chew's curry from standard fare into a gourmet's delight is human flesh!
Shares a lead actor · Same director
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