Waga seishun no toki

Shizuku lives a simple life, dominated by her love for stories and writing. One day she notices that all the library books she has have been previously checked out by the same person: "Seiji Amasawa."

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

The tragic, true story about Hachikō, an Akita dog who was loyal to his master, Professor Ueno, even after Ueno's death.

In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.

A thief, a murderer, and a charming lady-killer, Iwao Enokizu is on the run from the police.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

A delightful and moving coming-of-age story. One summer, three young boys take an increasing interest in an eccentric old man who lives alone in a house surrounded by an overgrown garden. The boys form a bond with the recluse and set about weeding and replanting the garden.

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.

Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan’s most powerful warlord, unifying the country.

Intrepid tax investigator Ryoko Itakura sets her sights on the mysterious and philandering Hideki Gondo, a suspected millionaire and proprietor of a thriving chain of seedy hourly hotels, who has for years succeeded at hiding the true extent of his assets from the Japanese authorities. Itakura and Gondo soon find themselves engaged in a complicated, satirical battle of wits.

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.

Ryōko Itakura returns as the tough-as-nails government taxing agent. This time she must figure out a way to expose a fanatical religious cult lead by a corrupt sociopath.

While stopped at a roadside phone booth for transmitting his work through the Internet to the university, Professor Hideki Satomi finds a scrap of newspaper with the picture of his five-year-old daughter Nana in the obituary section.

In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.

A successful Japanese movie director in his sixties becomes increasingly ill while working on his latest film. Though his family, friends, and doctor try to keep the secret of his terminal cancer from him, Buhei gradually comes to realize the truth of his condition, leading him on a journey of despair, anger, and – ultimately – acceptance.

Best-selling novelist Kosaku Igami has made a career out of using his family as fodder for his novels, much to their dismay. When his mother, the spirited family matriarch, is diagnosed with dementia, Igami must come to terms with the toll his own behavior has taken on his increasingly distant family and resolve his own long-simmering resentments. Evocative of classic Ozu, this gorgeously wrought epic family portrait explores the tenderness and trappings of familial bonds.

A team of geophysicists investigating seismic activity on the seafloor discover that the islands of Japan, after suffering from massive volcanic eruptions and earthquakes, will be pulled into the ocean, killing millions.

In feudal Japan, when any commerce with the rest of the world is strictly prohibited, an idealist appears at an isolated inn, headquarters of smugglers with stolen money intended to ransom his loved one forced to work in a brothel.

Fumiko and Ryōtarō Namiki's marriage has gone stale, with both constantly arguing over what to do on a day off, or about her cutting out recipes from the newspaper before he finishes reading it. Their animosities are witnessed by Fumiko's niece Ayako, who visits to complain about her own husband's inattentiveness, and their new neighbours, the Imasatos.

A Japanese bullet train is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers so the train crew can learn how to defuse the bomb.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

As the Japanese military has established the puppet state of Manchukuo and is advancing its invasion of Asia, fighting intensifying battles against anti-Japanese partisans, the Godai zaibatsu becomes involved in large-scale opium smuggling. Shunsuke, second son of the Godai family, falls in love with a married woman. Meanwhile, Kohei, the love of the second daughter, Junko, throws himself into the anti-war movement.

A ronin desperately seeks a way out of financial straits; he allies with the Tosa clan under the ruthless leader Takechi, who quickly takes advantage.

Two infantry regiments of the Imperial Japanese Army—210 men overall—tackled Mt. Hakkoda in the winter of 1902 to prepare for war with Russia.

As Japan's war of aggression against China intensifies, beginning with the Nanjing Massacre in December 1937, Kohei, who had secretly married Junko, the second daughter of the Godai family, deploys to the front lines, witnessing the atrocities of the Japanese army firsthand. Meanwhile, Shunsuke also takes to the front lines of the battlefield, engaging in a fierce battle against the Soviet army at Nomonhan.

The relationship between Tetsuro, a university student from a disgraced, burdened family, and Shino, a waitress supporting her impoverished relatives. The couple decides to marry despite the significant emotional and social hardships each faces, viewing their love as a means to overcome the shame and despair inherited from their pasts.

"Young People" is a story about the lives of four brothers and a sister, Sato. After the death of his parents, the older brother, Taro, who works in construction, decides to replace them. The second brother, Jiro, is a truck driver. The third, Saburo, is a student, dreams of a better future for the whole family are connected with him, with his career. Brothers and sisters are fighting to give him a higher education. And, finally, the youngest of the brothers, Suekichi, is also going to enter the university after graduation. The life of the Sato family is complicated. Taro is kind, but limited, not always able to find a common language with his brothers and sister Orie. The girl cannot stand the despotism of her brother, leaves her home and goes to work at the factory. With her departure, everything in the house goes upside down. Suekichi fails her university entrance exams, Orie is forced to return to her family.

A beautifully told story of a woman hardened by marriage to a man she doesn't love, after giving herself to another. She dedicates herself to her work, designing and creating plaited cords for kimono.

The upstart Godai family conglomerate plans to strengthen ties with the hardliners in the Kwantung Army as they plan military expansion into Manchuria.

Kitamori Yuki was particular about her promise to her mother-in-law Hana. The promise is that, as the daughter-in-law of Koichi, the eldest son of the Kitamori family, Hana entrusts everything to Yuki, but wants her entire family to come see her on her birthday. At that time, her second son Keisuke's daughter Megumi, who is her private taxi driver, made a mistake, and she was overwhelmed and approached Yuki for advice. Eventually, her mother Kayo of Megumi learned about this, but a period was quietly struck by her women coming to a conclusion that should be the food for Megumi's growth.

Daisuke and Shinichi are companions who frequent girlie shows and parties until they find out they are rivals bidding for control of a major resort hotel. During the bargaining sessions each accuses the other of misconduct because of their escapades, thus getting them in trouble with their families. Shinichi's ecology group and Daisuke's wife's women's lib movement become involved.