Volga And Siberia

A dramatization of a wedding in 16th-century Russia, between members of two prominent boyar families (based on paintings by Konstantin Makovskii): Three matchmakers first visit the family of the prospective bride, and then do the same with the prospective bridegroom's family. Later, as the time of the wedding draws near, the bride is dressed with great formality and prepared for the ceremony, as the guests get ready to celebrate the upcoming wedding.

Based on Lermontov's poem of the same name, Boyarin Orsha (Peter Chardynin) leaves the service of Ivan the Terrible.

Made in 1912, this film has become known as one of the greatest pieces of pre-Soviet cinema. The silent film tells the story of the Patriotic war of 1812 when Napoleon attempted to invade Russia. This joint French and Russian film sparked major excitement in Moscow at its premier screening and continues to entertain audiences throughout the world today. The 32-minute silent film was the point of origin for some of the more advanced camera techniques used today. Sirotin of the Voice of Russia said that, “The film is interesting to spectators even today and is frequently shown both in Russia and abroad.”

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

The old nunnery owns the best lands. Nuns rent out the land to local rich men, and exploiting peasants they have a wealthy life. The peasants live in misery. Especially, the family of the peasant named Levin. He is forced to give away his last horse, his son Andrii is imprisoned, his daughter Nastia becomes a maid of a rich landlord. Trying to prevent the master’s harassment, Nastia escapes and gets to the nunnery. She can see the other life of the nuns who manufacture false relics, drink alcohol and kill children. Nastia ends up in the basement for resisting one of the “spiritual pastors.” Meanwhile, her brother Andrii escapes from prison. He stirs up a rebellion and saves his sister. The film is lost.

A tragic story of a ballerina.

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.

Lost film based on Leo Tolstoy's story from War and Peace novel.

This tragedy depicts a father and son in love with the same woman, who is an enchantress. She keeps them both in subjection with her charms, butthe mother and wife of the victims kills the seducer. However, both the father and the son are severely affected by her actions, which they cannot forgive.

An adaptation of Ivan Nikitin's poem 'Ukhar-kupets' for Pathé.

Film adaptation of excerpts from Nikolai Gogol's novel of the same name. Only two episodes are recreated faithfully: Chichikov's visit to Sobakevich and Chichikov's visit to Plyushkin. These episodes are followed by a series of scenes in which other characters appear without any connection with the plot. In the finale, everyone is photographed next to the bust of Gogol.

Not finished.

It is Christmas Eve, and the town witches’ son, a blacksmith, seeks an honest marriage to his love who wishes for a pair of shoes fit for the Tsarina. A mischievous devil is trapped into providing service to the smith.

A Jewish parvenu climbs the social ladder by seducing wealthy women.