Voi veljet, mikä päivä!

Sammeli from Näljängä and Einari from Haataja, who were hunting bears, encounter Natalia, a cow that has crossed the eastern border. In the name of friendship between neighboring countries, Natalia is asked to return to the Soviet Union.

An idle work crew is ordered to go and heat up an abandoned house before it is demolished. A road sign pointing in the wrong direction leads them astray, and the men end up at an empty hotel, where they begin a program of evening entertainment led by Severi Suhonen.

The film follows a dress rehearsal of a charity concert.

A young man arrives in the village. He becomes a miller and delights the girls in the village, which evokes bitterness in others. He is subject to moralistic criticism, even though he is in fact only in love with the tailor's daughter.

Young woman flies to Lapland together with her father and his new female friend whom the daughter dislikes. On a lonely skiing-trip across the vast wilderness, the young lady ends up in a shack inhabited by two research engineers and a funny old Lapland man who sees peculiar dreams.

Young Tirlittan gets rid of her family after being struck by lightning in her home. While looking for a new home, she meets a friendly policeman, a woman with goat, and a ringmaster with whom Tirlittan ends up performing in a circus.

The musical comedy tells the story of two friends about Usko and Toivo, both of whom happen to have same surname, Lahtinen.

1765. Regina Tuomaantytär is engaged to Juha. However, she is also courted by Martti Heikkilä, soldier Matti Modig and Kalle Brockman. Regina's two sisters and Sikala's maid Maria have fallen in love with Martti again.

Unexpected romance is in the air when a young woman from Finnish boarding school meets an American millionaire.

A famous glass artist escapes his busy city life and takes to the road.

An jolly gang of elderly people plan to rob a bank.

Two Finnish PI:s are hunted by a gang specialized to counterfeit banknotes from Malaga to Finland and Mallorca and back. The counterfeit money printing plates are desperately searched by the gang and our heroes try to hide from them by travelling to Mallorca, where some of the local hoods try to kill them and retake the missing plates.

The unlucky layabout Isarkar Keturi brings a criminal gang to heel with the help of his assistant Mikael. He frees Irma, the daughter of mining magnate Tömstet, from captivity and a forced marriage to Kurt. Irma achieves her dream of becoming a pop star, with Isaskar's help.

A little orphan boy is the focus of attention, as well as his stepmother whose special qualities engender a certain mystery around her person – and hint at magical powers.

Eemeli, a lazy farm boy, is sent out into the world by his parents due to poor potato harvest forecasts. On his way to the logging camp, he meets Tommi, a man from Helsinki who sells razors and is headed to the same destination. At the logging camp, the loggers and Eemeli perform several musical numbers and flee from Isabella, the cook, who is hungry for men.

A story of an escaped convict and some funny side stories during the Finnish summer, some stolen clothes and some summer romance thrown in.

Lasse Pöysti plays a young reporter named Esko Pekuri who thinks he's got a front-page story. But every article he writes goes in press as minor news. He gets a fantastic idea to impersonate a gangster and write an article about prison life.

'Tup-Akka-Lakko' is a sequel to 'Koeputkiaikuinen ja Simon enkelit' in which doctor Jyrä invented a test-tube-adult who looked exactly like Mutikainen, a mathematician. When the test-tube-adult's body emerged, his voice moved into Mutikainen's body because of the doctor's error. Problems ensue.

At Pösökylä's lodge, Taneli injures her leg in fur hunter Eemel's wolf irons, and Eemeli decides to take up the position of lodge lodge. During the leave of office, Eemeli gives lessons to the rich Petter who rules the village and arranges the engagement of his daughter Ilona to the blacksmith Ilmar. At the same time, the affairs of the coffee bar owner Bertta are also put in order and the prisoner escaper Luukas is caught.

Eemeli leaves the countryside for Helsinki to obtain tax money for the bailiff who is pursuing him. In the capital, he becomes the assistant driver of Andersson, a cab driver. One night while driving, Eemeli meets Vesa and his little sister Jaana, whom Andersson and his granddaughter Katriina take into their family as foster children.

Elina and Pentti are celebrating their fifth wedding anniversary and have invited Elina's cousin Ann-Mari and her husband Teemu to their village. During the evening, the group begins reminiscing about the past, revealing Elina's brief romance with Martti before she got married.

A girl joins the army instead of her brother, who has been injured in a car accident and cannot join the army in time. She is then disguised as a male conscript to save the brother from troubles.

An ex-finnish army officer Kari Kivi returns to Finland after 12 years of absence. He is quickly hired by a businessman named Östermalm to be his stand-in to escape the ring of spies threatening his life. Many beautiful women cross Kivi's path before the spy ring is eventually crushed.

Justiina pushes Pekka and Pätkä to take painting lessons after realizing that art can be a way to earn a living. With the help of the yard children, a painting is created that wins first prize at a contemporary art exhibition. In the meantime, the men, along with their assistant Miss Kaihokielo, have been charged with art theft. After the misunderstanding is cleared up, the Puupääs use the art prize money to convert the house's bomb shelter into a children's clubroom.

A radio reporter from Helsinki arrives in the village of Kankkula just before Midsummer to conduct interviews. The old sheriff demands that his nephew Lauri, who serves as the village policeman, continue the generations-old tradition of arresting the old master of Tippavaara, whom the sheriff believes to be brewing moonshine. However, Lauri is in love with the old man's niece Leena, and the couple's plans to get engaged conflict with Lauri's duties.

Engineer Kallio, who is searching for uranium, arrives at the summer hotel owned by Director Lehtelä, accompanied by his assistants Joltinen and Pummi and painter Väinö. The manager's daughter Anni, his wife Mammi, and hotel employee Sirkka try to figure out the guests' secret identities.

A TV reporter is murdered when he is eavesdropping on a secret Finnish-Soviet conference. The National Broadcasting Corporation enlists the help of police lieutenant Palmu, who comes out of retirement for this case. However, some have their doubts about the loyalities of Palmu, seeing that he was spotted in a diplomatic soiree in Moscow just a few weeks before the murder.

Hitchhiking girls Eila and Tilly end up at screenwriter Saku's summer house by mistake, thinking it's their cousin's.

Irma Auer (Satu Silvo) is a former call-girl, trying to distance herself from the past. In a séance she is told to be 'marked for death', and is afterward threatened by her former pimp and abandoned by her groom, as he learns about her past. Irma attempts to commit suicide, and resurrects at the city morgue after being pronounced dead. After the incident, she wanders out direction-less, being pursued by the doctor who treated her and also a strange, tall man.

Irma has been sent to the front immediately after her marriage to Erik Vuori. Irma and her new "Lotta" companions find themselves in many dangerous situations during the fighting of the Continuation War. Irma is also concerned about Erik's loyalty.

A different history of the Cold War: how Estonians under Soviet tyranny began to feel the breeze of freedom when a group of anonymous dreamers successfully used improbable methods to capture the Finnish television signal, a window into Western popular culture, brave but harmless warriors who helped change the fate of an entire nation.

An archaeological team unearths a body of a young woman, who was told to be a witch buried in the bog some 300 years ago. Soon a naked woman appears and drives the men of the village crazy...

The story of the seven Jukola brothers in 19th century Finland.

Underaged girls hitch-hike across Finland.

A melodrama based on Aino Räsänen's novel of the same name, continuing the story of the Junkker family.

A former Red Rebellion leader returns home after being imprisoned for his participation in the Finnish Civil War, but soon finds out that wartime mindsets still linger in the heads of people.

Anna, the mistress of Riihala, runs the farm while her idle husband drinks and their heir, Antti, courts Elma, a maid from the neighboring farm. Anna hopes that her son will marry Elina, a girl from the Kalteva farm, but she is disappointed.

Two guys love the some girl who just plays with their feelings. Situation damages the friendship of these men and they are tormented as the girl doesn't love back.

Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

The story of the first elections in Finland. Farmer Topi Romppainen lives a modest life with his family in Kainuu in the early 20th century. While shopping in the village, Topi hears about the upcoming parliamentary elections. His wife Riikka decides to find out more and ends up at a meeting of the Social Democrats.

The story of Finnish singer Abraham 'Aappo' Ojanperä, who was born in the late 1850s. On his journey from a crier boy from Liminga to an international singing star, Aappo never forgets his first love Katri, who faithfully waits in Liminga for his return.

A story of the conflict between the old and new orders of living.