Voguing: The Message

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

It’s the resilience and love that keeps this community marching to the beat of its own drum; each generation redefining what it means to be queer and to be seen.

25 years after Paris is Burning, we dive back into the fierce world of voguing battles in the Kiki scene of New York City, where competition between Houses demands leadership, painstaking practice, and performances on point. A film collaboration between Kiki gatekeeper, Twiggy Pucci Garçon, and Swedish filmmaker Sara Jordenö, we’re granted exclusive access into this high stakes world, where tough competitions act as a gateway into the daily lives of LGBTQ youth of color in NYC. The new generation of ballroom youth use the motto, “Not About us Without Us”. Twiggy and Sara’s insider-outsider approach to their stories breathes fresh life into the representation of a marginalized community who demand visibility and real political power.

A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.

Since 2000, Michael T, Justine D, Johnny T and Georgie Seville have come together to put on one of the most exciting events in nightlife: Motherfucker. Influenced by 90's clubs such Jackie 60 and Squeezebox, Motherfucker reinvigorated the New York club scene after it spiraled into remission following its murderous and violent past. This documentary profiles the scene itself as well as the club’s promoters, a loving and sometimes feuding family headed by their mother, Michael T. Performance footage intercuts with interviews featuring David Johansen and Sylvain Sylvain of the New York Dolls, Moby, Alan Cumming, The Juan MacLean, vogue icon Willie Ninja and many others, weighing in on how Motherfucker figures into the lineage of NYC nightlife.

Check Your Body At The Door is a documentary film about some remarkable underground house dancers in NYC during the golden decade of the 1990s. It follows master free-stylists into the clubs, their jobs, and their everyday lives. Filmed in the studio as well, the dancers’ virtuosic moves are brilliantly revealed in silhouette or light pools. In their words they describe the importance of clubbing, why they dance, how they dance, and what it means.

A documentary relating to a video of the Grand Street Ball of 1988, held by Patricia Field and the House of Field. The film explores the relationships and connections between the music and culture of the Paradise Garage with the ball culture of the mid 1980's, driven by the participants' need to belong, each working, dancing, and surviving together despite the epic sweep of larger societal conflicts of the time. They are featured in present day interviews, along side 1980's archival photography and film, and iconic music representative of the theme, bridging this piece of history to the present day by the passion that lives on.

A group of young lost rebellious outsiders are given a home in New York City by Emmy Award-winning fashion stylist, Patricia Field, and together take on the world, changing it forever. Field, has done a lot more than Sex and the City. She has spent several decades saving lives and giving hope to lost outsiders who society frowned upon--transsexuals, club kids, drag queens, gay teenagers, butch-dykes, people who needed to escape from their hometowns because they were never understood. This is the story of a close-knit unconventional family in New York that has single-handedly changed music and fashion for the world several times over. Toronto filmmaker, Mars Roberge, has spent a decade becoming one with them so that their story could be told. In doing so, he becomes part of their family.