Vidrios

Shortly before the 1973 Chilean coup, CIA agents Chris and Lee are dispatched from Santiago to Easter Island by their bureau chief, MJ. Amongst the Island's iconic statues, and as the longtime partners wrestle with their dark pasts and present conspiracies, Chris's newfound bond with a pair of rebellious students threatens to send everyone’s trip to this remote paradise sideways.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

Gabriel has just moved in with Juan. Shy and reserved, Gabo resists Juan’s wandering hands and intense gaze. With a parade of beauties filing out of Juan’s bedroom, his machismo seems firmly entrenched. Yet, the attraction between the two men is undeniable. What begins as a sexual arrangement born of proximity soon evolves into a captivating, tender, and intimate relationship - one that is as sweet as it is heartbreaking.

Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she's emotionally a boy when another teenager's sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

Lena, an actress, receives her psychologist's daughter's quinceañera dress for the premiere of her film.

Blondi and Mirko live together, listen to the same music, watch the same films, like to smoke pot and share the same friends. But, even though they seem to be the same age, Blondi is Mirko's mother.

JK enters the Library in search of a book but he quickly discovers that his wishes might not be that simple. Halls and corridors multiply like a labyrinth without a way out, stairs lead to impossible places, and the employees of the Library don't offer any help. The Library seems to watch over and guide him against his will. Every attempt to move forward traps him, plunging him further into the chaos of an absurd system. What began as a small desire turns into a mental and sensory odyssey, where JK will even have to resort to violence. What is your Library?

Kaí is a mysterious shaman who emerges from the Rio Paraná to help a poor farmer and his daughter, who are threatened by a band of cold-blooded mercenaries hired to force them to sell their land.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

An Argentine scholar living abroad returns home to meet an old school professor, his role model in life. But the meeting will take an unexpected turn.

On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

After a brutal loss, Sofia comes out of her thoughts to face an unbearable pain.

Pedro arrives at the coast and reunites with Maxi, whom he hasn't seen since childhood. Hoping to make his ex-girlfriend jealous, Maxi asks Pedro to pretend to be his boyfriend. Pedro agrees, amused, but fails to realize that this game could turn into reality.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

A desperate love story between two young girls of extremely different social backgrounds who, unable to find a place for their love in the world they live in, are pushed to commit a crime.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.

In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.

When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

A young recruit calls his mother from the hospital telling her about his imminent return home from the Falklands War.

Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.

Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she'd arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.

After twelve years away, Martina and her mother travel to Villa Mercedes where their relatives live, including cousins she has not seen since childhood. Their mothers have a distant relationship due to problems in the family business. A tragedy allows the cousins to bond as they embark on a journey to reconnect with one another.

Marina, Sofía and Violeta are three teenage sisters who have just suffered the loss of the grandmother who raised them. Each one will live the mourning in her own way, in a house inhabited by a myriad of memories, responsibilities and tensions.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

A woman who has just given birth sleeps next to her baby and her husband when she has a disturbing erotic dream. When she wakes up, she discovers signs on her body of the monstrous thing she thought she had dreamed.

Two female producers are commissioned to create a short documentary for an exhibition dedicated to Rubén Santantonín, an elusive figure of the Argentine avant-garde who died very young, in the late 1960s. However, the client imposes one unexpected condition: the video must be made together with David Lamelas, Santantonín’s former collaborator and today an internationally recognized figure of conceptual art. At first, the plan seems clear and limited in scope: Lamelas, accompanied by a young film crew, gathers archival materials, documents the few surviving works, and interviews curators and major artists – such as Luis Felipe Noé and Marta Minujín – who, along with Santantonín and Lamelas, peopled the legendary scene at the Instituto Torcuato Di Tella. Lamelas gradually realizes that reconstructing the story of his friend also means confronting a series of gaps and contradictions.

Gaston and Mercedes travel down the road in a car. They are driving back from the party honoring Dr Ripol successful career. Gaston, Dr Ripol favorite nephew has something to confess to Mercedes: he killed the doctor.

Former lovers randomly find each other, and start to catch up, walking in the Buenos Aires night.

A group of adults is interviewed about their past love relationships.