Verdon - The Show Must Go On

The film shows Catherine Destivelle's trip to Dogon Country, in Mali, where she will make spectacular free solo rock climbing ascents in the sun-warmed cliffs of Bandiagara. Destivelle is accompanied on this trip by a friend climber, Lucien Abbet. A film by Pierre-Antoine Hiroz produced in 1987 by Paradoxe and also featuring Tidjani Koné, Ibrahim Dolo, and the Dogon inhabitants of the Bandiagara Escarpment. The film won the Genziana D'argento for best free climbing film at the Trento Film Festival in 1987.

This documentary follows the life and climbs of legendary alpinist Jeff Lowe, through his visionary ascents around the world up to his final dance with a terminal disease. Centered around Jeff’s most daring climb, Metanoia – solo, in winter, up the North Face of the Eiger in Switzerland — which changed his life and prepared him for the greatest adventure of all: facing his own mortality. It is a mind-bending adventure through time and space that gives physical form to Jeff's unique philosophies and inspiring creative genius.

Catherine Destivelle has deservedly become the most famous female climber in the world. She rose to prominence with historic climbs, such as the free ascent of the Nameless Tower in Pakistan, and solo winter ascents of the classic north faces of the Matterhorn and the Eiger, climbs that have never been repeated by any woman. She also made history in sport climbing by winning the world championship title. In 1997, this time in Scotland, on the iconic Old Man of Hoy route, opened by Bonington, Patey & Baillie, Martin Belderson crowned Destivelle Queen of the Rock. She was four months pregnant when she made this 137-meter ascent, which was not difficult but on tricky rock.

Catherine Destivelle is an ambassador for the French Alps and is well known in France and abroad. In Beyond the Summits, viewers will feel like they are climbing up the mountain with her. The film shows three classic Chamonix routes with three different climbing partners. Each partner was chosen because they had a profound impact on her life. The camera captures the magnificent scenery, as well as frank and intimate moments during the ascents ...

Climber Patrick Edlinger visits various climbing areas in the American West, including Joshua Tree (routes and bouldering), Yosemite (bouldering), Hueco Tanks (bouldering), and Smith Rock (routes). He is seen climbing alongside Russ Clune, Ron Kauk, Jean-Paul Lemercier, and Todd Skinner in numerous sequences accompanied by Native American-inspired music composed by Benoît Fromanger. Less well-known than his two previous films, "La Vie au bout des doigts" and "Opéra Vertical," it remains a benchmark for all climbing enthusiasts and admirers of Edlinger, the world's most famous climber. His familiar voice provides narration throughout many sequences with iconic phrases that encapsulate the man, such as: "Climbing, this useless thing to which I dedicate my life."

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

A legendary film in the history of rock climbing in the Verdon Gorges, shot in 16mm between the autumn of 1978 and the spring of 1979 by Henri Agresti, a high mountain guide. For the first time, acrobatic shots were taken on the walls of the Verdon. We rediscover a whole generation of pioneers on routes like Dingomaniaque, Triomphe d'Eros, Péril rouge, Luna Bong, Pichenibule or Necronomicon, routes which, like Dingomanique or Triomphe d'Eros, had just been opened. We witnessed a major turning point in the style and possibilities of rock climbing at the end of the 1970s: anchors sealed by drilling used as belaying and no longer as aids, new equipment: climbing shoes and chalk, harnesses and figure eights. Henri Agresti's unfinished and silent film, lasting around fifty minutes, was presented in the form of a nine-minute fragment at the Trento Film Festival in 1981.

With the proliferation of private climbing gyms and the sport's inclusion in the Olympic Games, climbing, long a counter-cultural movement, is undergoing a profound transformation and facing a major paradox. On the one hand, private gyms are enjoying increasing popularity, while on the other, natural climbing sites are under serious threat. What vertical legacy will we leave to future generations? Is outdoor climbing destined to disappear? What will the future hold for climbing? Led by Cédric Lachat, a multi-award-winning Swiss climber, the film provides an international overview of this counter-culture, which has recently become a social phenomenon.

Catherine Destivelle has deservedly become the most famous female climbers in the world. In this film we see the history of her climbing career, and her latest feat in unprecedented climbing ascents. Catherine Destivelle earned her fame with historic climbs, such as the free ascent of the Nameless Tower in Pakistan, and solo winter ascents of the classic North Faces of the Matterhorn and the Eiger, climbs that have never been repeated by any woman. She also made her mark in sport-climbing as she captured the World Championship title.

In 1983, the French Mountain Federation (FFM) organized a landmark climbing gathering in Saussois and the Verdon, bringing together generations of the greatest climbers of the time, including Patrick Edlinger, Jean-Claude Droyer, Jerry Moffatt, Jean-Claude Droyer, Robert Paragot, Lucien Bérardini, Ron Fawcett, Jean-Pierre Bouvier, and other major figures. This event symbolized the emergence of modern sport climbing as a practice in its own right in France, with the liberation of legendary routes and the rise of freestyle climbing, notably under the leadership of Droyer and Edlinger. This gathering was a key moment in the dissemination of the freestyle ethic and the evolution of grading, while Saussois and the Verdon were at the forefront of high difficulty in the world.

This documentary by Maurice Rebeix—conceived by Patrick Edlinger and released by the French climbing magazine *Roc'n Wall*—features several elite climbers tackling difficult routes in the Verdon Gorge. In the first part of the film, Patrick Edlinger teams up with Patrick Berhault and meets up with climbers such as Cécile Martha, Olivier Fourbet, Axel Franco, Martina Polackova, Laurent Paoletti, and Frédéric Devoulet. The film marks the 30th anniversary of the first route established in the Verdon in 1968—a location that has since become a premier destination for French climbing.

First film in a series of three with Over-Ice and Oversand and one of the first films on free climbing shot in the cliffs of the Gorges du Verdon in several parishes. We meet a certain Patrick Edlinger, Patrick Bérhault, but also Jean-Marc Troussier, Jacques Perrier, Stéphane Troussier, Hugues Jaillet, Gilbert Thomann, Odette Schoënleb, Bernard Gorgeon, Christian Guyomar. Thanks to the program Les Carnets de l'aventure, then broadcast on Antenne 2, and its producer Pierre-François Degeorges, this film was made. The chain gave its production agreement during the day, while the climbing was very confidential, no one knew Patrick Edlinger and the project itself contained only a few lines on a sheet

While being transferred to another prison, two convicts - Stéphane Carella and Paul Brandon - effect a miraculous escape. They are pursued across the Verdon Gorge before arriving at an isolated farmhouse whose owner, Laura, offers them sanctuary. Since the death of her husband, Laura has longed to get her own back on the police and she agrees to help Carella and Brandon in their scheme to rob a casino in Nice. After a shoot out with the casino’s owners, Carella realises that not everything is what it seems. Brandon is not what he appears...

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

An American general with highly confidential defence information has been kidnapped by terrorists and is being held in a cliff-top fortress in the Mediterranean.

In the 1980s, Catherine Destivelle, nicknamed "Rock Queen," won several world titles in climbing competitions. In the early 1990s, weary of competitions, world championships, and the pressure of elite sport, she chose to return to the essentials: the mountains, alone and facing the challenge. In 1991, she established a new route—solo—on the west face of the Drus in 11 days. Her ascent garnered admiration, but for many, she remained primarily a rock climber. On March 9, 1992, around 5:00 a.m., she proved the skeptics wrong. After months of preparation on ice with her friend Jeff Lowe, she set off alone on the icy north face of the Eiger, and 17 hours later, she reached the summit. The mountaineering world bowed in awe; she entered the pantheon of mountaineering. Catherine Destivelle will be the first woman to have climbed the three great north faces of the Alps: the Grandes Jorasses, the Matterhorn and the Eiger – solo.