Verdes Vales do Fim do Mundo

Botinada chronicles the origins of punk rock in Brazil, its first phase (1976-1984) and the whereabouts of its protagonists. Were 4 years of research, interviewed 77 people, thousands of hours in editing rooms, 200 hours of video and many rare and unpublished images compiled for the first time. Botinada brings out this amazing story told by punks who experienced body, soul and leather jacket this chaotic journey.

Documentary about the poet, musician and pioneer of the brazilian punk pioneer Ariel Ulliana, former 'Inocentes' e vocals on bands 'Restos de Nada' and 'Invasores de Cérebros'

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Blurring the lines between documentary and fiction, this film explores the life and career of the controversial actor, journalist, and music producer Ezequiel Neves—including his intense, passionate relationships with figures such as Rita Lee and Cazuza, with whom he co-wrote the hit song "Exagerado." To weave together the protagonist’s unbelievable tales, the film draws upon an archive containing over 60 hours of previously unseen interviews and extensive documentation, alongside "fake" archival material, interviews recreated via artificial intelligence, and clips from films that were entirely invented—yet arguably should have existed.

The man who changed Brazilian journalism. The film focuses on the period of Samuel's life spanning from 1951—the year the newspaper Última Hora was founded—to the mid-1960s, when its decline began.

Tired of her boring husband, secretary Cordélia finds refuge in a love affair with her boss and afterwards, believes she has found true love in the person of a car salesman.

Rogério Sganzerla’s lost film. The only existing copy was lost in 1992 and the negatives are lost. It tells about the history of Betty Bomba, an exhibitionist woman.