Veneno Cura

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

A philosophy-obsessed serial rapist stalks a university campus in broad daylight.

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.

A compilation of films project multiple versions of people won by vida.

A reserved student joins a radical organization in early 1980s Portugal and is shot and lynched following a bank robbery, while a filmmaker leaves the group to pursue guerrilla-style cinema.

Dreaming of great adventures and of standing up for his homeland, a young Portuguese man enlists in the army during World War I and is sent to the front line in Mozambique, Africa. Left behind by his platoon, he sets out on a grueling trek across the mystic Makua native land, walking for over a thousand kilometers, in search of his dream.

A team-building event goes wrong and brings the owner of an architect studio face-to-face with the lower-class neighborhood that his company is gentrifying.

A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

This is the story of Aristides de Sousa Mendes, a man of conviction who saved 30,000 lives during WWII, in June 1940. Among them were10,000 Jews. As the Portuguese General Consul stationed in Bordeaux, France, he issued 30,000 visas for safe passage to Portugal. He defied the direct orders of his government and exhibited courage, moral rectitude, unselfishness, and self-sacrifice by issuing visas to all refugees regardless of nationality, race, religion or political opinions.This narrative film expresses his heroic actions towards humanity, which will perpetuate his legacy of justice for a new generation. In 1966, Yad Vashem named him Righteous Among the Nations. He is considered to have achieved the largest single rescue operation of World War II.

Alone on the street and unable to get into her house, Amelia tries to stay calm. But when she is approached by a stranger, her problem becomes even bigger.

Luis Miguel Cintra, renowned actor, stage director and director of the Portuguese theatre company Teatro da Cornucópia, staged the play Illusion in early 2014. This play was based upon texts by Federico García Lorca. However, the 119th company's show was no ordinary show, for in the cast there were 59 non-actors, amateurs and theatre students.

Amid dynamics of power, desire, and seduction, Ofélia follows two teenagers who discover their mutual attraction on the threshold between adolescence and adulthood, while simultaneously seeking to define their identity and place within an everchanging society.

Madalena is a seven-year-old girl who has to draw the nativity scene. When she lists the characters in the biblical scene, she is confronted with a surprise: God, the father of Jesus, is not included in the scene. The girl is reluctant to accept this new information, but after considering the facts, she eventually comes to a curious conclusion.

From Manet's painting – Le Déjeuner sur l'herbe – two women and two men slip from the timelessness of the museum into our present day. They have come to picnic and enjoy a pleasant swim in the river. The men approach them and, with little attempt to conceal their aggressive libidinous intentions, threaten the happiness of the moment, the serenity of the place, and the integrity of the bathers. This fragment of Eden and everything around it is inhabited by a naturalized social violence...

Three performances by portuguese dancer and choreographer Vera Mantero.