Vanette

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

In 1983, three delinquents form a punk rock band.

You already know the legendary singer. For the first time, you'll get to know the woman behind the myth. The story of singing legend Amália Rodrigues who ruled the famous Portuguese acoustic guitar and vocals based music genre called fado.

Álvaro and Jaime, two childhood friends in their twenties, share a particularly critical view of the functioning of society in all its dimensions. Spending much of the day as a video club clerk in order to get some financial income and get around the difficulty they feel in entering into the game of professional careers and status - a refusal that is a personal commitment for them - the two main characters they are plotting a suburb diary. While they understand the nonsense of the existence of a videoclub, at a time when the proliferation of the Internet facilitates access to the contents available there, the two main characters engage in a parallel business selling the herb, using the establishment like facade. The process passes without the knowledge of the owner of the video club, an individual at the end of middle age with a total disinterest for cinema.

When Carlos (a peculiar yet successful writer) starts watching the young couple next door from his window - seeking inspiration for his next book - he begins to witness increasingly odd events.

In 1496, King D. Manuel prohibited Judaism. 400 years later, Barros Basto, a Portuguese army captain converted to Judaism, and about twenty Jewish merchants founded the Jewish Community of Oporto, in the north of Portugal.

In a Lisbon techno club, Abdul, an immigrant worker on his very first shift, is on a video call with his wife Aliyah, who is going into labor and urging him to be present, while his new boss Maria desperately calls for his help. Caught between work’s demands and his son’s birth, Abdul grapples with the fear of losing his job and the challenge of becoming a father from afar, and fights with his strict father-in-law for his right to perform the sacred tradition of reciting the Adhan for his newborn son. The film Prayer, which explores the intersection of tradition, fatherhood, and the struggles of undocumented immigrant labor, is based on the autobiographical story of its screenwriter, Deo Mahameru. The project was created as a student film within the KinoEyes Joint European Film Masters at Lusofona University in Lisbon.

During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

Elsie wakes Löic from a hidden grave in the forest. He does not remember anything, just what they are: vampires. With his memory slowly returning, Elsie fears that the love she feels for Loïc may not be enough to keep him by her side.

An unusual celebration combines Dinis' birthday party with his grandmother's funeral. The birthday boy is, in this embarrassing context, bombarded with inopportune questions by his family while he processes the loss of his grandmother.

Egas Moniz, a man marked by perseverance and ambition. Audacious and in dissonance with a country full of “narrow-minded” people, Egas Moniz faced everyone so as to impose his scientific ideas, for which he was awarded, at a quite advanced stage of his life, the much-desired Nobel Prize for Medicine in 1949.

Romeu, a corrupt cop, hires the services of Cid and Alex, to catch a notorious criminal, who left Mexico and is on his way to Galicia, Spain to find the killer of his brother, also trying to catch the same criminal is an FBI agent.

July 1956. Álvaro Cunhal arrives at Peniche Fort and is placed in the most modern and secure prison wing, considered escape-proof. Despite the tight control exercised over the prisoners, Álvaro and his comrades manage to organize a small commune and provide support to the most vulnerable detainees, while looking for a way to escape.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.

And only the Man remains immune. Consumed by desperation, in an attempt to save the Woman and protect his Son, the Man goes looking for help and travels through the village where nothing is as it seems. During a surreal and hallucinating night, the Man, haunted by memories of another life, begins to lose track of reality.

The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.

The character of a novel gains life to torment the author, revisiting and reliving the story of a crime.

In a time preceding the Carnation Revolution, we meet two men: one young, one old. One is fleeing the country, and the other helps him escape through Trás-os-Montes. While they make “the leap,” they speak about their lives and their troubles… This is an ode to those who fought for Freedom, and to these fifty springs that have passed. Throughout 13 performed songs, we travel across the country, hand in hand with several Portuguese people who tells us their stories through music, until we get back to this young man who runs away and returns to Lisbon, shortly after the Revolution, to reunite with his loved ones and live in freedom.

At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.

Mid-19th century. A group of survivors from a wrecked slave ship, both black and white, end up on a deserted island, somewhere in the Atlantic Ocean. The fight for survival and power will flip the moral and social values of those days.

Vanessa is a teenager like many others, who lives with her mother in the periphery of a big city and misses school to player with her friends. Things change when she gets pregnant.

Uncertain whether his bus will arrive, a hesitant and anxious young man begins to question the point of waiting. As he stands at the bus stop, his interactions with those who arrive lead him to reflect on the passing of time and how he should face it.

In order to reflect upon current practices of political dissent, we delve into the past and follow the experiences of a young artist. Invited to go underground in Portugal, during the second half of the 20th century, Margarida Tengarrinha played an important role in anti-fascist resistance, becoming a forger out of political activism. Given the anachronism, Clandestina is like a letter to a time yet to come, a premonition of the tragic possibility of History repeating itself.

Sheila, a young Brazilian woman, receives an unexpected sexual proposition from her Portuguese boyfriend.

Burlesque history, which summons various references to cinematographic genres, much in vogue in the 50s and 60s, such as comedy, horror film, police, war film, among others. Two detectives and a special agent try to solve a difficult case, but in the end they are "swallowed" by the intrigue itself.

Peace in the fictional Portuguese village Curral de Moinas is disturbed when Quim discovers he had a father who left him a huge inheritance with a bank, the prestigious BLOW-ME (Bank of Loans Over Worth-Market Exchange). So the two friends Quim and Zé head for Lisbon and start living a life of luxury, drinking bubbled wine and cars with more than 20 horse power engines. But money and the big city corrupt Quim... Will their friendship resist the challenge? Will Quim be able to manage BLOW-ME when he can't even sort out the change at a grocery store? Is the night life in Cascais ready for Zé's single eyebrow? Lisbon will never be the same...

Portuguese short film by João Ferreira

A controversial witch fights to help A.D.R. Galegos, a football club from Barcelos, win the local Super Cup.