Vanessa

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

Soledade González is the housekeeper for Anselmo, a father of five: Jesus—who is disabled—Ramiro, Sheila, André, and Luíza. Knowing he was near death, Anselmo married Soledade so she would take charge of his children.

The mishaps of Chavo, an 8-year-old Mestizo-Latino American orphan boy who lives in a village. Together with Quico, Chilindrina, Ñoño and La Popis, Chavo experiences a series of humorous entanglements.

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Madres egoístas is a Mexican telenovela produced by Juan Osorio for Televisa and originally broadcast on Canal de las Estrellas from February 4 to June 7, 1991. It is a remake of the 1963 telenovela of the same name produced by Valentín Pimstein. Created by Mimí Bechelani and adapted by Josefina Palos y Romo, the telenovela stars Julieta Rosen, Enrique Novi, Orlando Carrió, and Chantal Andere. The story follows Raquel Rivas Cantú, a young orphan and heiress who is raised by her housekeeper Mariana, a woman who secretly carries resentment against the Rivas Cantú family. After marrying Pablo, a widower with a daughter, Raquel's life becomes marked by tragedy, family conflicts, and betrayal. As secrets from the past emerge, Raquel and her loved ones must face revenge, ambition, and the search for justice and happiness.

Agujetas de color de rosa is a Mexican youth telenovela produced by Luis de Llano Macedo for Televisa and originally broadcast on Canal de las Estrellas from April 4, 1994, to May 26, 1995. Created by Susan Crowley, adapted by Sergio Schmucler, and with literary supervision by Gabriela Ortigoza, the telenovela stars Angélica María, Alberto Vázquez, Carlos Bracho, Natalia Esperón, Flavio César, and Alexis Ayala. The story follows Elisa Morán, a widow who is left in financial ruin after the death of her wealthy husband. As she struggles to rebuild her life and raise her three children, her daughter Paola falls in love with Martín, a talented young singer. Together, they face family conflicts, jealousy, betrayal, and the challenges of pursuing their dreams while discovering the true meaning of love, friendship, and perseverance.

A poor but beautiful woman comes to the city looking for her husband ... who is married to another woman, the evil Gloria. While she falls in love to a handsome and good hearted doctor, she decides to work at nights to earn money at a "Model School" which is, in reality, a high profile brothel...

El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.

The beautiful young Montserrat is forced to marry a man she does not love in order to save her family from ruin and maintain their social standing.

Fernanda is the youngest daughter of the landowner Gonzalo Elizalde, owner of a large dairy company, and Eduardo is the son of Soledad, the Elizalde family's housekeeper. The two children have grown up together, united by an innocent and pure love, despite the difference in social class.

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

The drama tells the story of Rosa, who lives with her godmother in a very poor neighborhood; she is a simple girl who dresses like a boy. She was abandoned by her mother, Paulette. One day, Rosa goes to a mansion to steal apples and meets the owner of the house, Ricardo.

Camila Monterde is a beautiful veterinarian whose life has been torn apart by a tragic accident in which her fiancé, Luis, was killed. Hoping to ease her depression, her uncle, Daniel Monterde, invites her to live at his ranch, where she can rest and recover while caring for the many animals he keeps there. Meanwhile, in Chile, Daniel Diaz suddenly receives a letter stating that he has come into a substantial inheritance and must travel to Mexico to claim it. Surprised and curious, he’s about to make the trip when a vicious lie disrupts his plans and lands him in prison, causing him to lose the inheritance and his family. Deeply bitter and hungry for revenge, Daniel travels to Mexico determined to destroy the Monterde family, which he blames for his terrible misfortune. He takes a job at the Monterde ranch to be close to his prey. His vengeance is perfectly planned except for one unexpected development: he and Camila fall passionately in love and that changes everything.

A respected and renowned businesswoman and philanthropist, considered one of the most sought-after brides in the country, who is left at the altar on her wedding day. Humiliated, betrayed, and turned into a target of public scrutiny, Doménica decides to flee and take refuge in one of her parents’ old estates. There, marked by pain, she faces new challenges and meets Luis Fernando, the owner of the neighboring estate, who also carries a painful past. Between them, an explosive relationship develops, marked by pride, misunderstandings, and growing attraction, where land disputes intertwine with their shared desire to rebuild, heal, and give new meaning to their lives.

Las Vías del Amor is a Mexican telenovela that aired on the Televisa channel in Mexico and Univision in the United States from 2002-2003.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

Cañaveral de Pasiones is a Mexican telenovela produced by Christian Bach and Humberto Zurita for Televisa and originally broadcast on Canal de las Estrellas from April 22 to September 3, 1996. It is based on the stories Una sombra entre los dos and Al pie del altar by Caridad Bravo Adams, adapted for television by María del Carmen Peña and José Cuauhtémoc Blanco. The story follows Julia Santos and Pablo Montero, two childhood friends whose lives are torn apart by a tragedy that sparks hatred between their families. Years later, Pablo returns to his hometown engaged to another woman, only to realize that he still loves Julia. As they struggle to rekindle their romance, they must confront family rivalries, dark secrets, jealousy, and betrayal that threaten to keep them apart forever.

Police chief Fernándo Gomez Miranda kills his friend, the well-respected lawyer and likely candidate for Attorney General, Raúl de Los Reyes and his youngest daughter of only thirteen in a vehicle ambush. Gomez' son, Luis Mario – a sad-eyed broadcast journalist of passionate conviction – arrives on the scene soon after with his camera and discovers a wounded survivor in the car; Camila, the eldest daughter of de Los Reyes. Luis rushes her to the hospital, saving her life and thereby creating a bond between them that he cannot escape. Luis' half-brother, police detective Alfonso Carbajal, is assigned to the case. An old schoolmate of Camila's, Alfonso has long been in love with her and conflicts arise when all evidence points to Camila being involved in the drug trade. The two brothers find themselves caught between their professional duty that would require them to expose Camila and their desire to protect her.

Inspired by classical songs, This Story Sounds to Me Vol. 2 is an broadcast in which music tells life stories, because everyone has a memorable song that "sounds like it." This Story Sounds to Me Vol. 2 consists of 23 episodes and, as in its first season, it takes place with the lead singer María José.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

The year is 1972: Magdalena Dumont and Octávio Muriel are celebrating the birthday of their daughter, little Estefanía, at a party in the family mansion. However, this party is merely a backdrop and an opportunity to commit a crime.

After a devastating loss, Esteban “La Máquina” Osuna is at a low point in his boxing career. Lucky for him, his manager and best friend Andy Lujan is determined to get him back on top. But when a nefarious organization rears its head, the stakes of this rematch become life or death. Esteban must juggle his own personal demons and protect his family.

In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

The show's premise revolves around a pair of twin sisters who were separated when they were young, and as adults the younger sister is forced to act as a "replacement" for her wealthy twin who wants to temporarily leave her husband and his family to enjoy a life of luxury with multiple lovers.

Amor de nadie is a Mexican telenovela produced by Carla Estrada for Televisa and originally broadcast on Canal de las Estrellas from September 10, 1990, to June 14, 1991. Created by Eric Vonn, with literary editing by Marcia del Río, the telenovela stars Lucía Méndez, Saúl Lisazo, Fernando Allende, and Bertín Osborne. It was Lucía Méndez's final telenovela as a leading actress for Televisa during this period. The story follows Sofía Hernández, a young woman from a humble mining town who dreams of leaving her difficult life behind. After suffering betrayal and hardship, she moves to Mexico City to pursue a career as a model. Along the way, she faces jealousy, ambition, family conflicts, and complicated relationships while searching for love and a better future.

Antonio Lombardo lives in a huge, luxurious house in Acapulco with Victoria—his stepmother, whom he loves like a real mother—and his sister Camila, who has just married Claudio. Also living there is Maximiliano, Victoria's son from her first marriage, who hides an envious and manipulative personality behind the appearance of a good person.

Principessa is a Mexican telenovela produced by Valentín Pimstein for Televisa in 1984.

Atrapada is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from August 19, 1991, to April 24, 1992. Created by Carmen Daniels and Liliana Abud, with literary editing by Tere Medina, the telenovela stars Christian Bach and Héctor Bonilla. The story begins when Antonio Montero, the wealthy president of the Montermex company, is found dead in what appears to be a suicide. Convinced that her father was actually murdered, his daughter Camila sets out to uncover the truth. As her investigation unfolds, she becomes entangled in a web of family secrets, betrayal, romance, and murder, where everyone around her becomes a suspect.

Los Exitosos Perez is the adaptation for Mexico of the Argentine telenovela Los Exitosos Pells. It's a co-production of Endemol and Telefe. Mexican producer José Alberto Castro acts as it executive producer. With a mixed cast of mostly Mexican and Argentinian actors, and a few from other nationalities, it was filmed on location in Argentina, in exactly the same sets used in the original Argentinian counterpart. It premiered in Mexico on 31 August 2009 on the Televisa network.

Javier takes Delia, his pregnant wife, to his ranch in a remote village. Although she's surrounded with love and comfort, Delia has an uneasy feeling. One day, Javier goes out hunting and kills a deer, which to his horror turns out to be a man. Javier's servants toss the corpse over a canyon and tell him to forget the incident, but the dead man's ghost seeks out his mother, the local witch, and begs her to avenge his murder. The witch turns up at Javier´s ranch, and under a mysterious and unexpected shower of thunder and lightning, curses the family. Javier's wife shall bear twin daughters, one of which shall be a fearsome demoness. A day later, Delia goes into labor and gives birth to a healthy baby girl. Everybody feels calmer after the birth, yet a couple of hours later, Delia gets labor pains again. This time she's ripped apart by another baby girl. Delia bleeds to death, yet because the two girls look identical, both healthy and beautiful, it´s hard to know which one killed her mother. Several years later, the identical twins have very different personalities. Gilda is an independent doctor and a city dweller. Her twin Liliana is a frail invalid who resides in the ranch. However, one of them harbors inside the dreadful Chacala, which will soon materialize to wreak havoc among those around her.