Vadul és kuszán

Sensitive and bird-like Árni works as a handyman at a small and dingy traveling circus touring in rural areas. The troupe is made up from a family that runs the circus, where Árni is the only non-family member. He lives like a monk, his days revolve around feeding the animals and doing various works for the circus. The circus gets a new python, and the creature piques Árni's curiosity. As he starts taming it, the process gradually makes an impact on him.

Through the streets of World War I Paris, Italian bohemian artist Modigliani attempts to outmaneuver bombs, policemen, girlfriends, and critics in a increasingly desperate search of a home for his art.

Lotti comes home drunk at daybreak. Her boyfriend Karcsi greets her with silent rejection. Lotti dreams of her parents and her childhood. The next day, the couple get ready for the visit of Karcsi's parents. Lotti is haunted again and again by memories of the day that was in her dream. They get everything ready, and for a moment, things seem to be fine. Karcsi's parents ring the bell. Lotti is left alone for a few minutes. Karcsi's overwhelming expectations bury her. Her escaping mechanism is her father's bad patterns from the past. She hides from everyone in the pantry and pulls out a bottle of red wine.

A motherless family tries to go on a vacation.

A single mother’s adventure by the seaside leads her to recognise her unnecessary martyrdom for her disabled teenage daughter.

The sequel to an awkward date in the pub's toilet.

If we are not careful, years have passed, and our life have become completely monotonous.

Blending haunted melodrama with a self-looping meta-documentary structure, this immersive film follows a real young actress playing an actress adopting the identity of the lost lover of a stranger, dragging her into reliving unprocessed trauma at the boundary between compulsive lying and self-soothing fantasy. Made with the last acting class before the far-right takeover of Hungary's national theatre school, the film captures in its form how poisonous power structures seep into the most intimate desires of a generation.

One day, a young mother leaves her family behind and sets off into the unknown.

János Arany was nineteen years old when he left the Reformed College in Debrecen and became a travelling actor. He is stubbornly silent about this period in his memoirs, and he is already over fifty by the time he first puts his acting adventure on paper in his unfinished poem novel, Foolish Gods, calling himself Istók.The film by Gábor Rohonyi and Georgina Hegedűs, starring Ágoston Liber, depicts the lesser-known but all the more adventurous early years of one of the most important figures in Hungarian literature, mixing the story of his growing up with romantic elements and the road movie genre.