Unterwäschelügen

This film follows four young girls into the vibrant, hedonistic subculture of Berlin. Janaina, 17, earns money by making Internet pornography. Her best friend, Emmy, 18, finds the whole city intoxicating, without realizing that she's getting deeper and deeper into a cycle of addiction. Joy muses about love when she doesn't happen to be selling drugs. And Abbie, 16, dreams of escaping to Los Angeles.

When B. enters the german foreigners registration office to pick up his residence permit, he soon has to realise that things are different from what he expected. He is caught in disbelief, until he finds a friend who pushes him to make use of his privilege.

A film about five young people who are new to the metropolis of Berlin, their dissolute lives and the pitfalls of interpersonal relationships. One young woman ditches her boyfriend for an Italian lover as soon as they arrive from Hamburg - but he has another woman on the hook who is not yet completely finished with her ex-boyfriend.

Disturbingly, but believably, women turn their husbands into shrinking violets, only to release them into the wild when the situation calls for it.

What starts with innocent intimate shavings, ends with a bonded woman screaming rape accusations. The offender collapses and becomes the victim. Or was it all part of an ingenious plan? A game of lust, sweat and blood.

The bittersweet love story between a 26-year-old actress at the beginning of her career and a 21-year-old call girl at the end of her marriage, set during the world cup 2006.

Fischkopp Henning can't really do anything. Apart from making slogans and picking up women. When he has to deliver a strange package from Hamburg to Munich, there's plenty of opportunity to put his talents to good use.

The film is part of Lemkes never-ending Munich series, but this time it leads beyond Schwabing or Maxvorstadt, which makes it more entertaining than its predecessors. After a stop at the Bayrischer Hof, it moves into the Glockenbachviertel, over the Reichenbachbrücke to the Isar, further into the suburbs. These places are not alien to residents of Munich or tourists, but Lemke knows no tour guide romance. He has the usual group of main characters, two or three girls, a young man, and sends them off as if on a great expedition. They bring along the Lemkestyle, which doesn't fit in anywhere, but works like a contrast medium. Their fantasy figures make the reality around them more real.

Pola investigates on her own after her friend Tina has disappeared without a trace after a blind date on the Berlin Museum Island. Tina's profile on a dating portal finally leads Pola to her lover Sven. At the same time, Tina's husband Karl receives a sex video featuring Tina and Sven. A short time later, Sven is dead, and the bound Tina is released from his apartment. Everything points to Karl as the culprit.

A failed art forger keeps his head above water through contacts with rich women, and he is particularly close friends with an old widow. However, when he becomes acquainted with her children, the artist finds himself in a precarious situation: his son dies after falling into the Spree, while his sister proves to be an unpredictable and aggressive contemporary.

A tale of ghosts, crime and horror.

On the run from her ex-lover, Judith hides in the toilet at the Munich Art Academy. In the basement. She wants to hijack the snobbish art scene with a scandal video.