Two Rogues

Do Mastane is a 1958 Hindi film directed by Harish Tara.

Dr. Madhurika, a career-focused woman, marries Narendra on condition .of no children or interference. Her neglect of home and close ties with colleague Dr. Gaurish spark Narendra's jealousy. However, when Narendra helps Gaurish's wife and a stranger, Madhurika's own jealousy leads her to embrace a domesticated role

Queen Kaikeyi exiles Rama and demands Bharat be king. Bharat, devoted to Rama, refuses the throne and goes to the forest, urging Rama to return. Rama insists on upholding his father's vow. Bharat then rules Ayodhya as Rama's regent, placing Rama's sandals on the throne until his return.

A period adventure with Motilal in a famous dual role. Judhajit (Sankatha), the outlawed brother of the king of Udayanagar, wants revenge on the royal family. He had left the palace with one of the king's twin sons who grew up as Indrajit, the twin of the drunken and debauched Prince Shatrujit (both Motilal) due to marry Princess Chanda (Sabita Devi). Indrajit is sent to kidnap her as part of the vendetta but the two fall in love. Shatrujit is too drunk to go through the marriage procedure and the dewan (Ansari) asks Indrajit to impersonate his brother. Indrajit is now torn between his love for Chanda and his promise to the dewan, but the story ends happily,

When young Jyoti is suddenly widowed, her life takes a dark turn as she faces an indecent proposal from her late husband's brother and pressure from her own sister to become a prostitute. Caught between impossible choices, Jyoti must navigate a treacherous world to find her own path.

Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

An earthquake separates wealthy siblings Premnath and Mala, leaving Premnath with amnesia and in love with beggar girl Mira. As Mala seeks to reunite with her brother, the film questions whether true love can bridge societal divides.

Pradip, a poor artist, lives with his sister Rajani, a child-widow whose past he doesn’t know. Wealthy Rohini falls in love with him, but her guardian schemes to marry her to his wastrel son for money. Rajani briefly returns in disguise as a dancer, then withdraws again, and Rohini’s love story with Pradip collapses under the weight of deceit, duty, and misfortune.

Nightingale (Kokila) is a 1937 Hindi social family drama film directed by Sarvottam Badami

Fazlu, a lifelong servant, is wrongly imprisoned after being blamed for his master's son's death. He escapes, believing his newborn is the child reincarnated. The film follows Fazlu's heartbreaking journey as he watches his family crumble under economic hardship, ultimately leading him back to prison.

A 1945 Bollywood film starring Motilal and Nargis

A doctor unknowingly spurns a woman who loves him, compelling her to marry a wealthy king whose three wives allegedly killed themselves.

Director Harnam Singh Rawail Stars MotilalNigar SultanaChandrashekhar Vaidya

In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.

A social drama directed by Kumarsen Samarth and starring Shobhana Samarth and Shahu Modak.

Considered a curse by her cruel in-laws, a desperate woman attempts to take her own life until a priest intervenes, revealing that her continuous, unwavering devotion to the Goddess Mahalakshmi is the only key to changing her fate and restoring her prosperity.

1947 bollywood film.

Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.

An ego clash between two friends, Madhav Pandit and Pande, over cultural differences shatters their families' happiness, leading to broken engagements, forced marriages, and a daughter's disappearance, all designed to teach Pandit a crucial lesson.

Faced with extreme patriarchal laws in an ancient seaport kingdom and denied the legal custody of her infant son, a young woman becomes a pirate declaring war on the state's tyrannical minister of justice.

Prabir goes to war where he meets his doppelganger, Rataneshwar, who eventually dies in combat. Prabir decides to visit Rataneshwar's family to inform them about his death but the family mistake him for Rataneshwar.

Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days.

An incompetent lawyer gets evicted, dons the guise of an old man to gain accommodation, falls for the owner's daughter, then faces numerous life-changing challenges.

A social drama centered on the themes of reputation and honor, depicting characters' struggles to maintain or regain their standing in society.

Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.

1952 Bollywood film.

Kodandavarma, a dictator in an ancient Aryan society, rules with a firm hand. When a collapsing statue threatens slaves, Jeevan, a young aboriginal king, saves them and falls in love with Princess Jayanti. The villainous Madhuvrat plots against Kodandavarma, entrapping heir Uttam and forcing dancing girl Lata to seduce him to help the slaves.

Corrupt trustees attempt to eliminate Lala Niranjanmal's heirs; the daughter is jailed while the son becomes a penniless wanderer. Released, the daughter becomes the enigmatic Deccan Queen, a vigilante. The plot thickens when Vrinda, an insurance clerk, is revealed to be the Queen's double. Both Vrinda and the Deccan Queen fall for Inspector Suresh, leading to a complex love triangle, especially when the Queen impersonates Vrinda, demanding an immediate marriage to Suresh.