Tributo: Glória Menezes

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

A documentary exploring acclaimed Brazilian actor Claudio Marzo’s relationship with fame and his own image as a heartthrob.

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

For the first time in history a neurosurgeon describes communication with a live captured alien. This expanded version of Moment of Contact, New Revelations of Alien Encounters sees James Fox return to Brazil in the wake of congressional hearings in the United States. Ground-breaking interviews with former police chief, pathologists, and Dr Ítalo Venturelli who communicated with the alien.

Discover the trajectory of Ibrahim Sued, a journalist who revolutionized the Brazilian press during his almost 50-year career, through interviews, photos and films from the personal archive of his daughter, Isabel Sued Perrin.

In a time of timeless and revolutionary talents, Wilson Simonal shined as nobody before and innovated as only a few could. All of a sudden, everything vanished. This film maps the spectacular trajectory of the ex-Army corporal that ruled as a monarch, and was condemned to ostracism for an offense to which he pleaded not guilty.

The life of writer, journalist, and TV presenter Edna Savaget, who began her career as a police reporter at Rádio Nacional in the late 1940s and hosted television programs between the 1950s and 1980s.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

TV Globo celebrates its 60th anniversary with a mega-show.

The documentary tracks 19 hours of broadcasting from several brazilian TV channels making live surfing between channels. The result was edited latter.

The TV film mixes documentary and drama to tell a story full of memories and great achievements from the forty-year career of the country music duo Chitãozinho & Xororó.

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

The life of Fernão Dias, a 17th century Brazilian frontiersman known as "the Emerald Hunter".

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

The story of how D. Pedro I proclaimed the Brazilian independence on September 7th, 1822, and rose from prince of Portugal to first emperor of Brazil.

The story of how a quarrel between families set poor farmer Virgulino Ferreira da Silva on the path to become Lampião, the greatest leader of the cangaceiros - bandits who roamed the Northeast of Brazil until the late 1930s.

After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.

This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

Sofia goes to her cousin Matheus's house to take care of his two children, Júlia and Lucas, while he goes to a party. She finds a magical book, which transports them to the Magic Forest, where they meet fairytale characters such as Pinocchio and Little Red Riding Hood. But their presence starts interfering with the original stories, and so Matheus tries to bring them back to the real world.

The passing of the years is merciless for everyone. In the film, seven seemingly ordinary characters lead their lives seeking, each one, what they believe brings personal satisfaction. But, even with different and distant lives, they come closer by the way they guide their existence based on worldly concerns.

Anthology comedy made by the director of "The Given Word" among other directors.

After running away from home in his youth, Túlio has grown adrift from his family. 40 years later he has to come home one last time to bury his parents and his brother and claim what now is his.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

After thirteen years of engagement, the boring sex life of Rui and Vani is limited to one intercourse every other week. They decide to seek excitement with a threesome and they decide to invite Vani's cousin Silvinha to participate late night, but an accident interrupts their game. Rui and Vani unsuccessfully spend the night searching for for companion of a bisexual woman.

Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

Berenice is a dedicated female taxi driver in Rio de Janeiro. She is consumed by her job and the little free time she has needs to be divided between raising her son Thiago, a teenager exploring his sexuality, and her troubled relationship with her husband Domingos, a police reporter. The scars of the worn-out relationship, ruined by her husband's violent outbursts, have erased her femininity and led her into a great existential emptiness. The murder of Isabelle, a beautiful transgender woman, on Copacabana Beach, ignites her investigative side and transforms her life.

Helen, 30 years-old, decides she is going to change the rest of her life. Her biggest mistake, she asks God for some precious help.