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Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon.

A mysterious extraterrestrial being resembling Godzilla rapidly approaches Earth. The monster, dubbed SpaceGodzilla, lands to challenge the King of the Monsters.

During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.

Humanity finally rids themselves of Godzilla, imprisoning him in an icy tomb in the South Pole. All is peaceful until various monsters emerge to lay waste to Earth's cities. Overwhelmed, humanity is seemingly saved by a race of benevolent aliens known as Xiliens. But not all is what it seems with these bizarre visitors. If humanity wishes to survive, they must reluctantly resurrect their most hated enemy, Godzilla.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

The landmark Japanese Tokusatsu TV series Ultraman became a massive social phenomenon upon its debut in 1966, reaching a staggering peak viewership rating of 42.8%. Six decades later, Tsuburaya Productions continues to introduce new entries into the Ultraman series, expanding its unique universe to a global audience across generations. This documentary brings together leading voices from the fields of cinema, Tokusatsu, and design. Witness profound testimonies from an international assembly of creators, including: Guillermo del Toro, Hirokazu Kore-eda, Hideo Kojima, Hideaki Anno, Shinji Higuchi, and Nicolas Winding Refn.

The Futurians, time-travelers from the 23rd century, arrive in Japan to warn them of the nation's destruction under Godzilla. They offer to help erase Godzilla from history by preventing his creation. With Godzilla seemingly gone, a new monster emerges as the Futurians' true intentions are revealed.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

Reporter Goro Maki stumbles upon scientists conducting weather experiments on Sollgel Island in the South Seas. He discovers the island is inhabited by giant mantis and a woman named Saeko who's been cast away since the death of her father. The pair soon find a helpless infant monster that Godzilla must adopt and learn to raise as one of his own.

In comic Woody Allen's film debut, he took the Japanese action film "International Secret Police: Key of Keys" and re-dubbed it, changing the plot to make it revolve around a secret egg salad recipe.

In 1976, a drifting star named Gorath is discovered to be on a collision course with Earth. Although it is smaller than Earth, its enormous mass is enough to destroy the planet totally. A mission sent to observe Gorath is destroyed after the ship is drawn into the star, with a later mission barely escaping the same fate. However, Astronaut Tatsuma Kanai is left in a catatonic state due to his near death experience. Unable to destroy the invading star, Earth's scientists undertake a desperate plan to build giant rockets at the South Pole to move the planet out of Gorath's path before it is too late.

A rigidly devoted young servant lives in a decaying aristocratic household as its members drift toward modernity, hedonism, and financial collapse. While the family quarrels over the fate of their estate, he clings to tradition and ritual, becoming a quiet witness to the social change and emotional unrest around him.

As Japan joins in a political pact with Nazi Germany and fascist Italy, Admiral Isoroku Yamamoto is appointed supreme commander of the Japanese fleet. With Japan headed inexorably toward war, Yamamoto, despite his misgivings, believes the only possible victory lies in destroying the American fleet by surprise at Pearl Harbor. The attack succeeds, but fails to sink the American carrier fleet. Thus Yamamoto must lead the Japanese navy into war with ever-diminishing likelihood of success.

Two university students from Kyoto decide to swap partners and spend the night in an isolated motel. However, one of the couples is attacked. Desperate for answers, they search for the attackers and come across a cult that promotes sexual freedom.

Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air force to gather its most brilliant pilots into an elite squadron and use the unit to pinpoint attacks on the Americans. Disrespected by the kamikaze pilots who think the "non-suicidal" pilots are afraid, the unit redeems itself by stunning victories. But success leads the military leaders to expect too much of the unit, and new orders portend disaster.

Men are being murdered by a killer who uses a matter-transmitting device to locate his victims.

Two women are ferried to a small prison colony on the remote and barren prison island, where they and their fellow inmates are forced to perform perilous slave labor along the island’s treacherous cliffs, overseen by both an unforgiving sun and a crew of abusive male wardens. Meanwhile, the arrival of a newcomer among the island’s administrators, a disgraced policeman who is also the son of Nagasaki’s governor, creates dissension between the officials that, along with an untimely outbreak of bubonic plague on the island, ultimately sets the stage for a daring escape attempt on the part of the prisoners.

Direct-to-video documentary special focusing on the Ultraman Series, spotlighting the heroines who appeared from Ultra Q to Ultraman Gaia. The program features insights from the original production staff, who provide introductions to these characters. The documentary notably highlights three actresses: Hiroko Sakurai, Mitsuko Hoshi, and Takami Yoshimoto, sharing behind-the-scenes stories from their time working on the series.

The ruthless and ambitious Yasuhiko uses his charm to manipulate and exploit those around him to climb the corporate social ladder. His cold-blooded ascent eventually leads to moral decay as his past actions begin to catch up with him.

When military experiments go haywire and trigger an atomic bomb, the consequences are of epic proportions. A monster arrives in the midst of the nuclear fallout, and Japan's defenses are helpless against it. Mankind's only savior is an irradiated water goblin from Japanese folklore called the "Death Kappa." The two rival monsters must go head-to-head in the ultimate battle between good and evil!

Comedy starring the manzai team of Chick and Tack, and set in the world of salarymen.

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

Ultraman Zearth hails from The Land of Pikari in Nebula Z95. He has a big red face and dislikes dirt, and will go to great lengths to wash it off his hands. His goal is to clean the polluted Earth. He transforms with an electric toothbrush, which is consistent with his hygiene fixation. He's not quite adept at being a superhero, but at least he tries his best.

In the summer of 1947, various men and women gather at a mansion in the countryside at the invitation of Kazuma Utagawa. They are artists, novelists, poets, painters, playwrights, actresses, etc. Then the murders begin, one after another. The incident seemed to have no continuity...