Too Afraid of Life or Splat

Based on the novels by Colombian writer Mario Mendoza and on the character of detective Frank Molina, the filming of Los Initiados took place in Bogotá. In the saga of Frank Molina, which uses the books Lady Massacre, La melancolia de los feos, El diario del fin del mundo and Akelarre, the story of an alcoholic private investigator who unmasks sinister plots within the underworld of Bogotá is told.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.

A man yearns to go into the ocean across the street from his house, but suffers from an illness that prevents him from doing so.

In 1937, the young French engineer Jo Dupuche landed a job in Ecuador, with the promise of a better life. While he stops on a Caribbean island, he discovers that the mine where he was hired has gone bankrupt and finds himself penniless. Trapped with his wife in the tropics, the couple must cope. While his wife finds work thanks to white settlers, Jo is housed in a ghetto where he forms a romantic relationship with a young prostitute. Shot on 35mm in Cuba at the end of the 1980s with all the constraints inherent to the country, this TV film paints an uncompromising picture of colonialism in line with the eponymous novel by Simenon (1934).

Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.

The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.

Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

A model Cuban revolutionary tragically dies at work and, as a badge of honor, is buried with his labor card in his suit pocket. When his widow attempts to apply for his pension, the pension office demands the original labor card. Desperate, his nephew embarks on an increasingly chaotic and surreal quest through the Cuban bureaucratic system to secure permission to exhume the body, only to be met with endless forms, contradictory regulations, and apathetic officials.

The acquisition of a refrigerator is the excuse to expose the happiness and problems of a classic Cuban family in the 50's.

Mr. Arturo, an old rich Spanishman who arrives to Havana to marry Yoli, dies suddenly in bed. Yoli's family, afraid of losing all the money, convinces her ex-boyfriend Papito to go to Spain and get the money. Papito will have to be clever enough to deceive everybody and succeed in Spain

Jose Luis, a young boy with aspirations to become a scriptwriter and director of cinema, is dazzled on having known the beautiful Sissy. To impress her, he appears as the director who looks for a not professional actress. She, that the whole life has dreamed of being 'discovered' but that it is not naive with men, pretends not to be interested. They begin a relationship in wich both are not as they wanted to be.

It is the story of a young man named Esteban, who was totally devoted to the cause of the Revolution against Fulgencio Batista. One day, Esteban is diagnosed with a cerebral aneurism, which causes him to take stock of his life as a revolutionary and to reconsider his relationships to his family--to his mother and brother, particularly--and his friends.

Mexican feature film

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.

In an imaginary country in Latin America, a man asks for asylum in an embassy. Trickery, passion, and intrigue are the motives of his actions.

A widower is surprised to learn that his late wife lead a double life.

A biting satire about life in contemporary Cuba. Alicia, a young drama instructor, is sent to the small town of Maravillas de Noveras, which is itself an exaggerated, but very ingenious reflection of the real Cuba. Her adventures there are almost as surreal as the ones experienced by Lewis Carroll's character, reflecting patterns of indoctrination, coercion, absolutism, and many other everyday problems in Cuban society.

Cuban peasants wield machetes in a violent uprising against Spanish authorities in the late 19th century.

The daily life of the residents of one house, most of whose lives, in accordance with the customs of southern countries, take place in the courtyard, reflects the national character, the customs of the common people, their talent, and, most importantly, the new things that each new day brings to life in Cuba in the 1960s.

Like her mother before her, beautiful Sissy wants to be a dancer at the Tropicana, Havana's famous cabaret. But her father, Candido, forbids her to do so because of his ongoing grudge against Armando, his former rival and choreographer at the nightclub.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

The formerly revered journalist Frank Molina finds himself in hiding, with his career shattered. However, he continues to write anonymously hidden in the shadows. Frank’s sense of calm is abruptly interrupted when a pair of severed eyes and a blood-soaked note appear at his door. As the number of victims increases, Frank will need to unblock his traumatic past if he seeks to find the killer.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.

Santiago de Cuba, 1956. Pablo, a young mulatto with a deep poetic sensibility, studies at the university. He loves María, who, despite her parents' wealthy position, is not accepted in high society because of the color of her skin.

A poetic journey about the life and work of Puerto Rican poet Julia de Burgos.

Javier, a man haunted by traumatic childhood visions, is hired by Raquel to restore an old haunted mansion, where every night at 3:33 am, the specter of a mysterious woman appears. Obsessed, Javier embarks on the impossible mission of saving someone who is already dead, and seeks answers from Father Alirio.

A homicide detective traumatized by the death of his father has to investigate a series of strange murders, while the hit man responsible for them confesses to a priest that he will be his next victim.

Set in Cuba in early 1959, although the historical context is deliberately avoided in its epic backdrop, the story follows the persecution of a poor guy who owes a few pesos to a loan shark and a thug who swear to get even with him, not so much because of the unpaid debt as because they don't want to set a precedent. The man's name is Miguel, and he seems to care as much as Santiago Nasar that the killers are hot on his heels with their half-tone shoes. On the day of his "double crime" (the story recreates those 24 hours), he has a couple of drinks in a bar, argues with his ex-lover, has sex with a young prostitute, puts up with a scolding from his friend Pedro for being negligent, walks, urinates, goes to bed...

Tulipa, an old strip-teaser from a traveling circus, is replaced by a younger, more wild woman. She must teach the job to her successor or cling to an act that she values as true art.