The domestic misfortunes of Duarte Tinoco, a married man with a free heart. At a time when the leading filmmakers in Portugal were foreigners working under contract with Invicta Film, the possibility of Portuguese artists with special skills moving into directing was a key project for that production company. This is how António Pinheiro, an acclaimed actor, came to direct Tinoco in Bolandas. The experience proved positive and was continued in another film. To make this film, António Pinheiro enlisted the help of his mentor, Georges Pallu, who had directed him in several films. In addition to appearing in the cast, Pallu was also responsible for adapting the play on which the script is based.
Aurora is a modest young girl, working as dressmaker for the women her popular district, near the OPorto cathedral. One day, through a hintz-dress design competition, she gets involved with a haut couture atelier.
André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.
A screenwriter falls in love with a Mexican woman while searching for a story line south of the border.
Geninha and Óscar are a couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them.
During the seventies, the massive arrival of television in the Brazilian countryside puts in jeopardy the business of running small movie theaters. Francisgleydisson is the owner of Cine Holliudy, and he must be extremely creative to keep his passion for cinema alive.
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Traveling by car to Sintra, a mysterious lady, arriving in Lisbon by ship, is the victim of an accident.
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A man is abandoned by his wife and then falls in love with his neighbor, the perfect, ideal woman. The only problem: she doesn't exist!
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Luísa has been married to Jorge for three years. He is about to leave on a mission to the Alentejo when she finds out about the arrival of his cousin Basilio after a long stay in Brazil, where he seems to have made a fortune.
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The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.
Aninhas (Aida Lupo), a paralyzed girl, asks for a miracle from the saint of her devotion, Our Lady of Lourdes, at the chapel of Penha (Guimarães), but her prayer is not heard - She turns her devotion to the Blessed Virgin directly, and joins the multitude that goes on a pilgrimage to the village where, ten years before, the Virgin Mary is said to have appeared to three child sheepherders.
To shorten the way, Bonifácio Mendes a small-minded muleteer decides to cross the Mafra cover.
Traveling by car to Sintra, a mysterious lady, arriving in Lisbon by ship, is the victim of an accident.
Seven years after the disastrous Battle of Alcácer Quibir, where King Sebastian and the nobleman Dom João disappeared, the latter's wife Dona Madalena de Vilhena finally gives up hope that he'll return and marries the knight Dom Manuel de Sousa Coutinho, with whom she has a daughter, who is afflicted by a fatal illness. Now only the tutor Telmo Pais retains the hope that the lost husband is alive, a premonition that may be confirmed after two decades, with the arrival of a mysterious pilgrim...
Between the elegant areas of Cascais and Lisbon, dangerous delinquent Barbanegra acts under the identity of the insinuating Marquis de Serpa.
It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.
Maria Joana navigates the discoveries and transformations of adolescence. She experiences her first night of freedom and independence at the local Saint John's street celebration, testing her limits and confronting her inner fears — but not without consequences.
Joana lives in a small and remote village where people are very primitive and religious. When accidents start happening that involves her, people slowly start believing that she is possessed by the devil.
Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.
João, a blacksmith in Portugal, lives with his wife, two children and father. After work, he goes to the cabaret, where he meets up with Ana, his mistress. Ana is seduced by a fado singer, provoking João's jealousy.
A sad and strong people living in the huge plains of Alentejo. Their endless struggle for bread, their nostalgic, bewitching songs and their daily toil to turn a dry, barren land into golden wheat fields.
The tumultuous lives of a woman and her three daughters who used to live in Paris, and are now living in Bairro Alto.
In the north of Portugal, country boy António is in love with his neighbour and childhood friend Rosa. However, his love for her is not reciprocated. One day, Rosa falls in love with Fernando, a medical student in Porto and the son of a wealthy farmer.
Ana doesn't care for the pure love André devotes her, and turns her heart towards a noble man that is just lightly interested in her. Ana will experience the agony of being abandoned, and must contemplate the reclusion of a nun's life.
The amorous sacrifices of the daughter of Tomé da Póvoa, Berta, with the gentleman Jorge and, in parallel, the warm connection of the other son of Dom Luis, Maurício, with dedicated cousin Gabriela.
Beiras, 19th century. The rapturous fatalism and the love tragedy between Teresa de Albuquerque and Simão Botelho, who survives the intolerant dispute between their noble families. Emphasis on Baltazar Coutinho’s (Teresa’s cousin and suitor) lethal rivalry, on blacksmith João da Cruz’ unconditional protection, and on Simão’s submissive adoration for his daughter Mariana…
Luísa has been married to Jorge for three years. He is about to leave on a mission to the Alentejo when she finds out about the arrival of his cousin Basilio after a long stay in Brazil, where he seems to have made a fortune.
Falacha is the captain of a fishing boat, who loses his men in a shipwreck. Among them was the husband of Aurélia, who holds Falacha responsible for the tragedy. Maria, Falacha's daughter, falls in love with Manuel, Aurélia's son, a situation that their mothers refuse to accept.
The famous story of the Portuguese Robin Hood retold in epic proportions by the filmmaker Rino Lupo.
Shown in Cannes 1946, most of the film was lost and only 32 minutes of images with no sound survive today. An elementary school teacher, Lídia, is placed in an isolated village in the mountains and on the first day of school the doctor informs her that she will have to go away with the priest for three days. These will be the three godless days of the title, in which the young teacher will meet the lord of the hill, Paulo Belforte, who is feared by the whole village for allegedly setting fire to the church and for having tried to murder his own wife. Due to a series of misunderstandings, the villagers turn against Lídia and Belforte, to the point where at the end there is a torchlight procession to purify the diabolical events of Casal de Lobos. But all ends well, and peace is restored through (semi-)divine influence...
