Time Loops - A Conversation with Christa Wolf

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.

Emmy Awards nominee for "Outstanding Individual Achievement in a Craft: Research: Multi-faceted portrait of the man who succeeded Lenin as the head of the Soviet Union. With a captivating blend of period documents, newly-released information, newsreel and archival footage and interviews with experts, the program examines his rise to power, deconstructs the cult of personality that helped him maintain an iron grip over his vast empire, and analyzes the policies he introduced, including the deadly expansion of the notorious gulags where he banished so many of his countrymen to certain death.

Based on years of research into the mass rapes committed by the Red Army at the end of the Second World War. In the first part of the documentary Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, after 46 years of silence they talk for the first time publicly about their violent experiences that have left such a mark.

Multilayered documentary about the dissolution of the Ministry for State Security of the GDR: Half a hundred buildings, a thousand rooms, bunkers, its own prisons - the Berlin central complex of the former Ministry of State Security. Workplaces of desk jockeys, hunters, surveillance officers. A labyrinth of human alienation.

Based on years of research into the mass rapes committed by the Red Army at the end of the Second World War. In the second part of the documentary Helke Sander interviews former Soviet soldiers, and children born from rape, splicing their statements with material from archives. While avoiding an emotional presentation of the subject matter to rule out revanchist interpretations.

At the end of the 1980s, a film team is about to visit Lukas Wolf, Friedrich Wolf's eldest son, who lives in the state of New York, USA. They carry with them a letter from his half-brother Markus Wolf the Stasi chief from GDR. The brothers have not seen each other since 1933; on the other hand, Lukas met his other half-brother Konrad Wolf once in New York City, where they got along very well, after many years of separation. Johanna and Lukas come from Friedrich Wolf's first marriage with Käthe Gumpold, Markus and Konrad, from the second wife Else Dreibholz.

A young soldier enters Germany with Soviet troops at the end of WWII, feeling like a stranger in his homeland. As he meets Germans, he grapples with his ambivalence, realizing he is both a victor and one of the vanquished. His inquisitive nature leads him to confront the atrocities and lies he encounters along the way.

After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities. The young woman really only “emerges” in her fantasies, where she can escape from her dull, normal life.

After a breakdown, Rita returns to her childhood village in 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; how his enthusiasm about his new chemical process turned to bitter disappointment in the face of official rejection; how he escaped to West Berlin a few weeks before the Wall was built and hoped that she would follow him …

Twenty-year-old electronics technician Liane, desperate to escape her broken home, resists a demotion at work and falls for research student Jürgen. Fiercely defending colleague Kalle against unfair accusations, she overshadows her own troubles, including an unplanned pregnancy. When Jürgen betrays her, Liane collapses, and she wonders if a new beginning with steadfast Kalle is possible.

In medieval Germany, poor and witty Till Eulenspiegel fools and cheats citizens, churchmen, and landlords. Although in most cases he uses his wit for personal well-being, he often helps the poor and weak. Eventually, he gains an influential but also dangerous position as royal fool at the court of the emperor.

A depiction of class conflicts in Germany between 1918 and 1945. The Spartacist Erwin is shot by officers in 1918, and his pregant working-class bride Marie begins a new relationship with social democrat Geschke. Erwin's son Hans grows up to be a communist like his father, leading to bitter hatred between him and his Nazi step-brother, while Geschke becomes increasingly resigned to the political situation in Germany. The three aristocratic officers who shot Erwin many years ago meet again during the Kapp Putsch, but their support for the Third Reich eventually leads each to their deaths.

On January 27, 2010, Okpako visited the (East) German author Christa Wolf to discuss a film project based on Wolf's novel Medea: A Modern Retelling. Over tea, with the sound of planes landing at nearby Schönefeld airport, they talk about how she came to tell the story of Medea the immigrant, treated with suspicion in her host country, and are joined by the voices of Medea, Jason, Agameda, Glaucke and the passing of the East German era. This film premiered at the Berlinale in 2014.

Bundeswehr soldier Klaus’ regiment is stationed in France, to take part in NATO maneuvers. The soldiers are ordered to be kind to the populace, since the West German High Command wishes the French to forget the atrocities that were committed during the Second World War. Klaus falls in love with Jeanne, the daughter of the local mayor. He discovers that his commanders intend to demolish the ruins of a local church, in which civilians were murdered by the German occupation forces at 1944. A local journalist who researches the event discovers that West German General Rucker ordered the massacre, but he is mysteriously murdered. Klaus defies his commanding officer Siebert, who instructs him to steal the documents indicting Rucker, and hands the evidence over to Jeanne.

On August 12, 1961, eight people in three cars set off for Berlin from Leipzig. They want to go to the West. The initiator is the philistine Spiessack, who drives the others, who have embarked on the adventure with mixed feelings. It becomes a journey with numerous incidents and panic, which causes the different characters to clash. When they finally arrive in Berlin the next day, they are not allowed to cross the border. The only option is to return. At home, Spiessack is met by a policeman in his living room - with the slogan "We'll be back" written on the wall.

The machinations of an ex-officer and a servant who want to get their hands on a fortune.

Johanna is a dedicated female scientist in a near-future world. Her research team develops a drug called "Petersein masculinum 199," capable of transforming a woman into a man. Driven by scientific curiosity and an unrequited love for her cold project leader, Professor Peters, Johanna volunteers as the first human test subject.The chemical process succeeds, and she becomes a man named Johann Anders. However, the physical triumph quickly turns into a psychological crisis. As Johann, she experiences the world from a male perspective and is shocked by what she finds. The men around her live in a world of emotional detachment, power struggles, and casual sexism.When Johann sees how the Professor emotionally mistreats his own daughter, the illusion shatters. Horrified by the lack of empathy required to thrive in this patriarchal society, Johann ends the experiment on day 29. She chooses to change back into a woman, rejecting the toxic male world.