Tico-Tico no Fubá

Reconstruction of the historical episode of the Inconfidência Mineira (Minas Conspiracy).

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

A knight, half soldier, half gaudério, dolphinfish hair in the sun, guitar on his back, enters the sleepy town of Santa Fe. Nobody could imagine that this man was also getting into their lives. Singing and drinking was winning the hearts of women and admiration of men. A storyteller of adventures, wars or lies? Based on the book by Erico Verissimo.

For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.

Antônio Nunes is sentenced to 30 years in jail, after having killed a woman, and becomes known as ripper of women. Infatuated Tânia begins to visit him frequently and hires a lawyer to try to take him out.

The life of Fernão Dias, a 17th century Brazilian frontiersman known as "the Emerald Hunter".

After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.

Zenon Ziembiewicz comes back to his hometown after graduating from the university in Paris. He gets entangled in a love triangle with educated young lady Elzbieta and a common country girl Justyna who gets pregnant.

María de la O leaves her family and her former boyfriend Miguel to go with a rich landowner who's supposedly in love with her...

After being forced into a marriage and enduring a humiliating work routine in the hands of his father-in-law, Zé Araújo becomes the mythical Ojuara, an unconventional hero devoted to debauchery.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

The tomboyish, outgoing Julieta is the daughter of a member of the Palmeiras soccer club board. She is constantly frustrated by what she sees as institutional bias against women in soccer. One day while watching her beloved Palmeiras, she is struck by a handsome man, Romeu, that she sees rooting for the Palmeiras' chief rivals, the Corinthians. After meeting the same man again in the middle of eye exam, Julieta and Romeu quickly become a couple. However, in order to avoid incurring the wrath of her parents, Romeu is forced to pretend to be an adoring Palmeiras fan, an increasingly difficult task for the die-hard Corinthiano.

A tale of two families, the Mendozas and Alzagas, faced for generations by the water of a river separating their adjoining properties. Old grudges reappear when the two heirs fall in love.

Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.

To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.

The administrator of an abandoned coffee farm and inveterate gambler saves money to buy the property, even knowing of the loving connections between his wife and the boss.

The bullfight is about to begin. On the bill are announced the toreros Ricardo Puente, Juan Carmona and Rondeño II, who will take the alternative. Puente is an old bullfighter, famous in earlier times, who, now bitter and full of resentment, lives with Paloma, a woman who is not resigned to continue being the lover of a man who has fallen into oblivion. Carmona, the fashionable bullfighter, has an important contract to fight in America, but his wife Isabel wants him to reject the offer. Anamaría, Carmona's sister, hopes that her brother will approve her relationship with Rondeño II; but Carmona opposes because he considers him a bad bullfighter. In a fourth, hopeful and exciting plot, a young amateur bullfighter has a plan to sneak into the ring and fight a bull, hoping for public acclaim for his feat of bravery.

Romantic comedy...

A mine boss hires a policeman to chase some runaways who stole a precious diamond.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

Couple prepare their "great voyage" in all details, not forgetting the flowers, music and luggage.

Candinho is a hillbilly who leaves the countryside, taking his donkey along, and goes to São Paulo, trying to find his mother.

A Cat from outer-space comes to earth and befriends a Miller's Son and together they set out to defeat an evil wizard.

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

Documentary discussing the life and work of José Lewgoy, one of the most important Brazilian actors of all times.

In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

Eduardo wants to become a police reporter. To do so, he unravels a mysterious crime, but fails to get the editor of his newspaper to promote it. He is engaged to Suzy, who works at a nightclub. In charge of interviewing a famous actress, June, gets involved in several embarrassing situations that are created by Suzy and two other reporters, Harry and Steve, who follow June since her arrival in Brazil.

A bus tour to São Paulo’s touristic spots bumps into several strange people.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."