Three Resurrected Drunkards

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering on a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

A married woman and her lover murder her husband and dump his body into a well, but his ghost returns to haunt them as the local gossip intensifies.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

Schoolgirl Kuniko is kidnapped by a middle-aged man Iwazono when she is jogging. He tells her that he had a failed marriage which leaves him a deep and everlasting scar in his mind. He kidnaps her in search of a perfect marriage and intends to lock her in the room and 'educate' her to perform perfect sex where body and soul are united.

In war-torn Japan, the Tokugawa Shogun, desperate to restore peace to his people, orders the assassination of the hostile warlords. A beautiful young woman is raised from birth with nine other orphans, to become an assassin. Her name is Azumi, the ultimate assassin.

In spring, a girl leaves the island of Hokkaido to attend university in Tokyo. Once there, she is asked to reveal why she wanted to go there in the first place.

A bumbling stockbroker-turned-yakuza is tasked with ensuring that an alcoholic boss is up to the task of arbitrating his syndicate's succession ceremony.

Romeo, A.K.A. Kosuke Matsuyama, is a second-year high school student. A nice, normal, nonviolent type, he suddenly finds himself in the middle of a rampaging crowd of Korean boys, outraged by insults perpetrated by several of his idiotic class-mates on two Korean girls. He makes a narrow escape, but soon after, he and his best bud Yoshio are sent by their home-room teacher to invite the Korean students to a friendly soccer game as a way of restoring the peace.

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

Tatsuhiko and Shofumi are hoodlums living in downtown Hawaii, having flown out of Japan and entered the country illegally for a reason. The two make a living by trafficking pakalolo – marijuana – under the pretext of selling tea leaves, but they are in a foreign land where they don't speak the language well. When they get busted by the chief of police, they're forced to make a deal and and help get a local crime boss masquerading as a benevolent celebrity arrested.

From a true incident that happened in 1960's Japan. This drama is contemporary in setting but medieval in its characters and emotions as it focuses on a tangled web of murder and deceit encountered by a beautiful woman, Kayo after her abusive husband is murdered.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

A widowed restaurateur is faced with scandal after discovering her late husband had a child out of wedlock. Hearing that two criminals had attempted to take over the restaurant from her late husband, she hires her late husband's best friend, a private detective, to investigate.

Young writer Tamako, who is wrongfully accused of killing the head yakuza, must find a way out of trouble.

Everyone in Japan knows his work, yet few recognize his face. Chris Mosdell, British expatriate, pop lyricist, poet and visual artist, during his 30-year residence in Tokyo has written chart-topping hits with some of Japan's most influential musicians and composers, penned lyrics to anime film scores, and run with the multimedia underground of that city's avant-garde. Ink Music: In The Land Of The Hundred-Tongued Lyricist is a 90-minute documentary film detailing those artistic relationships in the expansive career of artistic word-smith, Chris Mosdell. Shot in HD on-location in Tokyo and Fukui, Japan, and New York City, USA, the film highlights Mosdell's rise from obscure expatriate bohemian poet to renowned lyricist for Japan's biggest band ever, Yellow Magic Orchestra (YMO). The story is told through exclusive interviews. Tokyo itself also figures into the narrative as a major character, featuring copious clips of original footage from inside the city that inspires Mosdell's work.

This documentary follows the path of musician Kazuhiko Kato, who has created many masterpieces that remain in the history of Japanese pop music. Kazuhiko Kato, affectionately known as "Tonovan," influenced many people with his musicality that was ahead of its time, such as "The Folk Crusaders" and "Sadistic Mika Band." The documentary introduces the behind-the-scenes story of the formation of The Folk Crusaders, who created Japan's first million-selling hit, rare footage of the Sadistic Mika Band's overseas performances and recording scenes as they made their way around the world, and hidden anecdotes about the "Europe Trilogy," which is said to be a monumental work of Japanese pop music. In addition, a new recording of the timeless classic "Ano Subarashii Ai wo Mouichido" is made, and the song's evolution by musicians of various genres is shown. The film was planned, directed, and produced by Yumi Aihara, who also worked on "SUKITA: A Moment Carved by Artists."

A trio of high school students, Ichiro, Hiroshi, and Reiko, try to give a demonstration against the suspension , but they are ignored by the students and embark on an unreliable journey.