Three Lights

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

Shota Kadomatsu, a first-year high school student who transferred to a private Takehana Boys' High School surrounded by four girls' high schools just because he wanted to have a girlfriend. However, the class he entered was a group of problem children, Class 1 G, who were isolated from the school building and feared by the teachers. Shota is surprised by the dilapidated classroom and his classmates with strong quirks, but he spends his days happily in love and friendship. However, the evil organization Tennokai, which was supposed to have been crushed by the urban legend of the delinquent group G-Men after a deadly battle, was closing in on them.

Hazuki clips her nails every time it rains. She caressed 'her' with these fingers back then. Hazuki, an editor of a publishing company now, is attracted by Shiori, the head of planning. On a day when the two women soaked wet in the rain, they enter an motel for shelter and take a shower. There Hazuki sees the image of her lost "girlfriend" in Shiori and eventually they reach out to each other.

Hisashi and Mai are a happy couple in their 20s who are engaged to be married. But three months before their wedding, Mai becomes seriously ill. Her heart stops momentarily, and she falls into a deep coma. Hisashi visits Mai at the hospital every day before work. With no idea if or when she will ever awake, Mai’s parents encourage Hisashi to find someone else, but he refuses to give up and continues to pray for her recovery. As if his prayers are answered, Mai begins to regain consciousness several years later, and even utters a few words. But tragically, she has suffered brain damage and has no memory of Hisashi.

Kumazawa Jiro, a tax-worker, is tricked out of a large sum of money by the swindler Himuro Makoto. With the help of his best friend, a detective, Kumazawa tracks down Himuro and teams up with him and sets out to extract JP¥ 1B in unpaid tax from a large corporation that is hiding tax evasion.

Lurking among us are the Horrors, ancient enemies of our kind. Holding the line against them, down through the ages, are the Makai Knights. Assuming the aspect of Golden Knight Garo, Raiga Saezima has vanquished one such demonic creature, but his magical armour has been tainted with evil. Furthermore, a Knight of the dark has materialized, and taken hold of Mayuri, so dear to Raiga. If he hopes to rescue her, Raiga must board a mysterious train destined for the netherworld. As he advances through the cars of this train, Raiga comes ever closer to confronting his own hidden truths…

The president of the Kunpusha publishing giant suddenly dies, triggering an internal power struggle over his successor. Trinity magazine editor Hayami is forced to contend with the magazine's possible termination by senior manager Tomatsu. Hayami grapples with publishing world ruffians in a struggle for the magazine's very existence.

Takeshi runs a popular Italian restaurant in a port town. His ex-lover Kazuyoshi went to Italy to train as a chef seven years ago so he is single. His sister is pregnant with the baby of Kazuyoshi’s younger brother and a wedding between the pair will happen before the birth. Due to this, Kazuyoshi returns from Italy and invites Takeshi to go to Italy with him.

Paris. The year is 1969. Andreas Baader on the run from the law in Germany hides out in the apartment of the political intellectual Régis Debray who at the same time is serving what is supposed to be a long prison term in Bolivia.

Screenwriters Yusuke (Ryo Katayama) and Ryoko (Kazuha Komiya) are tasked with writing a interesting script. They think of various ideas, but none of them are great. Then, Yukiko (Marie Ono), who is Yusuke’s old friend and Ryoko’s younger sister, has a secret playing once a year with Yusuke and Ryoko. They are in a love triangle. As time passes, writing their script doesn't go well. Something with their relationship happens…

Mr. Takada is a successful mature writer who falls into a creative blockade following the death of her wife. Incapable of finishing the novel his fans demand anxiously, and about to turn seventy, he starts wandering several pubs in the city, until he meets Sayo, a beautiful young waitress with sentimental issues she doesn’t hesitate to share with her clients.

A silly and serious midnight road TV movie produced by NHK.

At a secluded island resort, a matchmaking tour turns into a deadly game when buried secrets surface — forcing a survivor of past app-related murders to fight for her life once again.

The Earth is threatened by the mysterious Space Ironmen brothers, and the Kamen Rider Club goes to the space to avoid them to be awakened. However, an agent of the Alicia Federation, Inga Blink, tries to stop them. Kamen Rider Forze and Meteor fight for the destiny of the Earth and for the friendship of all beings.

The second part of the two-part documentary in the popular psychic documentary 'Tales of Terror: G Men' series.

An anthology film consisting of four segments based on literary works by Edogawa Ranpo.

Produced by Hideto Iwai "Suddenly Reading a Book! Takako Matsu x Ryunosuke Kamiki x Takanori Goto x Koji Okura Second installment of the show. Iwai Hideto is the moderator & director of the read-through. The concept of this is a challenging impromptu script read-through. The actors participating will not be notified on the subject prior to the performance. They will be handed the script on the day itself & will have to read it on the spot. The cast read the script of "Sanpo Suru Shinryakusha" (Before We Vanish) by Maekawa Tomohiro for Episode 2.

Tamao Hatenashi is a 26 year old actor. Due to his unhinged imagination however, he gets an erection each time he acts, rendering him virtually unhireable. In spite of his problem, his luck takes a turn for the better when a fellow actor friend by the name of Maebari introduces him to Gonza, the CEO of a pink movie production company, and who immediately takes a shine to him. Buoyed by seeing his name printed on a movie script for the first time, Hatenashi immediately makes his way to the pink movie set. Upon arriving, he meets Yumika, the movie’s lead actress. Smitten by her kindness, he soon falls head over heels in love with her. As such, Hatenashi is horrified when he discovers that Yumika has been abducted from the set by a suspicious group of men, leaving only her panties behind. In order to track her down, Hatenashi immediately heads to Shimbashi, Tokyo in search of a legendary detective.

On a gloomy Monday morning, my week begins. Although I (Bakarhythm) am sleepy, I put on my make-up and I leave home for work at a bank. I take the subway filled with passengers and get off on the nearest subway station from work. I meet Maki Fujikawa (Kaho) at that subway station. She is my closest colleague at work. While talking with each other, we get to our workplace.

This film revolves around the perils of a dating app. A single woman is recommended an app, however the person she matches with is different to his photo. At the same time, a serial killer is stalking his latest victims also using the same app.

This is a work depicting a man suffering from dissociative identity disorder, who is different on each day of the week, from the perspective of "I" on Tuesday.

superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics. Performers will appear in Ikeda’s work for the first time, performing as operator/conductor/observer/examiners. All the components on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness – these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.

Using musical pitch as a medium, Ryoji Ikeda translates various kinds of data into an almost abstract code—a perfect sequence of “phrases” that create audiovisual compositions like those in code-verse. A universe of code and a code poem, the installation transforms mathematical code into an independent symphonic or polyphonic work. code-verse has no narrative: it communicates with the viewer’s senses. Immersed in white noise, viewers are invited to contemplate the poetry of mathematical relationships and variations in code in the same way one listens to music.

4 creepy Japanese ghost stories

This piece is both a concert and a film that uses data as its material and theme, highlighting the ways in which data shapes our understanding of the world. Video images of landscapes are progressively abstracted into a language of data.

formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen. It places the viewer in a binary geometry of space and exploits the darkness to amplify one's perceptions. There is a complete integration of the various elements, composing music, images, lighting and orchestrating the relationships between them through a highly precise score.

Looked from various view points, be it religious, philosophical, medical, cultural or emotional, on a stage flooded in flickering light, with an advanced technique of combining bodies, images, video, sounds and lighting, [OR] is a meditation on the "grey humour" overhanging the space between life and death.

Combining elements of multimedia, dance and fragmented narrative, memorandum explores the hazy dimensions of recall that ground and disquietly erode our experience minute-by-minute. The set is simple - almost an abstraction. A bare stage is bisected by an impenetrable but translucent wall, a screen onto which will be projected a barrage of images. Amidst a cascade of white noise and REM-speed visual flashes, the performers break down the motions into displaced gestures in silhouette. Penetrating deeper beneath the surface of moment, dancers drift in a slow sensual subconscious slidestep through the "forest of memory" haunted by voices and desires.

data.tron [WUXGA version] is an audiovisual installation in which every single pixel of a visual image is strictly calculated by a mathematical principle. These images are projected onto an immense screen reflected with a minimal yet intense soundtrack that produces a powerful and hypnotic effect on the visitor. The installation is an alternative entry point into the complexity of data and challenges our assumptions on what kind of visual vocabulary belongs to the world of art versus tech.

The Suzuki family faced the problem of inheritence division when their mother died. Different views on rights, obligations and affection for the mother have divided key family members. Will mother's love, filial piety and family ties heal the separation between them?

data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research. The trilogy addresses the layered dimensions of our world, from the microscopic, to the human, to the macroscopic. Through Ikeda’s process, massive scientific data sets have been transcribed, converted, transformed, de/re/meta-constructed and orchestrated to visualise and sonify the different dimensions that co-exist in our world between the visible and the invisible. Each variation immerses visitors in the vast data universe in which we live, capturing hidden facets of nature and the vast scientific knowledge underpinning our existence. This large-scale data-driven trilogy is generated by extremely precise computer programming and features a minimalist electronic soundtrack, harmonised with Hollywood-standard, high-definition, 4K DCI video projections of scientific data onto a large screen.

After their class reunion, Yukari, Kiriko, and Niko launch a website for punishing people who have done wrong, yet escape law enforcement. As their website goes viral, Kiriko and Niko's acts of violence increase in intensity to satisfy their need for attention and the demands of their growing subscribers.