Three Days Happiness

New Year’s Eve 1999, Athens: a desperate fugitive armed with a live grenade takes a family hostage and demands to go on live TV as the world counts down to the new millennium. Broadcast in real time, the situation pulls in a young journalist, media executives and a divided police force, as an entire nation watches events spiral toward a tragic and irreversible outcome.

As Georgios Vizneyos, one of Greece's greatest authors, degenerates in an Athens mental asylum, the tale of another story-teller, his grandfather, begins to emerge through his mad ramblings. This lavish film recreates (through his own words) the writer's childhood life, rich with fantasy and legend. Apprenticed to a tailor, young Georgios' mind is filled with his grandfather fairy tales. He ponders the hill from which one can climb into the sky and waits each day for the chance to bring clothes to the princess and win her heart through song. But, just as reality begins to germinate doubt in his mind, Georgios is called home to his ailing grandfather, who will reveal one final, true story that may prove to be the most fantastic of all.

A sociology professor going through a mid-life crisis resigns from his job, abandons his family and lives isolated in his country house. His only incentive for living is the faded face of an unknown girl in a photograph he had taken in the past and whom he now starts looking for.

As an unpredictable, sweeping pandemic causes people to develop sudden amnesia, a man finds himself enrolled in a recovery program designed to help him build a new life. His treatment: performing daily tasks prescribed by his doctors on cassette tape, and capturing those with a Polaroid camera.

The events of this film, spanning from the very first moments after the Occupation until the first years of the 1980s. In those years, which are crucial for Greek History, the adventurous path of a poor family is illustrated, that’s slowly going to end up filthy rich. The members of the aforesaid family found out the hard way, that money cannot buy happiness.

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

Holy Week in Pelion. Two friendly Athenians couples find in their yard corpse of a stranger. They try to avoid the charge of murder by locals, while in the whole fuss becoming uncovered secrets that will change the lives of everyone.

Summer in an Athenian neighborhood, the alarm of a car does not leave their neighbors in peace. But every one has its own problems. Infidelity, robbery, jealousy, flirtation, and family reconciliation on corpses, all pour forth into five intertwined stories

A tale of rage, hate, love and passion. Of guilt and revenge.

Niki, an employee at a cosmetics shop, wants to have a child. Driving back home one night, she runs over a little girl. Although innocent, Niki now has to deal with the "unbearable".

"The Gaze Adventure" is simultaneously an essay film and a fiction film. that approaches the multiple function of the gaze as a main element of the cinematic world, and as a carrier of the cinematic journey.

The story follows a family of refugees from the early twentieth century through to the Civil War. Through movements, separations, and reunions, personal lives intersect with Greece’s major historical transformations. Space and time are in constant flux, while the characters remain trapped in an unending search for a homeland.

Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios' house must be decorated.

Shortly before the completion of his latest project, a filmmaker who has already made his mark on the local cult and avant-garde film scene, presents his latest effort - a real low-budget masterpiece!

Two men go in search of a birdman to become a bird in nine steps.

The life of an overanxious young director searching for success is further complicated when he is forced to raise money for a movie screenplay he detests, in this laid-back comedy.

After his father death, Nikos moves from Ptolemaida to Athens. His uncle offers him food and shelter while he starts taking care of his dogs. Alone in an isolated suburb, he's wearing down into his misery routine, till the moment his relationship with his aunt changes everything.

Medea, Jason, and their two children live as refugees in the Greek city of Corinth. When Jason abandons her to marry the king's daughter, Medea is forced to leave the country, on penalty of death.

Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.

A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.

Aris, a 38-year-old worker in a factory is fired without any warning. He is shocked. As his attempts to be re-hired fail, he gradually becomes obsessed with the idea of taking justice into his own hands. He buys a gun with the last of his money. He is ready to proceed with his goal when his ex-wife dumps their six-year-old son on him.

Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².

Sometimes coming home is not what you expect it to be.

A woman is hired as a debt collection agent in a call center. Under pressure from her team leader, she tries to adapt to her working conditions. After hearing a tragic story, she becomes interested in the lives of people she has been speaking to on the phone.

The movie tells the tale of a beautiful young woman whose life is turned around when her ex-porn star dad is made (by the producers) to cast her as the lead in his latest x-rated film. A devastating testimony of the rise and fall of Greek family values, an existentialist journey where habit and cruelty are only separated by life and death

When mysterious creatures invade a Greek seaside port, a misfit band of musicians, tourists, bodybuilders, and grannies unite to save the city in this quirky action-comedy.

Two young women, from different points of departure and by using different means of transportation, examine where disability begins and ends.

A completely euphemistic black comedy or the worst film you've ever seen, Dimitris Piata's feature directorial debut in the cinema is the triumph of bad taste over "whatever".

The life journey of a Pontic refugee from Crimea, as seen through the eyes of his great-granddaughter, two decades after his death.