A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.
Eternal Variations: "Demon", "Theseus" and "Faust" The second short story "Theseus" is the author's interpretation of the Ancient Greek myth about Theseus and the Minotaur.
A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.
Masha, who works for a radio station, and Maxim, a street sweeper with an architectural degree, cross paths with each other when they are at an indecisive point in their lives.
Michael's perfect life changes dramatically when he discovers a portal wich allows him to travel in time. He travels back to the World War II to go through the quest of time and find his one and only beloved.
Saving her city from the wolves, Little Red Riding Hood will have to solve the mystery of the disappearance of her father Wolfboy, face her fears in the eyes and find her destiny.
The movie has reveal the last days of the famous and popular Russian poet - Alexander Pushkin. After the poet faced scandalous rumors that his wife Natalya Pushkina had embarked a love affair, Pushkin then challenged her brother in law to a duel!
Based on a painting by M. Vrubel, a poem by M. Lermontov and the play "Faust" by Goethe. This film is the first part of the trilogy 'Everlasting Variations'. The author attempts to expose the atmosphere of early 20th century Russian romanticism, which Vrubel's works so brilliantly illustrate.
In the "Little Tragedies", the main universal, eternal conflicts receive a specific interpretation: things, ideas and people collide. This is a "shifted" world, everything is at a breaking point here: the immobile moves, love triumphs on coffins, a subtle aesthetic sense leads to murder, and feasts turn out to be feasts of death.
Eternal Variations: "Demon", "Theseus" and "Faust" The third short story "Faust" is the author's interpretation of Goethe's tragedy.
Based on a painting by M. Vrubel, a poem by M. Lermontov and the play "Faust" by Goethe. This film is the first part of the trilogy 'Everlasting Variations'. The author attempts to expose the atmosphere of early 20th century Russian romanticism, which Vrubel's works so brilliantly illustrate.
Shares 2 cast members · Same director
In the "Little Tragedies", the main universal, eternal conflicts receive a specific interpretation: things, ideas and people collide. This is a "shifted" world, everything is at a breaking point here: the immobile moves, love triumphs on coffins, a subtle aesthetic sense leads to murder, and feasts turn out to be feasts of death.
Shares 2 cast members · Same director
After a hurricane levels his city, a young man wanders into a mysterious library where books literally come to life. This film won the Oscar for Best Animated Short Film in 2012.
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One hot summer day a little girl gets lost in an enchanted forest of the mountain god where spirits reside. A young boy appears before her, but she cannot touch him for fear of making him disappear. And so a wondrous adventure awaits...
A wandering warrior finds an unlikely friend in the form of a young dragon. The two develop a close bond, until one day the dragon is snatched away. She then sets out on a relentless quest to reclaim her friend, finding in the end that her quest exacts a far greater price than she had ever imagined.
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A poetic essay on the city of St. Petersburg in the 18th century, based on poems by Alexander Pushkin and Alexander Blok and a novel by Andrey Belyi. The film contains reworked footage from Aleksey Batalov's "Overcoat", Eisenstein´s "Strike", Petrov's "Peter The First", Tikhomirov's "The Queen Of Spades" and others. Petersburg is an unbounded visual fantasy where reality and imagination merge into one. The history of the city represented in a digital form may live its independent life. Yevteyeva presents sights of St.Petersburg that have become the genetic code of the Russian culture in a particular manner in her film. Each shot of the film was hand-painted with special strokes.
Same director
When human sailors are attacked by mysterious creatures of the deep, only one person can stop the war between land and sea: the Witcher, Geralt of Rivia.
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Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
Same director
Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
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