Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
Shares 2 cast members · Same director
Thirty-something Isabelle spends her time going from her tiny, solitary West Side apartment to that of her grandmother on the Lower East Side. While her grandmother plots to find her a romantic match, Isabelle is courted by a married, worldly author, Anton, yet can't seem to shake the down-to-earth appeal of Sam, a pickle vendor.
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When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
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The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.
Shares 3 cast members
Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.
Shares 3 cast members
A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."
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Winner of four Academy Awards, including Best Picture and Best Actor, Sir Laurence Olivier’s Hamlet continues to be the most compelling version of Shakespeare’s beloved tragedy. Olivier is at his most inspired—both as director and as the melancholy Dane himself—as he breathes new life into the words of one of the world’s greatest dramatists.
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A successful businessman travels to Italy to arrange for the return of his tycoon father's body, only to learn that dear old dad died with his longtime mistress.
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A divorced father reconnects with his son when they track down a stolen toolbox over the course of a weekend.
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A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him.
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It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
What do construction workers do in their well-earned breaks? How might Angelina Jolie's and Brad Pitt's relationship have ended? And what really happened between Marilyn Monroe and Joan Crawford during the summer of 1959? The answers to these and many other interesting questions are provided by twelve queer New York filmmakers. Their films also scrutinize such topics as the difference between the way men and women dream, and how erotic tying a necktie or having a manicure can be.
Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.
When 30 something Sean meets Eastern European immigrant Wolf, sparks fly. They return to Sean’s apartment and begin a high energy and hugely sexual affair. What starts as a mere chance meeting slowly evolves into something more. Wolf is easy going, turning tricks to supplement his living, while Sean is needy, talkative and neurotic. Creating a stable relationship is fraught with problems. With Wolf disappearing for hours at a time and Sean doing drugs the two of them seem to be headed down a path of destruction.
John agrees to be Italian horror actress and singer Solange's assistant, and he's thrilled to be swept into her glamorous, arty European world. But when the sex and drug lifestyle gives way to murder, John begins to question Solange's motives. Based on the novel by James Derek Dwyer and filmed on location in Europe, this offbeat comedy pays homage to the cinema of the 1980s and features a hip soundtrack.
Sex and drugs-getting hooked and getting off can be addicting. For Drew, eking out a mundane life in Waterville, Maine, it is resisting the illicit pleasure in New York; for Mistress Datina (Philly), it means operating a sex and drug den to cope with her life. In his visually and sexually stimulating film, director Verow introduces multiple characters and overlapping narratives that portray the physical and emotional faces of addiction. For Rob, drugs and sex are means of finding a bed to sleep in every night – while they provide Christian a means of dealing with his helplessness and loss. A writer records these characters and their unforgettable stories. The themes are universal, but the possibilities are endless.
A documentary about gay male cruising and public sex and how it has changed over the years.
A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.
A mother's dementia reignites a past of crime and lust, forcing her daughter to make difficult decisions.
Three generations of small town rebel-rebels crash into each other and burn in Todd Verow's new film, A Sudden Loss of Gravity. The small town of Bangor Maine is finally entering the 80's with a pile-up of new wave proportions. Based on true stories of the Northeastern town.
A beautiful but self-conscious model (due to her own perceptions of being imperfect due to the multiple operations she's had since childhood) falls in love with a gay man who happens to be her doctor's lover. He falls for her and they must find if they can have a life together in the complexity of their relationship.
George Kuchar received his only funding grant for this film ($20,000 from the NEA), and so, freed from the usual financial restraints, he was determined to have a good time and make a “spectacle” with “tons of color” and dazzling superimpositions. A big, colorful tapestry about rumors that are in all of the previous UFO movies. A loose story line that weaves in and out of the UFO phenomenon.
A short film by George Kuchar.
This film follows the life of a mentally ill street itinerant whose name is not worthy of mention. When not sleeping in the gutters of Manhattan's Lower East Side, our protagonist keeps busy juggling her schedule of drug abuse, trips to her shrink, and stealing from those misguided souls who, after taking pity on her, allow her temporary shelter in their homes.
Corruption of the Damned might seethe with violence and sex, the two most attractive things you can put on the screen, but beneath them a twisted outlook pervades.
“LUST FOR ECSTASY is my most ambitious attempt since my last film…. I wrote many of the pungent scenes on the D train, and when I arrived on the set I ripped them up and let my emotional whims make chopped meat out of the performances and the story…. Yes, LUST FOR ECSTASY is my subconscious, my own naked lusts that sweep across the screen in 8mm and color with full fidelity sound.” – George Kuchar
A desperate, married woman meets a mysterious man who she blatantly desires. Through some twists and turns, things do not go over as well as she seems to wish.
This movie was made mostly in Brooklyn during some very hot and empty evenings. Since the evenings were so empty, Jane Elford, the star, urged me to get started making another movie (we had completed PAGAN RHAPSODY the year before). I said "okay," and launched her in a photographed series of telephone calls, not really knowing who was going to be on the other end. I was interested at the time in irrational, neurotic responses and so the heroine was put into unstable situations that I dreamt up because I was making a movie with a plot and there should be some action .... Many of the stars appear nude and all I can say is that because of the heat and the general, overall feeling of the film which is one of the usual desperation and explosive emotions, I couldn't see any other way of them playing it. The general tone of everything was ... "Why even bother to get dressed?"
The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.
