The Singing City

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

The film is an adaptation of the 1891 operetta Der Vogelhändler by composer Carl Zeller, with libretto by Moritz West and Ludwig Held, though it incorporates few of the original songs, using them mostly instrumentally or in the background. The plot follows Adam, a Tyrolean bird seller in 18th-century Rhineland, who hopes to marry his beloved Christl, a postmaster's daughter; to secure his future, she arranges for him to perform at court, but complications arise when she is mistakenly suspected of an affair with a philandering prince.

Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.

Four girls seeks happiness on the dance floor among the handsome and rich gentlemen.

This silent-screen classic, like many others produced near the end of the silent era, was both a theatrical extravaganza boasting an original orchestral score and an item which languished in obscurity for many years. When Carlo Piccardi took what was left of the score by Maurice Jaubert and re-created it, the existing footage was restored and paired with a new orchestral performance which was shown in Paris in 1988. The film's story concerns the travails of a woman who has been living quite comfortably as the mistress of a colonel in the Tsar's army in Russia. However, she eventually encounters a penniless young lieutenant and falls madly in love with him, as he does with her. Despite her best intentions of remaining with the colonel, and his intention to avoid trouble with his fellow soldiers, they cannot forswear this relationship, and tragedy is the inevitable result. The title refers to a moving incident in the story, and translates as "the wonderful lie of Nina Petrovna."

In this romance, a banker's daughter suddenly breaks off her engagement on her wedding day. She then meets a man who believes in easy money. He sees her as his meal ticket and the two take off together.

After the death of his uncle, the owner of the Rhine based Bockelmann Sparkling Wine, Peter turns up for the reading of the will. Justus Bockelmann, a producer of mineral water, is confident he will inherit the business, but ‘for reasons of moral rectitude’ he has no intention of running an ‘alcoholic business’. The opening of the will comes as a surprise to all the potential heirs.

René and his two artist friends lead a meager but careless life in a Parisian small apartment, their main worry being to avoid the housekeeper. Whenever they get some money they call more friends in and celebrate. This is how he meets beautiful but fragile Denise, who wants to be a singer as himself, and they fall in love. Yet when she finds out her real condition she takes a drastic decision which will determine their fates. La Bohème arias, and more.

In this opera-oriented musical, Riccardo Gatti, an Italian young tenor in Venice, meets a young woman who sneaks into the opera house to try and get her fiancé hired as the orchestra's pianist.

An opera company tries to get an engagement.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Jenny confronts her cousin Harry: Did he embezzle her fortune? No. But he escapes with married lover Germaine only to return quickly because her husband pursues them. Jenny is convinced Harry is his own double and arrests him at gunpoint.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

WWII is entering its last phase: Germany is in ruins, but does not yield. The US army lacks crucial knowledge about the German units operating on the opposite side of the Rhine, and decides to send two German prisoners to gather information. The scheme is risky: the Gestapo retains a terribly efficient network to identify and capture spies and deserters. Moreover, it is not clear that "Tiger", who does not mind any dirty work as long as the price is right, and war-weary "Happy", who might be easily betrayed by his feelings, are dependable agents. After Tiger and another American agent are successfully infiltrated, Happy is parachuted in Bavaria. His duty: find out the whereabouts of a powerful German armored unit moving towards the western front.

Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.

For more than 50 years, Pauline Neuber has directed the "Olympia" theatre, but lately, business has been bad. It appears that no one will be able to make it better either: the audience doesn't seem to like the plays; the press even less so; and the shareholders of the theatre want to sell their shares. In short, the "Olympia" has one foot in the grave. Erich, grandchild of Pauline and always underestimated by her, gets to know Hella Bergson, the daughter of the theatre critic Peter Bergson, and falls in love with her - but doesn't have an idea whose daughter she is. He plays her some melodies from the first operetta he's ever composed and Hella convinces him to have the operetta performed in the "Olympia". During rehearsal of the operetta, however, a fight breaks out between Erich and Hella over a stupid misunderstanding.

Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.

A couple are at the theatre with a playwright friend. At the end of the play the jealous husband strangles his wife to death. When the play ends, the man talks to his friend about such a nonsensical finale, telling the author that no man with any sense ever gets jealous enough to choke his wife in these modern times. The playwright decides to test this supposedly perfect couple about their happy feelings for each other.

Mysterious murders committed by a criminal have kept the public on their toes and the police have mistakenly accused an imposter of the crimes.

Baron von Goret is an impoverished landowner, whose estate is about to go into receivership. And so, for that reason, he wishes to marry off his son Hermann with his well-off girlfriend Helga. But Hermann is in love with the farmer’s daughter Dorothea. He leaves his father’s estate with her and makes his way to Berlin to make a name for himself. He’s not successful in this and, so as not to stand in his way, Dorothea leaves him. Hermann’s aunt brings him back to his father’s estate, where, depressed over losing Dorothea, works tirelessly to clear the estate of all its debts.

After she has abused the confidence of the young engineer Pierre Lavernay, the beautiful thief Olga, who has fallen in love with him, wants to break with her criminal past. Unfortunately, by the awkwardness of her former accomplices, Olga is extradited to the police and, sadly, her young lover turns back to Paris.

Ludwig Gruber, the director of a spa café, is a good man. Now and again, he makes little adventure-trips to Berlin to find business for his company. The women he is traveling with have an accident on the highway. Gruber is traveling incognito as “Mr. Rabbit” with Lotte, the leader of the group. Because of the accident, they’ll have to overnight together in a hotel. Since Mr. and Mrs. Rabbit are a “couple”, they’ll be getting a double-room, where they can … mmm … do what rabbits do. Since they both insist on climbing into bed with the lights out, it isn’t until the next morning that they notice they’ve been in the same bed the whole night. In the ensuing chaos, Grube loses his wedding ring, which is later sent to the address of Lotte’s mother, who now insists repeatedly, that he marry her daughter.

Dan Douglas is a typical Scottish. When his niece Evelyne marries engineer Fred Keller aboard the ship to Scotland, he gives her a pearl necklace as dowry, but it's false. The newlyweds face their differences when the necklace gets lost.

Dancer Vera Kersten is young, pretty, talented, and unemployed—because she rejects the explicit propositions made by agents. When she steps in front of billionaire John Leeds's car, the door to a career opens a crack for her.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

An Austrian singer and an oriental prince who loves singing, fall in love in Vienna, get married and go to his country. She discovers how different the role for women is there, and he fights the old tradition refusing to marry a princess.

After being introduced to the world of opera, a fisherman (Jan Kiepura) falls for a woman (Swarthout) whose guardian is a noted composer (Philip Merivale). They met when the fisherman evaded the police by seeking refuge in the village church. While there, they are each captivated by hearing the other singing Mass. The beautiful woman falls in love with the fisherman with the wonderful voice.

Mother of a young boy, Jackie, Véra Latour asks her husband, Pierre, a famous aviator, to stop performing stunts where he risks death for pleasure. Pierre reluctantly agrees, and it is his friend Bob Deschamps who wins a trophy during a meeting. However, Vera, who never wanted to experience her first flight with her husband, allows Bob to take her up in his plane. When Pierre finds out, he immediately sets off with his loyal mechanic Robert Nourry on a long flight across the Atlantic. After hours of anxiety, Vera learns that her husband has successfully reached New York. Upon his return, she welcomes him as a victor.

As a gang of classy jewel thieves hop from one European country to another, an engineer rescues a woman from their clutches.

In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she works for her uncle. Soon after, her lover Andreas is in France to organize the sailors in Toulon. So also is a thief, traitor, and libertine, Khalibiev, who wants to seduce Jeanne. His schemes, Jeanne and Andreas's naivete, and a lost diamond bring the lovers to the brink of tragedy.

Director Rosé and his opera company travel to Monte Carlo where they expect an engagément to perform at the opera house. During the boat trip Mario, the cheerful tenor, meets a girl hidden in his cabin. He helps her singing for her passage and soon Nicole is adopted by the whole troupe. Then at Monte Carlo the opera director has no intention to sign them. But he has an eye for beautiful women, so Nicole will try to persuade him to reconsider the offer.

A popular stage tenor can't stay away from his female admirers until his wife threatens to divorce him.