The Silences of the Palace

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

Amin, an aspiring screenwriter living in Paris, returns home for the summer, in Sète, South of France. It is a time of reconnecting with his family and his childhood friends. Together with his cousin Tony and his best friend Ophélie, he spends his time between the Tunisian restaurant run by his parents, the local bars and the beaches frequented by girls on holiday.

Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.

With her abusive husband in jail and a coveted divorce pending, hardworking Noura can almost grasp a happy, new life with lover Lassaad — but when the best-laid plans are upended, Noura must tap her unshakable will to fulfill her dream.

Amin returns to Sète after studying in Paris, still dreaming of cinema. By chance, an American producer on vacation takes an interest in his project and wants his wife, Jess, to play the lead role. But fate, whimsical as ever, has its own rules.

Young Tunisian Hedi lives an ordered life in which he believes there can be no more surprises. His future will play out as other people have planned, until he meets a young woman named Rim at a hotel in Mahdia Hediand. An ostensibly personal story broadens into a panorama of a society in upheaval, an allegory about breaking away from traditions. And a film about the happiness and pain of freedom.

In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.

Selim, a handsome and successful writer triggers an elaborate chain of events when he visits police headquarters to report his car stolen. There he runs into the bumbling Sergeant Fathy Abdel Ghafour, an old family friend who now works as a detective. When the meddlesome Sergeant Fathy insists on hiring a live-in housekeeper for his old friend, Selim’s life becomes inextricably intertwined with that of his beautiful new housemaid, her thieving husband and the well-meaning detective.

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

After a brutal car accident, Ahmed, a driven young businessman, is critically injured and trapped in a Tunisian public hospital with his younger brother Nour. Thrust into an unfamiliar, chaotic system, he discovers a world of pain, waiting, and silent resilience. As Nour clings to life, Ahmed is forced to confront his own values, social inequality, and the fragility of control. His experience becomes a powerful lens through which the film critiques Tunisia’s struggling public healthcare system—marked by neglect and human suffering. This unexpected ordeal transforms Ahmed, reshaping his bond with Nour and his view of the world forever.

Summer is coming to an end, Amin and his friends meet Marie, a young parisian student.

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

Summer of 1967. La Goulette, a touristic beach of Tunisia, is the site where three seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Muslim; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Alyssa, a rebellious 19 year-old girl, and her friend Mehdi — a shy and introverted 23-year-old young man — who use their imagination to escape their unpromising reality. When they discover a contest in the south of Tunisia that may allow them to flee for real, they decide to undertake the road trip regardless of the obstacles in their way.

The true story of Saartje Baartman, a black South African worker who moves to London with her master in the early 19th century. Although she dreams of being an artist, once in Europe she is exploited as a sideshow attraction due to her large buttocks and genitalia.

Following the events of the first part, Mansour Al-Hefni escapes from prison and reunites with his son Ali and brother to return to the island to recover what they have lost. Mansour must stand against his old love Karima while the leader of the travelers tribe Sheikh Jaafar enters the conflict for rulership

The movie focuses on the fury state that was among the people in synchronization with the main event in Egypt: The 1919 Egyptian Revolution which unites the fates of Kira and El Gen to participate in the struggle against the British occupation.

In southern France, a Franco-Arabic shipyard worker along with his partner's daughter pursues his dream of opening a restaurant.

Three well-educated North African women cope with sexual stereotyping in modern Tunisia. Amina a married Muslim woman living in Tunis with her two daughters. Even though she is allowed certain freedoms as a Muslim woman this is curtailed when she meets her old friend from school Aida.

A Christian kid suddenly is forced to go to a public school after his father dies and because of a misunderstanding everyone thinks that he's a Muslim.

After more than two decades working for Tunisia national public radio, Youssef is on his way to retirement. Somewhere in the town of Sidi Bouzid, a young man sets himself on fire. Youssef is viciously cut off broadcasting during the last issue of "Tunis by night". As he leaves the radio station, he gets picked up by a police patrol car waiting for him and he spends a few hours in police custody. Amal (his wife) finds refuge again in prayer and the elder brother Amin, tries to put his family's pieces back together as well as he can. Their youngest daughter Aziza lives completely disconnected from the pace and values of her family. She cuts her veins after a cascade of problems. Revolted but silent, Youssef takes refuge at the "Saint George", the adjacent bar he has been a patron forever. He empties his mind after emptying a few bottles of wine. Youssef then runs away from his family to be engulfed by a city he does not recognize anymore.

Set against the vibrant backdrop of contemporary North Africa, this drama follows three women as they navigate the complex interplay between tradition and modernity. Each woman, driven by her own desires for success and meaningful relationships, faces societal pressures and cultural constraints that test their resolve. As their lives unexpectedly intersect, they reveal the shared struggles and resilience needed to overcome the obstacles placed in their path.

Nadia is a 45 year old female professor at the University of Tunis. She is married and has a daughter of 18, Sarra. For some time, Nadia has problems in her marriage also symptoms of menopause are inseparable. The physical and psychological state deteriorates inexorably Nadia.

The Dance of the Wind (Arabic: رقصة الريح) is an Algerian-Tunisian film and the fourth feature film by Taïeb Louhichi. Shot digitally, it differs from his previous films in its emphasis on meditation rather than vast outdoor landscapes. While scouting locations for his film in southern Tunisia, director Youssef meets the gaze of a stunning Berber woman who orders him not to film her. This marks the beginning of a wandering journey that leads him to his downfall in the vast desert, prey by day to mirages, by night to his anxieties, childhood memories, his first cinematic experiences, and the fear of seeing his film fail because he has let his mind wander. His car is his only anchor and his means of resistance, thanks to the contents of its trunk where he keeps scripts, photos, and means of subsistence.

The 40-year-old Omrane is in charge to find maid placements in Tunis for the girls from his village. But the most rebel of the girls has escaped and he has to look for her to get her back in the right path. The girl refuses to lose the freedom she just obtained. For her part, the young Fedlah who was enthusiastic by going to town quickly discovers a world where childhood doesn't belong to.

Hamid is a journalist, in his late thirties and he sees his celibacy with his petty bourgeois family as an escape route so as not to resemble his own. His family wants to marry him at all costs to his neighbor Rym (30) to put an end to his hesitation, and the bad tongues that do not spare hardened single people. Not daring to oppose his family's decision to marry, Hamid prefers to avoid the atmosphere of preparations.

A building guard in one of the neighborhoods of the capital Tunis recalls memories of his youth and the political events that led him to commit acts he regrets in his old age, and his fears of repeating them in light of the events that befell Tunisia after the revolution.