Sposa nella morte! is a 1915 Italian silent drama film directed by Emilio Ghione and starring Lina Cavalieri. Only 15 minutes remain today.
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Manon Lescaut is a 1914 American silent drama film directed by Herbert Hall Winslow and starring Lina Cavalieri, Lucien Muratore and Dorothy Arthur. It is an adaptation of the Abbé Prévost's novel Manon Lescaut (1731). It is now considered a lost film.
Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.
Thibault de Croucy campaigns against the Jews, in the circle of rue Royale, before learning that he is the son of one of them: the prominent banker Gotlieb had been his mother's lover — an adaptation of an Henri Bernstein play first presented in Paris in 1908. The legendary French director André Antoine, working in Italy after the war, struggles to import his usual style, remaining close to the Italian melodramas of the 1910s. Taking a more incisive path than Bernstein, he frontally accuses the Catholic Church of being responsible for antisemitism. Not received well by Italian critics, the film's release is short-lived. A unique element was found by Philippe Esnault in the collections of the Cineteca Nazionale in Rome in 1973 and served as the basis for a 2005 restoration.
silent film with Lina Cavalieri
An engineer has a romance with the mistress of a rich banker but she sacrifices herself,returning to the rich man, for the best interests of the lover and his family.
In L'innamorata, Almirante is at the zenith of her career, starring as Mara Flores, a vampish society lady, who casts her eyes on Carlo, an electrical engineer and director of a powerplant. Although attracted to Mara, he rejects her, and she immediately turns around and sinks her fangs in his best friend and future brother-in-law, Franco. Not possessing Carlo's self-composure, Franco takes up with Mara, and it leads him to his ruin and death. Now, Carlo does fall under Mara's spell, and as their passion intensifies, it becomes clear that there will be no happy end to this story.
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.
Cainá is a young peasant who lives in a small village in Sardinia together with her goats and parents. She is a wild and free spirit and unconventional for any small and closed communities dominated by old rules. Cainà yearns to escape from such a closed atmosphere and the isolated island, so, as an old tune says: "Somewhere beyond the sea, somewhere, waiting for me…"; When a boat arrives to the island, she will do her best to flee away from her little oppressing village and experience new adventures in the continent with the help of the boat captain.
Angela Chiaromonte is the daughter of a wealthy Italian prince who is killed in a fall from his horse. Though Angela stands to inherit half of a large estate, her older half-sister burns the will and thus inherits everything herself, throwing Angela into poverty. Fortunately, Angela is engaged to marry dashing Captain Giovanni Severi - but he soon is captured by Arabs while on an expedition to Africa. Believing him dead, Angela, dedicating her life to his memory, becomes a nun, unaware that her lover has escaped his captors and is returning to Italy. The dramatic climax takes place against a backdrop of the eruption of Mount Vesuvius.
The son of an ailing nobleman returns to France to clear his name and prove where the true guilt lies.
Italian silent film directed by Emilio Ghione and starring Ida Carloni Talli, Lina Cavalieri and Diomira Jacobini. This film may have been rereleased in 1919 as The House of Granada by Paramount
Based on the famous historical novel by Alessandro Manzoni, and set between 1628 and 1630 in Lombardy, Northern Italy, during the Spanish domination, the film displays the marriage between two young textile workers, Renzo and Lucia. The 1922 version is one of the most ambitious and spectacular films in all Italian silent cinema, with remarkable mass scenes and some images that sparked controversy.
As described in a film magazine, determined that her son Francesco (Verdi) will have every advantage of a successful reign when he grows to manhood, Duchess Gismonda refuses all offers of marriage. A sudden danger to her son prompts her to offer her kingdom to the man who rescues the child. Almerio (Foote) braves the dangers of the lion's den to save the child, but because he is a slave the Duchess refuses to fulfill her vow. Gradually, she learns to love him, and after he assumes the guilt for a murder that she committed, Gismonda confesses to the crime and in the presence of her people makes Almerio her consort.
The Crushed Idol is a 1920 French silent drama film directed by Maurice Mariaud and starring Lina Cavalieri.
The Two Brides is a lost 1919 silent film drama produced by Famous Players–Lasky and distributed through Paramount Pictures. It was directed by Edward José and starred Opera singer Lina Cavalieri in her last motion picture. An original story for the screen was written by Alicia Ramsey
Austrian diplomats, seeking papers in the possession of the United States diplomat, work through the infatuation of his son, Harry, for an Italian widow. In his desperate financial straits, he is induced to turn traitor to his trust, but the woman, truly loving him, saves him from the consequences of his crime, at the cost of her own love and life.
Italian silent film directed by Emilio Ghione and starring Ida Carloni Talli, Lina Cavalieri and Diomira Jacobini. This film may have been rereleased in 1919 as The House of Granada by Paramount
Shares 2 cast members · Same director
Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.
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Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.
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A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
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A young woman in early-1900s Italy searches for a mystical sanctuary where her stillborn child can be brought back to life long enough to be baptized.
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Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
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Italy, 1989. After years of hard training, 13-year-old Felice, carrying his father's expectations on his shoulders, finally sets out to compete in the national tennis tournaments. While dreaming of a simple summer vacation, he's instead placed under the wing of ex tennis champion Raul, an unconventional coach hired by his father. Match after match, the two embark on a journey that will lead Felice to discover the taste of freedom, and Raul to glimpse the possibility of a fresh start. As they travel along the Italian coast, an unexpected, deep, and sincere bond between them develops.
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A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
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"Idolo infranto is a fantastic way to appreciate Francesca Bertini in the mood for cruelty. From a tender shepherdess who inspires sublimely artistic acts, she becomes a vampire who drains souls and bank accounts with equal efficiency." - Andrea Meneghelli
Shares a lead actor · Same director
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
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Monna Violante, wed by her father to the rich merchant Floridoro, falls in love with Spallatonda, the buffoon of count Giano, one her suitors.
The beautiful young Berta Trégner, paralyzed by an accident, spends her life tolerating her misfortune and believing that her husband Gerardo still loves her. After six years, however, almost miraculously, she recovers and discovers that Gerardo has started a new family with Elena, her best friend, and that they even have a son. Distraught, she runs away from home. Michele, Berta's godfather, saves the day by discovering that Elena has rekindled relations with her ex-husband Alberto. He informs Gerardo, who, having rejected the unworthy Elena, can return to Berta to find love again.
Consuelita, a young woman who longs to escape the harsh conditions of her small fishing village, is married off to a wealthy, mentally ill Englishman. (Melo)drama ensues.
