The School Bus

Living on his own under a modest roof, Sami makes a living as a mural painter. One day, he learns that his doting grandmother has passed away and left him a small chest full of calligraphy materials. At first, Sami rather dismisses the contents of the chest, so much so that he even considers getting rid of them. But then he meets Selma at the library where he has been commissioned to do a mural, and the introduction marks a turning point for him. Selma, an attractive and dignified woman with the impeccable manners of an old Istanbul family, once took up calligraphy herself. With her guidance and encouragement, Sami embarks on learning the practice of calligraphy. He is helped in his endeavours by Esref Efendi, a gifted but demanding old-generation calligrapher, whose distaste for the present state of calligraphy has deterred him from taking on students for some time. And the master is quick to steer Sami towards love.

Samet, who works as a bouncer in a bar, left home after his father abandoned the family years ago. His mother started living with his brother Emre. After a long time, Samet returns home and tells his brother Emre that he has found their father’s whereabouts and suggests they go together to where their father lives. The two brothers embark on a journey to Konya to confront their past. The other protagonist of the story, Ayşe, leads an ordinary life with her banker husband and seven-year-old daughter Ceren. When her daughter starts school, her encounter with the school’s security guard changes their lives. A secret relationship begins between the two. While Ayşe continues this relationship without fear of being caught, things eventually change. The paths of the two protagonists, Samet and Ayşe, will intersect in an unexpected way.

Hicran, his brother Vildan and their mother Dudu lead completely different lives in the same house. While these three women who have different problems such as beauty, marriage, money but similar desires fight on different fronts, the marriage proposal to Dudu upset the balances at home. While everyone wants to be the hero of their own story, whatever is unspoken, unforgettable and painful is revealed with the possibility of Dudu leaving home. We watch with hope the possibility of an orderly coming out of this mess.

A young midwife arrives in an Anatolian village. She goes to her first birth; she tries not to show it, but she is very excited. To save time, she performs a series of checks, referring to the stages of birth in her book... At one point, her gaze falls on the woman's crotch. The baby's head is coming out. After a "successful" first birth, the young midwife's "modern" equipment becomes famous throughout the village. The village’s elderly midwife is annoyed by the presence of this young, city-dwelling midwife and a feud develops between them, until she discovers the secret of an underdeveloped child.

Cengiz is an unemployed man. His kids have roles in a play that's to be put on National Heroism Week. As the rehearsals continue at home, Cengiz's behavior begins to change.

Hicran runs away from home when she is forced into an engagement with Rıza by her father. Rıza, who thinks that Hicran doesn't want to be with him, doesn't care at first. But when it begins to bother him, he decides to confront the situation and embarks on a long search for her in Istanbul.

A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.

Retired engineer Refik provides funds for his Syrian caregiver, Nesrin, to flee Europe with her sons. Nesrin leaves her children with him and disappears. As Eid approaches, Refik grow despondent about Nesrin's whereabouts, while he and his children ensnared in disparate lives find themselves unable to avoid hurting one another.

A family migrates to the city after a tragic loss. When they reunite in their hometown 30 years later, buried emotions and painful secrets resurface.

Zehra Ana, who is in her seventies, is an elderly woman who has spent most of her life in a village. When her entire family moves to the city, she is forced to leave her village as well. Zehra Ana lives with her eldest son Kerim, following family traditions. Unable to adjust to city life, Zehra Ana is later diagnosed with Alzheimer's disease. The illness deeply affects both Zehra Ana and her son Kerim. Despite having five siblings, Kerim takes sole responsibility for his mother's care and does everything he can for her.

Funny experiences of the townspeople who want to change the current mayor in the elections.

Pick an outfit. You need to get dressed and just go out. How difficult it could be? Check how much cleavage you have. Does it show your bra? Wear a nude one so that it won’t attract attention. Don’t give people the wrong idea. If your boobs show, cover it with a scarf . Just to be sure, use a safety pin so that the scarf doesn’t move. In fact, you don’t actually need the safety pin, just pin an evil eye bead. Now, that’s safe.