The Right Man for Capitalism

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

In Varja Mocnik's documentary, members of former Yugoslav rock band Buldozer, their friends and fans reminisce about the time of the release of the band's debut album Pljuni istini u oci (1975). Their accounts interlace with fictitious scenes, the record artwork, archive material and animation, to ultimately come together into an inventive, surrealist film that speaks not just of the legendary album, but also of the society and reality of the time.

This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.

Stunning stories from the unusual life of the Ural owl, a mysterious nocturnal predator that can fearlessly attack even humans. Set over a period of just over a year, 'Fearless Queen of the Night' provides an extraordinary insight into the life of one of the largest European owl species.

Documentary about Radio Student from Ljubljana, one of the oldest and biggest European non-commercial radio stations.

A film about the first Laibach album officially released in Yugoslavia. The record came out despite the political ban that was in place on the band's name at the time, in 1985 - but without the name or a title. A black cross on the cover was enough.

The documentary visually presents the very diverse fauna and flora of Slovenia, focusing on mammals and birds, and shows some particularly interesting species of amphibians, fish, insects and plants. It takes place over a period of one year and takes the viewer through typical Slovenian landscapes. The plot crosses between the provinces and occasionally returns to the same area in order to show what is happening in the animal world in the second part of the year. A very rich ecosystem diversity, rarely seen recordings, and scientifically verified information weaved into the intelligible text are key attributes of this film.

An excellent display of how humans can rehabilitate and restore an area where a heavy industry polluted the water so severely that it was unsuitable to sustain any kind of life. A a film showing how birds returned to an environment once devastated by industry. The lakes around the northern Slovenian town of Velenje, placed in the Central Europe, are geographic center of the film. They emerged as the land above the lignite mines subsided and the depressions were filled with water. The mines started operating at the end of the 19th century. In the mid 20th century a power plant was built that caused a severe pollution of the lake waters to the extent of the lakes not being fit for any kind of life. As a consequence many birds moved from these parts. After a long ecological restoration that started in the mid 1980s, life returned to the water. Gradually the birds returned as well, including some there were previously never observed in this area.

Dolgcajt, ​​the first film in the series Music is the Art of Time, dedicated to groundbreaking Slovenian music records, tells the story of the debut of the group Pankrti.

Photographer Anja Niedringhaus was 26 when she came to Sarajevo in 1992 to report on the war. It's bitterly cold there, there's no electricity, hardly any food, and everyone's lives are constantly in danger. Spanish photographer Sergio takes her under his wing and shows her how to survive in a war zone. Anja reported on the scene with interruptions for almost three years, later she worked in Kosovo and Afghanistan, among other places. In 2001 she switched to the most renowned photo agency in the world, the Associated Press . Her photos end up on the front pages of the major international newspapers, and in 2005 she received the Pulitzer Prize for her reporting from Iraq. In Kabul, she meets the AP's chief correspondent, Kathy Gannon, and the two soon become an inseparable team. But then a devastating attack took place during the Afghan presidential elections in 2014.

The film documents the history of the Slovenian rap music and its relationship to poetry, literature and politics of the present.

Documentary about rock music scene in town Novo mesto, Slovenia.

The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.

Documentary movie about phenomenon of rock music scene that emerged during the war in Bosnia, from 1992 until 1995.

An inexperienced soldier’s loyalty to his ruthless commander is tested by a deadly encounter with a refugee mother and her child, forcing him to confront a tragic moral reckoning on the river border.

Dizzy is a perennial student living in a small double room in a hostel. He never seems to study, but spends his time sleeping, watching TV, and drinking. Marko, a studious freshman from the country, is assigned to the other bed in the room, and he is soon joined by his young, very pregnant, girlfriend Ana. Meanwhile, Dizzy's girlfriend Marina is trying to get Dizzy to make a commitment, but he would prefer to continue his idle ways.

In a basement, a man built his masterpiece ...

Fear is a story of Christian a 17 year old neo-nazi and event that will forever change his life.

Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.

Black soldiers are captured by red soldiers and shot dead. Then, red soldiers capture black and shoot them. And so on to the bare end.

An animated folkloristic Western, using clichés, local stereotypes and national myths to sketch a kind of satirical profile of “wild” Slovenia, its colourful costumes and strange customs. Boris Dolenc has adapted a cartoon by Vladan Nikolić, who in turn drew on the motifs and visual language of the painted beehive boards typical of Slovenia.

A woman who killed her man has served her sentence. She sails through town; she sails through scenes of life. A girl sees her, forgives her, and saves her. The woman has done her thing. The world finally embraces her again.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

Caught amid a violent corruption affair, a young woman is forced to make an impossible choice between the man she obsessively loves and her newborn son.

Married to a wealthy meat dealer, Mojca (45) is worshiper of fine art and mother of two grown-up kids. Desperate for love and passion, she becomes an object of video installation which her ex-lover and now renown conceptual artist Milos is completing with a help of her daughter Nika. Mojca’s hunt for love becomes a wild journey for everyone involved in this film, including the crew shooting the film Installation of Love…