The Return of the Commander

Based on the famous story from the epic Shahnameh.

1943. Soviet intelligence Saeed Islambek, "26th", manages to infiltrate as an instructor in the SS special school, where defectors from Central Asia study. Loyal to his assistants become a scout-Uzbek Nadia, Secretary of the chief of the special school, and Deputy chief of the Gestapo Berg. When one of the most important military tasks are dying, sacrificing himself, Nadia and Sayid.

The film is based on historical events that took place in the 6th century at the junction of three great powers: The Turkish Khagan, The Byzantine Empire and The Sasanian Empire.

The film tells the story of the life, work, and social activities of Dagestan poet and singer Suleiman Stalsky.

A film about the friendship between the workers of the Uzbek collective farm 'Leningrad' and the city of Lenin. This friendship has grown stronger and developed over more than four decades. The film takes us back to the distant and difficult 1920s, when the farmers of Fergana sent a wagon of fruits to the workers of the Putilov factory. In return, the workers gifted the collective farm two tractors and sent their representatives to help set up the new machinery.

Biographical drama about one of the most famous Uzbek poets of the 15th century, Alisher Navoiy.

Journalist Murad Yakubov wrote a feuilleton about the bribe-taker and slanderer Nureyev, using materials from the party commission. But later, after studying other materials, the hero came to the conclusion that he had slandered a man who was trying to expose the mafia led by the regional committee secretary Nazirov.

Based on the play of the same name by the Uzbek poet, playwright, and composer Hamza Hakimzade Niyazi. Exposing the feudal way of life, the wealthy landowners (bais), the clergy, and Tsarist officials, the film depicts the awakening of class consciousness among working Uzbeks.

Two lovers are torn apart by the violence occurring among the feudal lords in early 19th century Tashkent.

The film is dedicated to the philosopher, doctor, scientist of the East and poet Abu-Ali Ibn-Sin, who lived in Bukhara in the 10th century and was known in Europe under the name of Avicenna. Bukhara. Eighteen-year-old doctor Ibn Sina saves the emir from a fatal illness. Refusing gold and honors, the young man only asks for admission to the emir's book depository as a reward. The study of the works of ancient scientists, philosophers, doctors, observations of nature, numerous experiments increase the knowledge of Ibn Sipa. The treacherous attack on Bukhara by the troops of the ruler of Ghazna Mahmud, who devastated the city and set the world's greatest book depository on fire, forced Ibn-Sina to leave his homeland. After many years of wandering, he, together with his student and assistant Juzjani, comes to the capital of Khorezm, Gurganj, to declare war on the plague raging here...

About the struggle of Uzbek women against the reactionary clergy in the 1920s.

After getting expelled from the St. Petersburg Academy of Arts for his free-thinking ideas, young artist Kosta Khetagurov returns to his homeland of Iriston, known in Russian as Ossetia. Despite financial troubles and governmental persecution, he tirelessly advocates for the Ossetian people while honing his craft as a poet, playwright, and artist.

Uzbek young man Rustam, a helicopter co-pilot, is participating in the construction of a high-voltage line in the Alps. One day in West Germany, where he was sent on a long business trip, the hero meets Uzbek emigrants. The external well-being of the new friends very soon revealed the catastrophic nature of everyone’s destinies. These meetings contribute to Rustam’s spiritual and civic maturity; the hero rediscovers the necessity and significance of his homeland, where his family and friends have long been waiting for him.

In an attempt to earn money for a bride dowry, a young man unwittingly embarks on a globe-trotting journey that takes him from his homeland of North Ossetia all the way to Alaska.

The film is based on the story of the times of the Kokand khans, the love of the talented young man Anvar for the girl Rano, and their difficult fate.

A wealthy Ossetian prince adopts a foundling and raises her as his own daughter, Fatima. As Fatima grows up, she falls in love with her stepbrother, Dzhambulat. However, when Dzhambulat goes to war and disappears, Fatima defies her father’s wishes and decides to marry a poor labourer.

Lenin signs a decree on the establishment of a university in Turkestan.

A young man Bakhtiyar falls in love with a girl he saw on the TV screen.

A biopic of Nadira, outstanding Uzbek poetess and public leader of XIX century, mother of Kokand ruler.

The film is about the period of large-scale construction of multi-story buildings in Vladikavkaz, the work of trusts, and their competition. On the construction sites, dynasties of craftsmen worked, and the youth learned from the experience of the older generations.

Despite protests from the engineer Gafur Kayumov, the head of the design bureau, Tursunov, and his accomplices pushed an unfinished cotton-harvesting machine into production. As a result, millions in state funds were wasted.

The film is about famous Chechen ballet and folk dancer Mahmud Essembayev's life.

The great Ossetian poet, Kosta Khetagurov, returns from exile to his native village of Nar. Yet the joy of coming back to his homeland is short-lived: Nar is even poorer than it was before. The Aldars, princes who rule the villages with an iron fist, continue to act with impunity.

Three funny and entertaining short stories about little Tajik children: "They Got Into a Trap," "They Made Friends," and "Said the Dreamer."

20-th years. In the mountainous regions of the Pamirs, a dangerous epidemic is rampant. There was sent a caravan with a vaccine, followed closely by the local bandits as the hostage in the caravan should be, as they learned, their leader. It is not known to them only one thing: the leader is a double ...

Paralyzed since birth, Ilya can only watch helplessly as his village is plundered by barbarians. But when a mysterious traveler arrives with a magic elixir that restores him to full health, Ilya begins an adventure to protect the village and the royal family from harm.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

The red commander Mirsharapov was sent to fight the Basmachi gang in Khiva. After the fighting, Junaidkhan's gangs are defeated.

Turkestan, 1919. The prominent Bolshevik Valerian Kuybyshev is appointed commander of the Turkestan Front. The film tells the story of the establishment of Soviet power in Central Asia.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

The Cheka officers are conducting an operation to return the gold that the Basmachi plan to exchange for weapons.

The hero of the painting is a young man who is engaged in deciphering ancient cuneiform inscriptions. His life flows exactly according to schedule, everything is predetermined, calculated, taken into account. But suddenly events begin to develop so rapidly, unforeseen circumstances assert themselves so completely that Yunus cannot get to his own wedding for a whole day and becomes an active participant in many events taking place on that day in the city...

Arslanbek Kalandarov became the chairman of the “Buston” collective farm during the war years. The poor village turned into a flourishing collective farm, and people got used to believing that this was the merit of the strong‑willed chairman. Kalandarov himself got used to this, and his word became law. He dismissed five secretaries of the party organization, turned the general meeting of collective farmers into an empty formality, and banned mechanized cotton harvesting in his collective farm. The district committee decided not to remove him from his position, but to try to re‑educate him.

The story takes place in Turkestan in the year 1920. Along the narrow and deserted streets of nighttime Bukhara echoes the voice of a watchman: “All is calm in sacred Bukhara!” But how deceptive this calm is! Bukhara is gripped by intense struggle. The last Emir of Bukhara, nicknamed “the Black Consul” for the executions and the blood spilled at his command, is desperately trying to hold on to power.

A Romeo & Juliet-esque tale set in Uzbekistan.

It's been three years since their last meeting. She is calm, confident and happy because she has a son growing up, their son. She has a business trip ahead of her and she hopes that they will meet again, even if this meeting will be a passing one.

Story of the first Komsomol secretary of Turkestan Abdullah Nabiyev.

This historic drama is set in an Ossetian village in the 17th century. The film’s main hero is Chermen. An illegitimate son, Chermen is striving to assert his dignity. He is opposed by Dacco, the elder of the Aldar clan, in whose village Chermen lives. Guided by mercenary motives, Dacco strikes a deal with Prince Tsarai. Together, they rob people and then divide the loot between themselves. By some chance, Chermen learns of the deal and informs his friends about it. At first, he thinks that no one in the Aldar village would believe him, the bastard, and that the plot would remain unexposed. But the friends accept the challenge.