The Loss of Humanity

The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

A young man who showed little promise while a high school student becomes a master detective, just like his grandfather.

A successful screenwriter looks back on her life when she learns her husband has cancer. A year-long series, starring Narumi Yasuda.

Teppan is a Japanese television drama that aired on NHK in 2010–2011. It was the 83rd Asadora. It starred a new actress, Miori Takimoto, in the role of a young woman raised by an adopted family in Onomichi who learns of her real grandmother and decides to move to Osaka to start an okonomiyaki restaurant. The title word "teppan" refers to the metal surface on which okonomiyaki are cooked. The series, while interrupted by the Tohoku Earthquake, averaged a 17.2% rating, making it the fourth most popular of the Asadora dramas in the previous five years.

Shomuni, that's the common name given to General Affairs Section 2 of a trading company. Here are six women who have ended up in this department known as "the dump" for office ladies. But Chinatsu Tsuboi (Makiko Esumi) declares that the value of woman is equal to the number of men. With her as the central focus they create a totally new type of office lady drama that does away with those heartless men still caught up in worn-out social ideas and the class system within the company.

Former delinquent turned unconventional prosecutor Kohei Kuryu shakes up the legal world with his street-smart instincts and unorthodox style, clashing with ambitious colleague Maiko Amamiya while his relentless pursuit of justice gradually transforms those around him.

This drama is the tale of one high spirited, strong-willed young woman and her struggle to fulfill her lifelong ambition of becoming a carpenter and building homes. The story takes place from the later part of the Showa era to present day Heisei rule. The heroine of the story, Kawashima Urara, lost her father at the tender age of seven and this drama depicts her life as she grows from a young school girl, through puberty and adolescence and on into her adult years as an independent woman who owns her own carpentry business. As Urara grows into a beautiful and strong woman and a talented carpenter, her family around her goes through many difficult and trying times. This story of becoming an independent businesswoman in the male-dominated world of carpentry accurately reflects the lives and struggles of the young women in present day Japan who are trying to make a career for themselves in addition to balancing the demands of family obligations, friends, and lovers.

A dramatized biography of the second of Japan's three legendary leaders. Rising from obscurity, Hideyoshi served under the command of Oda Nobunaga. With an extraordinary combination of intelligence, bravery and military skill, Hideyoshi rose to near-absolute power and greatly expanded upon Nobunaga's unification of Japan's warlords. This series also focused on Hideyoshi's personal life, particularly his relationships with his mother and his wife, and the pair's rivalry for influence over him.

The 47th NHK Asadora chronicles the conflicts between a woman and her step-daughter in a hot springs town.

Hanzawa Naoki works as a loan manager at the Osaka Nishi branch of Tokyo Central Bank. One day, Hanzawa makes a loan contract for 500 million yen with Nishi Osaka Steel Company. Hanzawa didn't want to approve the loan, but he had to due to the branch manager's order. Nishi Osaka Steel Company seems financially stable, but the company actually hides massive amounts of debt through fraudulent accounts. The company is caught. Three months later, Nishi Osaka Steel Company goes bankrupt. The bank's branch manager is Asano. He is an ambitious man and tries to shift the blame to Hanzawa. Hanzawa then attends an inquiry about the loan failure at the bank's headquarters in Tokyo. Hanzawa denies fault and promises to retrieve the 500 million yen loan. He did this because it's the only way for Hanzawa to survive as a banker.

Hamura entered a high school as a biology teacher. Unexpectedly, one of his students, Mayu, fell in love with him. The forbidden love between the teacher and the student began to sprout. Hamura was worried that his relationship with Mayu would be misunderstood, so he tried to escape. However, he later understood Mayu’s tragic life and that the two could not be separated…

The drama centers on Ashikaga Takauji's rise to power, overthrowing the Kamakura shogunate and eventually establishing the Ashikaga shogunate.

"I thought I might be using a lifetime's happiness in a moment. I was that happy and she was that beautiful." A young boy stands on the red earth of Australia under its blue sky. It is 17-year-old Sakutaro Matsumoto. His time with the girl comes back to him. The colored sand runs through his hands and a tear appears on his cheek. He wakes up. It's 2004 and he is 34 years old and in Japan. He thinks "I have been in a world without her for 17 years." Returning home to see his old high school for the last time before it is demolished, Saku confronts anew the loss of the love of his life, Aki, to leukemia 17 years ago. Now a medical researcher at graduate school, he has been living as if half of him died with her since then.

Tsukasa leaves her hometown to work in Tokyo. While there, she is on her own facing the fascination and challenges of the working world. Her experiences gained, together with what she sees in others, gradually lead her to grow up. She is no longer in the midst of illusions and misconceptions.

A love story between a young man who has been forced to grow up too quickly, and a young woman with an ailment that has placed restrictions on her life. Natsuo has been looking after his younger brother and sister since the death of their parents. He has also been running the family bicycle shop. Yuki becomes the only person in the world in whom he can confide. For Yuki, Natsuo becomes the catalyst that has her trying to break out of her cocoon.

The job of a medical jurisprudence involves a lot of complicated crimes such as murder and accidents. Hikaru (Fukatsu Eri) is a graduate of a medical university, also focused her discipline on neurology. One night during a student reunion, a dead body was found in the kitchen. Hikaru, who is a little regretting that she choose her focus in neurology was moved by another doctor's words, Dead bodies will not tell us what happened, that is why we have to piece together its last words.(Dramawiki)

Yuki, mother of the Mashiba family, is the grease that keeps this well-oiled machine running and its seven members happy and healthy. But when Yuki herself falls ill and needs to be hospitalized, the rest of the family must cooperate and make sacrifices in order to keep everything running smoothly and make ends meet.

A college senior who suddenly dies returns to life four years earlier, and, with full memory of his future, attempts to correct past mistakes and realize that previously unaccomplished goals, only to die and be reborn again and again. Though the circumstances are different each time, he encounters people who form a common connecting thread.

Ihara Mitsuru , who grew up in the orphanage "Tsukushien," is a cleaner at Miyazono General Foods, a prestigious company. However, Mitsuru has another side to him: he is a fighter in "Food Fight," a competitive eating gambling game hosted by the chairman of Miyazono General Foods and held in the company's basement, where only bigwigs from the political and business world can participate. Mitsuru anonymously donates the prize money he wins from Food Fight to Tsukushien, and his desire to do so allows his talent to blossom, leading him to reign as the unbeatable champion.

"Don't pity me, just give me money." A smart little girl, Suzu, for the sake of her beloved sick mother, has no choice but to attempt all ways to fork up the money required for the operation. It includes stealing, cheating and almost anything that could yield cash. However, deep within her is a sadness unseen by many. --Snowflakes (source: dramawiki) It received the 1st Television Drama Academy Awards (1994-06-22)for Best Drama and Best Theme Song and also received a Special Award. It was the highest rated NTV drama of 1990s, with average viewership rating around 24,7%.

Kishida Shinichi, a freelance writer, has an annual income of only 2 million yen. He meets Obayashi Rikako, a fashionable business woman who makes 60 million yen per year, and falls in love with her at first sight. However, Shinichi worries that she's out of his league, so he gives up on her. He's relieved when she calls him back after their first date, and they end up going on another date. Can this love survive in spite of the great differences in their personal and professional lives?

Hiroto Miyama is an unconventional young lawyer who dances to his own tune and gets a little obsessive. For one thing, he’s only interested in criminal cases, and he will never give up in his pursuit of the truth even if offers only a 0.1% chance of being discovered. Japan’s 99.9% criminal case conviction rate leads the world, attesting to a “highly reliable” judicial system. In other words, once a crime suspect is indicted, prosecutor arguments tend to be accepted hook, line and sinker. In the face of those 99.9% odds, there’s no money in being a defense lawyer specializing in criminal cases, but for Miyama, that’s where the interest and kernels of truth lie. From unexpected places, the mold-breaking Miyama stakes his reputation on a prayer of a chance as he clashes with hotshot lawyers who’ll go to any lengths to win in this gloriously fun, legal mystery.

NHK Kōhaku Uta-Gassen (NHK紅白歌合戦, "NHK Red and White Song Battle"), more commonly known simply as Kōhaku, is an annual New Year's Eve television special held on December 31 every year, and produced by Japanese public broadcaster NHK. It is broadcast live simultaneously on NHK General TV, BS4K, BS8K, and NHK radio (nationally) and internationally on NHK World Premium and some overseas (mainly cable) broadcasters who buy the program. The program divides the most popular music artists of the year into competing teams of red and white. The "red" team or "akagumi" (紅組) is composed of all female artists (or groups with female vocals), while the "white" team or "shirogumi" (白組) is all male (or groups with male vocals).

Koichi Domoto and Tsuyoshi Domoto entertain their guests by doing whatever their guests want to do.

This anthology-style mystery series is part of the D‑5 PROJECT, centered around Detective Office 5 - a long-running private detective agency in Kawasaki. Each detective is known only by a number rather than a name (e.g., Detective 596, 532), with standalone stories featuring different characters and surreal, quirky cases.

SixTONES' first TV variety show features fun challenges, quirky projects, and a gourmet segment, creating an entertaining and unpredictable mix of humor and surprises with popular guest appearances.

After their parents are murdered, young twin brothers Thor and Rai are abandoned on Chimaera, a hostile planet where criminals are sent to die. With extreme temperatures and carnivorous plants, it is a brutal world where mankind has been reduced to a savage state. The only hope of escape lies in conquering the planet and its inhabitants, rising above them all as the Beast King.

Locked away deep in his home and hiding a secret that keeps him there, Detective Kozaburo Himuro remains ever vigilant in his duties of police work. But how does the wunderkind detective investigate crime scenes without ever stepping out of his home? Enter traffic cop Kurumi Ayaki. She's a young lady who's about to marry and resign from the force when tasked with being Himuro's eyes and ears on the beat. While on the scene of the crime their only means of communication is via mobile phone. Together they investigate a series of mind-boggling murder mysteries that put them, particularly Kurumi, in constant danger. Can Kurumi keep up with Detective Himuro, and the fast-paced and dangerous work of criminal investigation?