The Jangling Man: The Martin Newell Story

This documentary chronicles the rise, fall, and rise again of the soft rock epitomized by artists such as Christopher Cross, Michael McDonald, Kenny Loggins, Steely Dan, and Toto in the late 1970s and early 1980s. Retroactively dubbed "Yacht Rock," the easy-listening genre came to be gently mocked and even dismissed by rock lovers and critics. However, it has since reclaimed its place in music history and is celebrated in this groove-infused film.

A journey into the world of one of Britain's best-loved and most influential bands of modern times, XTC. Through a mixture of animation, archive and specially-shot sequences, the film explores the minds of principle songwriters, Partridge and Moulding.

With a little help from her friends, Jenny Lewis hosts a three hour telethon featuring music, magic, and a call-in hotline.

Vincenzo Bellini wrote two tragic operas for Teatro La Fenice: I Capuleti e i Montecchi and Beatrice di Tenda. The first, composed in 1830 and to the story of Romeo and Juliet but not based on Shakespeare but rather on an early nineteenth-century tragedy by Luigi Scevola in a new production by Arnaud Bernard (direction), Alessandro Camera (sets) and Maria Carla Ricotti (costumes), co-produced with Fondazione Arena di Verona (where it was presented at the Teatro Filarmonico in November 2013) and with the Greek National Opera of Athens. The cast includes Jessica Pratt and Mihaela Marcu as Giulietta; Sonia Ganassi and Paola Gardina as Romeo; Shalva Mukeria and Francesco Marsiglia as Tebaldo; Rubén Amoretti as Capellio; and Luca Dall’Amico as Lorenzo, conducted by Omer Meir Wellber.

La Sonnambula (The Sleepwalker), an opera semiseria by Vincenzo Bellini with a libretto by Felice Romani, premiered in Milan in 1831. Set in a Swiss Alpine village, the story centers on Amina, an orphan engaged to the wealthy farmer Elvino. Their wedding is jeopardized when Amina, suffering from somnambulism, sleepwalks into the room of Count Rodolfo, a mysterious stranger and the village's former lord who is staying at the local inn.

The maximalist follow up to Drop Concert: The Motion Picture, Drop Concert II features a cavalcade of special guests adding their musical fairy dust to Doug and Vic's signature drop extravaganza.

On the heels of the critically acclaimed record '2', Pepperoni Playboy follows the life of musician Mac Demarco as he records his latest album 'Salad Days'. The charming, carefree Mac gives viewers a glimpse of his life and process at home in Brooklyn and on tour in China and Australia. With his own brand of humor, he takes on the role as mentor and presents a parody how-to guide for aspiring indie rock musicians. Throughout the film, the talented multi-instrumentalist's wildly bizarre behavior is displayed as is his growing maturity as a songwriter.

In this New Year’s Day performance, Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

I'VE GOT LEVITATION documents the 50th anniversary reunion of The 13th Floor Elevators at the Levitation 2015 music festival. The film offers an immersive glimpse into the festival with interviews and performances by: The 13th Floor Elevators, The Flaming Lips, The Black Angels, Jesus And Mary Chain, The GOASTT (Sean Lennon), Thee Oh Sees, Fuzz (Ty Segall), Mac Demarco, Lightning Bolt, Night Beats, Holy Wave, LA Witch AND MORE.

A documentary on the recording of the song "Towers of London" and a brief behind-the-scenes look at the making of the "Generals and Majors" video. Recorded at Richard Branson's mansion, August 1980.

A film about the Cleaners From Venus, a cult and inspirational 80s band who never really made it but should have based on the strength of Martin Newell and his songwriting genius.

The Biblical story of Belshazzar's hubristic arrogance, set against the valour of the young warrrior-leader Cyrus, provided the 20-year-old Rossini with a dramatic story enriched by West-Eastern implications which still speak to us today. For the title role of Cyrus, Rossini wrote what would be his longest-ever contralto role, to which the great Rossini singer Ewa Podles´ is both naturally attracted and ideally suited. She is partnered by two young stars of Rossini singing, Jessica Pratt and Michael Spyres, and a conductor-scholar, Will Crutchfield, of great experience and sympathy. Filmed in High Definition and recorded in true Surround Sound.

The Road to Oranges & Lemons is a promotional short for the 1989 release of Oranges & Lemons. It features Andy, Colin, and Dave documenting and spoofing XTC's career from its formation and meeting with Barry Andrews, to recording its albums, to the "Dear God" controversy, and finally to Oranges & Lemons. The three make use of toys, pictures, and briefly a potato, to represent (and poke fun at) the different people XTC meets, as well as background sound effects and backdrops to represent different locations.

"It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l'espace d'un matin." First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825. The story of the opera was taken from a historical event that took place in the medieval period, marking the end of an independent Italian kingdom and leading to the birth of the German Holy Roman Empire through the efforts of Otto I of Saxony. Caught between political rivalry and the love of two men, Adelaide of Burgundy struggles to fight for her people and chooses Otto, the better ruler, for herself and her kingdom.

DIIV open up about sobriety, their near-break up and the new phase of their band.

An animated interview piece with Lo-Fi Pop pioneer Martin Newell of The Cleaners From Venus. Martin discusses his ethos, the music industry and the anachronist nature of his work, taking on the guise of a time traveller traversing his 40+ year career.

On a sweltering afternoon in the summer of 2003, to celebrate his fiftieth birthday, Martin Newell performed a career-spanning set of songs at Colchester Arts Centre. Aided and abetted by a band of musicians that includes his old partner Nelson, from the Brotherhood of Lizards, Martin performed a wonderful 100 minute show that took in both his earliest songs and brand new compositions given their first live outing. The footage lay forgotten for almost twenty years but has now been lovingly assembled & restored for your viewing pleasure by director Michael Cumming.

In high summer, Sasha suddenly dies. Her death brings two virtual strangers, her boyfriend Lawrence and sister Zoé, closer together, sharing their grief and the burden of their loss in Berlin, Paris and New York.

DIIV's final creative installation of the frog era. Mental processing time is estimated at ‹1-10hr) of contemplation upon completion. Image and words and sound cost approximately ‹3-5hoep) to consume,

A young poet suffering from a heartbreak, embarks alone on a journey in search of his happiness.

When Martin and Suzanne drive into the big city for an abortion, fate conspires to strand them there for 24 hours. What began as an awkward errand, blossoms into a romantic adventure and two messed-up kids get a little closer to finding their way.

An exhilarating whatsit and freewheeling black comedy, Anger’s latest takes aim at the independent film scenes in NY and L.A. with no-holds-barred ferocity, formal ingenuity, and an eyebrow-raising cast that includes Lola Kirke, Mac DeMarco, and Rosanna Arquette.

A collection of Christmas stories from goshpixie.

Recorded during the 2018 Donizetti Festival, Il castello di Kenilworth was first staged at Naples’s San Carlo in 1829. Based on a novel by Sir Walter Scott and adapted by librettist Leone Tottola, this rare opera has long been unjustly neglected. The recording features the original version of the score, with the role of Warney entrusted to a tenor (the composer changed the voice to baritone in his 1836 revision). Il castello di Kenilworth was followed by several other successful works that Donizetti similarly based on British history (Maria Stuarda, Anna Bolena, Rosmonda d’Inghilterra, Emilia di Liverpool, Lucia di Lammermoor); it presents the character of Queen Elizabeth I, torn by the inner struggle between a monarch’s duty and a woman’s feelings. The fundamental pivot of the drama is the antagonism between the two female characters who both dwell and suffer in loneliness in a male-dominated world.

Aureliano in Palmira celebrated its rst première on 26 December 1813 at the Scala in Milan. Soon afterwards the work was played in different theatres all over Europe. Nevertheless Rossini's piece fell into oblivion more and more compared to the great competitors like "Tancredi" or the "Barber of Seville" for which Rossini recycled musical parts of "Aureliano". But since a few years there are ambitions to play this work about love, war, jealousy, loyalty and magnanimity more frequently. The direction in Pesaro was in the proven hands of the famous lm director Mario Martone. Conductor Will Crutcheld contributes to the successful performance of the newly edited "Aureliano in Palmira" and masterfully directs the Orchestra Sinfonica G. Rossini.