Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.
Ana is an ambitious intern dreaming of a career in the art world while trying to impress her demanding boss Claire. When she's upgraded to first class on a work trip, she meets handsome Will, and Ana pretends to be her boss– a white lie that sets off a glamorous chain of events, romance and opportunity, until her fib threatens to surface.
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An early-20th-century tale of love across class boundaries which tells the legendary and romantic story of Lady Chatterley’s affair with her gamekeeper. Jed Mercurio’s adaptation of DH Lawrence’s classic.
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Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.
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Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.
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Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.
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In 19th century New York high society, a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
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A womanizing reporter for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown.
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A new servant embarks on an unlikely relationship with the youngest daughter of a prominent English family. Simultaneously, rivalries are spilling over in the Davenport family, led by the Lord and Lady as they also weather the epic failure of the wedding of their eldest daughter to her caddish cousin.
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A pregnant New York social worker begins to develop romantic feelings for her gay best friend, and decides she'd rather raise her child with him, much to the dismay of her overbearing boyfriend.
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The Dashwood sisters, sensible Elinor and passionate Marianne, learn that their prospects of marriage seem doomed by their family's sudden loss of fortune. After Henry Dashwood dies unexpectedly, his estate must pass on by law to his son. These circumstances leave Mr. Dashwood's wife and daughters without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
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With equal parts danger and desire, Carmen is an intoxicating cocktail that never fails to excite the senses. Staatsoper Hannover offers this new staging by house director Barbora Horáková in an arrangement for chamber ensemble by Marius Felix Lange. It promises to tackle head on the topicality of Carmen who challenges stereotypical role models. Staatsoper Hannover makes no compromises with questions of freedom and OperaVision salutes their courage to create sensuality on stage and to offer us all a livestream in challenging times.
A count has designs on his personal valet's fiancée and is determined to stop their wedding taking place. Meanwhile, the countess tries to regain her husband's love by any means necessary. Mozart's great comic opera is a tale of intrigue, misunderstanding and forgiveness. Director Lydia Steier teases out the touching melancholy of the characters with the mixture of opulence and black humour. Oper! magazine’s ‘Opera house of the year’ in 2020, Staatsoper Hannover is on an artistic high and happy to share this production worldwide via OperaVision.
When he sings, the animals stop and listen; Orpheus can literally melt stone. To find Eurydice, who disappears on their wedding day, this master of harmony must charm the underworld with his musical talent. Orpheus’s appeals convince Pluto to free Eurydice, under certain conditions. But when this gifted and infallible hero fails, he must live on with the consequences.
In Handel's oratorio Il trionfo del tempo e del disinganno (1707), the desire to live is at odds with the realisation of one's own mortality. In his early masterpiece, the composer was able to open up clear emotional spaces to the simultaneity of the incompatible. What does it mean to be alive - and what does it mean to demand to be fulfilled with this life? And who am I when the mirror only gazes at me in silence? In Handel's music the questions begin to float.
