The Great Leap

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.

Theophil Läppli is a swiss patriot, who after a trip to Greece tries to recover the democratic roots of Switzerland. With much enthusiasm and idealism he's discovering, that corruption and greed are wide spread in his beloved country. This is the second movie about Theophil Läppli after HD-Soldat Läppli (1959).

This silent-screen classic, like many others produced near the end of the silent era, was both a theatrical extravaganza boasting an original orchestral score and an item which languished in obscurity for many years. When Carlo Piccardi took what was left of the score by Maurice Jaubert and re-created it, the existing footage was restored and paired with a new orchestral performance which was shown in Paris in 1988. The film's story concerns the travails of a woman who has been living quite comfortably as the mistress of a colonel in the Tsar's army in Russia. However, she eventually encounters a penniless young lieutenant and falls madly in love with him, as he does with her. Despite her best intentions of remaining with the colonel, and his intention to avoid trouble with his fellow soldiers, they cannot forswear this relationship, and tragedy is the inevitable result. The title refers to a moving incident in the story, and translates as "the wonderful lie of Nina Petrovna."

A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.

Begun in 1944/45, finished and released in 1949, this is a biography of the composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.

"Edward Whymper's relentless siege of the Matterhorn in 1865 ended in controversy when four of his companions plunged to their deaths an hour after leaving the summit... The documentary is the second episode of 'Mountain men', a British documentary series looking at the achievements of pioneering mountaineers. The series, accompanied by unique archival materials, detailed maps, and photographs, invites us to follow in the footsteps of these fearless explorers, and tells us their stories with all the romance and audacity, bravado and suffering, courage and miscalculation intact."

In the mountains, Diotima meets Karl and fall in love and have an affair. Karl's friend Vigo mistakenly believes she's in love with him, causing rifts in all relationships.

In Alt-Köstendorf in the Salzburg region, the dean, known as Seelenbräu, and the brewer Hochleithner, known in the village as Leibesbräu, are fighting for supremacy. As their nicknames suggest, Leibesbräu is primarily concerned with the physical well-being of the villagers, while Seelenbräu cares deeply about the faith of his congregation. This leads to repeated clashes between the two men, who could perhaps be described as stubborn. When Hochleitner's niece Clementine leaves the convent and wants to stay at home, a new dispute flares up between Seelenbräu and Leibesbräu.

An island pearl merchant and his new wife make room for a mysterious shipwrecked man.

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

While filling in for injured supersleuth Bulldog Drummond (Atholl Fleming), world-class cricket player Jack Pennington (Jack Hulbert) attempts to foil a criminal mastermind's (Ralph Richardson) impending heist that's targeting a valuable jewel necklace held within the British Museum. This comedic 1930s mystery features daring rescues, intense fistfights and an exciting edge-of-your seat finale aboard a runaway train.

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

A historical satire critical of the rising tide of Anti-Semitism in Germany. Based on the novel by Lionel Feuchtwanger, Jew Süss is the story of life in the 18th-century Jewish ghetto of Württemberg. Süss works himself out of the ghetto and into a position of power with the help of an evil duke.

A young woman leaves behind her job, home and family to try to make it in the movie business. Features cameos from about three dozen German film stars of the era.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

In the years after his graduation Allen Shepherd has become a successful novelist and has married Jane Anderson. A firm proponent of traditional sex roles, Shepherd leaves Jane when she accepts a teaching post at Oxford. He later changes his views, and the couple is reunited.

The exploits of village girl Hannes and her attempts to master skiing and ski-jumping aided by the local expert.

A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.

Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

The House on the Moon

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.

When actress Mary Baring is found in a daze beside her colleague's murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

A meditation on the first 100 years of German cinema, featuring an assembly of German filmmakers.