The Frozen Fire

In a dilapidated rural courthouse a mother seeks justice for her son abducted by paramilitary men during the 1988/89 insurgency in Sri Lanka

In the 1970s, in the Gampaha district, Desmond Gunasekara , a deeply religious young man from a very ordinary family, accidentally clashes with a crime gang led by a man named Gnane operating in the area.

ක්‍රිකට් සාදු (Cricket Sadu) is a 2026 Sinhala drama directed by Dilshara Jayamanna, starring Priyantha Sirikumara, Dinakshie Priyasad, and Damithu Fernando. It is a heartwarming story that follows a gifted young boy named Nuwan and a compassionate young monk as they navigate childhood, faith, and the social pressures of playing cricket.

Awaragira is a 1990 Sri Lankan film directed by Lester James Peries and produced by Dilman Jayaratne for Dil Films. It stars Joe Abeywickrama, Iranganie Serasinghe and Tony Ranasinghe in lead roles along with Lucky Dias and Vasanthi Chathurani. Music composed by Premasiri Khemadasa.

Piyal and Nanda have now aged, and their children have left them. Priya reminisces on her life after her son sends her a letter from London accusing her and her husband of various faults.

Follows the story of a struggling young woman who pretends to be the wife of a missing soldier to claim compensation money for going abroad, only for the soldier to return alive.

A tribute and reflection on the political turmoil and tragic loss of life during the late '80s in Sri Lanka.

After getting in a car accident, a pregnant woman discovers a deadly secret about her life that begins to destroy everything and everyone she loves until she decides to escape her present and journey out digging deep hoping to find answers

A well-known cricketer’s sexual orientation becomes a hot topic in social media and he tries to isolate himself from his teammates, friends, and family. He becomes suspicious of his partner and a popular singer who lives next door tries to reconcile them. Finally, the cricketer’s mother arrives at his home and meets his partner for the first time.

Through the journey of three police officers escorting a suspect who has no grudges against them, this film explores their inner struggles and moral dilemmas when carrying out this "targeted elimination" mission.

Malan is a jobless 25 year-old youth who spends his days playing cricket with friends. He suffers from an irrational fear of ghosts and retreats to the safety of his home after sunset. His fear is so great he prefers to sleep with his widowed mother Geetha and have her accompany him to the bathroom at night, and also at the eating time. This creates major annoyance in the household, including Malan's brother Gamini, sister-in-law Nirmala and their children.

Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.

A singer’s journey to fame becomes a journey of love, loss, and a final promise to the woman he could never forget.

A small poor family in a remote village at dry zone who faced a series of miseries due to a wrong news report published in the national media stating that their son is involved in a suicide bomb blast carried by L.T.T.E terrorists.

Three friends embark on a journey to a land that was once forbidden but a sudden encounter forces them to return to yet another land of turmoil and terror.

Maruthaya is a very honest, daring, and dramtic exposure of the traumatic experiences of an honest politicain and his family. Director Vasantha Obeysekera’s frank and sensitive handling of an age old topic, conveys a clear message that in politics, honesty is not always the best policy! And politicians are losers everytime! Maruthaya highlights the tragic plight of a politician’s family, which had tasted all the perks of power when the going was good, and the shattering experience of being faced with defeat at the elections, and all the evil that comes with it in Sri Lanka.

Kamal murders his wife and, in an agitated and confused state, he sets on a journey to dispose of the body.

The film revolves around the time of King Dhatusena and the way he constructed Kala Wewa. It depicts the chronicles related to the tank and formation of new deity Kadawara.

A painter (Kamal Addaraarachchi) has a girl that calls him uncle. She asks for his consent to marry a rich boy. He opposes by saying rich men only care about money. Then he relates his past to the girl. Then the story moves to a flashback. The painter has had a relationship with a girl from a rich family during his youth. He meets her in an art gallery and then gradually develops a relationship which culminates in making her pregnant. Then she requests him to meet her parents and she lies to them that he is a wealthy and rich person. In disgust, he leaves her. Then, after a long time, he finds out that she had lied to marry him. In other words, to get her parents' consent. He ultimately finds that the boy in the story is his son and his fiancée had died at the time of delivery. At the end of the story he commits suicide. At the end of the film the girl finds the painter dead on the floor.

A virus is spreading across Sri Lanka, reportedly causing young people to commit suicide. The Disease Control Unit promises containment of this terrifying pandemic by any means necessary, citing supernatural forces that only ancient healing rituals can vanquish. As parents mourn the deaths and disappearances of their children, government henchmen prepare the bodies and the remaining living prisoners for a cleansing of disturbing proportions.

A young doctor returns to Sri Lanka with a dream to serve his country, only to find himself caught in a web of love, loyalty, and a dangerous fight against a corrupt system. As he confronts the darker truths behind the healthcare industry, his courage and integrity are put to the ultimate test.

A film that touches Life, Death and Expectations.One Person’s death fans the flame of expectations in another. the life that begins with that expectation ultimately ends in death. Loneliness, loss of social contacts and deceit are the underlying human conditions of the film.

Dinithi tries very hard to communicate with her husband, but he ignores her presence relentlessly. The harder she tries to reach him, the deeper his silence becomes. Their 8 year old daughter watches them. Her parents try to get involved but receive the same silent treatment from him.

Gharasarapa (The Lurking Serpent) (Sinhalese: ඝරසරප ) is a 2018 Sri Lankan Sinhala supernatural romantic horror film directed by Jayantha Chandrasiri and produced by Arjuna Kamalanath for Isuru Films. It stars Jackson Anthony, Kamal Addararachchi and Sangeetha Weeraratne in lead roles along with Sriyantha Mendis , Devnaka Porage and Kavindya Adikari. Music composed by Chintaka Jayakody. Kavindya Adikari, who is the daughter of popular singers Samitha Mudunkotuwa and Athula Adhikari make her debut cinema acting with the film. The film was screened at the Tharanga theatre at the National Film Corporation on 29th of June 2018. The film was officially released on 10 August 2018.

An embarrassing problem emerges in a quiet household somewhere in a province of Sri Lanka. The patriarch of a lovely family suddenly dies in front of the TV one fateful night. He experienced something soulfully romantic before his last breath and the most sensitive part of his deceased body still functions without pulse or blood pressure. His two grown sons and a mourning mother are eager to bend down the standing organ to avoid shameful reactions at the funeral.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

Siva Sithambram (Raja Ganesan), your average next door neighbor’s mundane life takes a hilarious turn when a distant relative Pat (King Ratnam) and his family from London decide to stay with him for the duration of their trip to attend a family wedding. Riddled with financial problems, an aging, unmarried daughter and a nagging wife, expectations run sky high in anticipation of the timely arrival of his diasporan guests. But little does he know, that all is not what it seems with the Pat family.

Anil Ruwanwalla, a young photographer meets beautiful Deepthi in a pub and later the friendship turns into love.

In this tale of deception and misadventure, a group of five village con men, each with unique skills, form a traveling performance troupe to camouflage their illicit actives. When approached by Swami, a con artist posing as a Hindu priest, they agree to pose as fake businessmen in a scheme to buy two Walampooris.

Ruwan goes on a traumatic, suspenseful and life changing journey trying to make his expensive maiden feature film, having not done any sort of creative work before. In the post war Sri Lanka, there exists an atmosphere of uncertainty and quick profit which Ruwan and his buddies try to engage on. In doing so, everyone around his life is getting sucked into this vortex of crises. Extreme sacrifices are made by everyone.

Piyal (Jagath) is a youth who dedicates his time to drama, living alone. He suffers from a feeling of guilty for not saving his mother from death. On the other side of the walls of his place, lives a couple: Amanda (Michelle) and Nadee (Nadeeka). Nadee, is Amanda's inattentive lover tells her to abort her child on both times she was to become pregnant. Amanda also suffers from cancer. Piyal feels curious about Amanda who is older than him and later on it turns into a sexual attraction. However it turns into empathy. As a result, Piyal starts to take care and treat Nadee as her mother to get away from his guilty feeling about his mother's death. Meanwhile, Nadee appears to embrace the guilty feeling that he did not care for his girl friend. Concentrating on the dualities of life, the movie takes the viewer through emotional turbulence.