The Forest of the Lost Souls

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

André documents the disappearance of a girl called Elena who has the habit of posting videos online.

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.

Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.

In Victorian London lives a man of adventurous spirit and great wit, Charles Augustus Howell, art agent, art dealer, conspirator and master of blackmail.

A methodical man, devoted to his career as a computer engineer and to an apparently perfect marriage with Patrícia. But on his wedding anniversary, the unexpected discovery of a stranger in his home triggers a chain of revelations that call into question everything he believes in. In a game of manipulation and hidden motives, love proves to be far more complex and destructive than he was ever taught to believe.

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

Romeu, a corrupt cop, hires the services of Cid and Alex, to catch a notorious criminal, who left Mexico and is on his way to Galicia, Spain to find the killer of his brother, also trying to catch the same criminal is an FBI agent.

Faced with the shock of an unexpected death, Sara finds herself trapped in a maze of pain, loneliness, and abandonment. As she travels through it, she seeks consolation in the justification of that fatality that shook her so much. But what he finds is not what he expected. With elements such as flowers, blackness or Entrudo monsters, it is a surrealist journey about death and the different rituals of mourning.

The film is liberally inspired by the period when Eça de Queiroz was Portuguese Consul in Cuba, when still a Spanish colony. Eça de Queiroz struggles against local authorities in his defense of Chinese workers, brought to the sugar plantations by greedy middlemen and exploited as slaves. Two parallel stories unfold, that of a Chinese girl which Eça de Queiroz saves from the clutches of one of the island’s most powerful slave owners, and the other of a romance involving a young American woman on holidays in Havana.

Vicente is an “abafador”, a smotherer who travels around with the mission of ending the suffering of those who are terminally ill and dying. Tired of living like a criminal, he does one last service but is caught red-handed by a woman.

The colors translates the movements of luck and the paths without direction.

The Inquisition continues the persecution of Portuguese Jews, sending Visitador Sebastião Noronha to the city of Oporto. With his family and community in danger, António Álvares, decides to outline an escape plan.

Three Portuguese queer short films brought together in a program that charts an alternative path through converging universes, forming a new constellation of desires, fears, and struggles. Entre a Luz e o Nada by Joana de Sousa, Sob Influência by Ricardo Branco, and Uma Rapariga Imaterial by André Godinho are three cinematic gestures that explore techniques and narratives from science fiction to horror, seeking new ways to view and imagine other possibilities. After traveling through various festivals, these films can now be experienced together, in a mutual exploration of mysterious worlds, unsettling dreams, and singular visions.

Two friends challenge each other into playing basketball with zombies.

Six new stories emerge in the new feature film from the Stranger Tales franchise, bringing the theme of Demons and Possessions.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

Tiago doesn't understand the internet. Rita doesn't understand people. Tiago is a 5th and 6th grade History teacher who, against the will of his mother and his boss, lives without a smartphone or computer, completely offline. Rita is his antisocial neighbour, who loves videogames and procrastinating. Sailorspoon and Davintji are funny and wise youtubers... Whilst Sailorspoon dreams of a trip to Japan, Davintji suffers with the love life of his brother Marco. Diana searches for love with an app... She and Marco form a romantic pair that meets over the net. All of them trying to discover who they are, and how to survive in a world that is increasingly digital. Dick pics, hashtags, youtubers, memes. Illuminati confirmed!

A group of queer people is kidnapped and dumped in the middle of nowhere. Are they left there to rot? Is this a concentration camp? Or a hunting ground where they are the prey? When you've got nothing left the only thing you can do, is find your way to resist.

An old, rusty freighter enters the harbor on the morning of December 24th. A board brings a clandestine passenger who tries, at night, to jump into the country.

Three brothers are confronted with an imposing father who avail them the heritage, identity and emotional intelligence: seven weeks is the deadline for each of them find the respect and love of a woman.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.

On a spring night of 1999, two teenagers set out in an adventure to save the VHS.

João is an immaterial girl, refusing to be anything other than what she wants to be, regardless of her age, gender or race. When Tiago looks at her it’s like she’s always a different person. Literally. But when their relationship becomes too real, he will have to confront the prejudices that he doesn’t even know he has, to understand the world that she created for herself.

Madalena is a seven-year-old girl who has to draw the nativity scene. When she lists the characters in the biblical scene, she is confronted with a surprise: God, the father of Jesus, is not included in the scene. The girl is reluctant to accept this new information, but after considering the facts, she eventually comes to a curious conclusion.

“1618” is a film about the inquisitorial visit to Porto that encountered resistance from priests, ordinary citizens and the city authorities themselves, all accustomed for centuries to living alongside the Jews.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.