The First Charge of the Machete

A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story.

A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.

Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the 1890s, the 1930s, and the 1960s.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.

Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

1964, in the Escambray mountains: the area is infested with counter- revolutionary bands which are trying to spread terror among the population and re-establish contact with the US, CIA. The murder of a man led to a reprisal to wipe out the bandits.

In a coastal town with no name and desolated by poverty, the sea suddenly begins to exhale a scent of roses that transforms the lives of all the villagers.

A left-wing intellectual, faced with the imminence of his arrest during the coup d'état against President Joao Goulart, lives anguished moments of definition. To the collapse of his small universe is added a conjugal confrontation that unmasks him mercilessly.

Xavier Mina accepted the commission to lead a liberating expedition in support of General Morelos. He failed to arrive in Mexico until Morelos had died and the Mexican Congress (which in New Spain faced the absolutism of Fernando VII) was dissolved, but for eight months he directed a series of more or less brilliant military actions, in the face of the harassment of the Viceroy , Who finally got him arrested.

Julio César Arana, a rubber baron in the Putumayo region, who was characterized by being a callous, heartless, and debased personality, allies himself with foreign companies, to exploit rubber reserves in the Peruvian Amazon region. He stops at nothing, not even the extermination of indigenous tribes. Thus, the so-called crimes of Putumayo occur; the Amazonian communities rebel and resist.

1925. José Raúl Capablanca, a famous Cuban chess player and employee of the Ministry of Foreign Affairs, arrives in Moscow for an international chess tournament. The trip, taking place under Machado's dictatorship, casts doubt on his future in this position. The film shows Capablanca's dramatic matches with Lasker, Tartakower, and Bogolubov, his tragic love for Bolshoi Theatre ballerina Sasha Mozhaeva, and a simultaneous game in which he lost to the very young Mikhail Botvinnik.

During the last days of the struggle against dictator Fulgencio Batista, a young peasant woman joins the guerrilla in the Sierra Maestra.

Amanda has the gift of prophecy since she was a child. This unique gift causes the interest, fear and rejection of teachers, psychologists, journalists, friends and family.

After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.

A superstitious middle-aged woman falls in love with a taxi driver, while trying to learn the identity of the unseen person tossing eggs at her.

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.

Matanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in love with the one who wrote the letters.

A biting satire about life in contemporary Cuba. Alicia, a young drama instructor, is sent to the small town of Maravillas de Noveras, which is itself an exaggerated, but very ingenious reflection of the real Cuba. Her adventures there are almost as surreal as the ones experienced by Lewis Carroll's character, reflecting patterns of indoctrination, coercion, absolutism, and many other everyday problems in Cuban society.

Alfredo Alvarado is a famous dancer and criminal from Venezuela. His horrifying adventures are narrated through a television program. It exposes the contradictions of that context. It is based on the book Los cuentos de Alfredo Alvarado “El Rey del Joropo", by Edmundo Aray.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

Rebuild, in the same place of events, a trial held in 1969 to four men, accused of sabotage for having caused the fire of a forest plan that caused the death of eight people and large material losses. At the same time, it analyzes retrospectively the circumstances that contributed to the occurrence of the crime.

Teresa is overwhelmed: with a husband, three young sons, a job as a crew leader in a textile factory, and volunteer commitments as cultural leader of her union. Her husband, Ramón, believes her additional pursuits take time away from her domestic tasks and wants more of her attention, accusing her of neglecting him, her house and her family. A hard-hitting Cuban drama that presents a woman struggling for control of her own life and deals with the social consequences of traditional male chauvinism.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

In 19th century Cuba, runaway African slaves known as 'Cimarrons' hiding in settlements in the eastern mountains. But discord among the Cimarrons is sown by a limited offer of freedom from the Spanish. Maluala is part of a trilogy of films about Cuba's slave uprisings made by Sergio Giral, the best known Afro-Cuban director.

The film takes place in 1850, Texas, United States. Louise, daughter of the wealthy plantation owner Poindexter, master of the hacienda Casa del Corvo, falls in love with a poor mustanger Maurice Gerald. The night their secret rendezvous happens, her brother Henry disappears. Suspicion in murder falls on Gerald, who was found covered in blood, with signs of struggle on the body and on Henry's cloak. One more minute, and an angry crowd would have Gerald lynched, but then the mysterious Headless Horseman appears...

An anthology film presenting the stories of five different women who struggle for identity and self-esteem in their love relationships. A bittersweet image of Cuban reality.

Director Humberto Solás, along with the leading ladies Raquel Revuelta, Eslinda Núñez and Adela Legrá, recall important moments of this classic of Latin American cinema, 'Lucía' (1968).

A documentary about the 1968 film Lucía, featuring its director, Humberto Solás, and members of his cast and crew.

A squad of young Cuban armed forces recruits are tasked with defending a strategic key north of Cuba. The fraught relationships between the young soldiers and the sergeant who leads them transform as they discover his human qualities during training and learn discipline in the harsh conditions of their post.

Set in Cuba in early 1959, although the historical context is deliberately avoided in its epic backdrop, the story follows the persecution of a poor guy who owes a few pesos to a loan shark and a thug who swear to get even with him, not so much because of the unpaid debt as because they don't want to set a precedent. The man's name is Miguel, and he seems to care as much as Santiago Nasar that the killers are hot on his heels with their half-tone shoes. On the day of his "double crime" (the story recreates those 24 hours), he has a couple of drinks in a bar, argues with his ex-lover, has sex with a young prostitute, puts up with a scolding from his friend Pedro for being negligent, walks, urinates, goes to bed...

Tulipa, an old strip-teaser from a traveling circus, is replaced by a younger, more wild woman. She must teach the job to her successor or cling to an act that she values as true art.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.