The Fatal Throwing Sword

A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.

Lin Xiang and Lan Fang, who is pretending to be his wife, are sent to Shanghai to rebuild the underground headquarters and help liberate China from the Japanese invaders.

Zhang Xiaozhi is overwhelmed by sadness over his wife's death, and spends everyday drinking wine. Qian Yan'er is obsessed with gambling. The two people live on a muddleheaded life. Wanyan, the chief of Black Wind Gang, threatens them and asks them to help him search for treasure. On the way of escape, Zhang Xiaozhi and Qian Yan'er save the heroine Bajiao accidentally. But unexpectedly, they fall into another trap delicately set by Wanyan. It's extremely dangerous in the tomb. By accident, Zhang Xiaozhi initiates the Holy Dragon Plate. The Holy Dragon is woken up, and large number of zombie throng out. Zhang Xiaozhi and Qian Yan'er are once again surrounded by crises.

Zhang Daoling received a letter of help from his friend Wen, an adult, and took his disciple Wang Chang to Bashu. However, he found that his friend was dead and he was involved in a ...

Set in the period just after ten years of chaos, several love stories associated with the tourists on a bus indicate more meanings of love.

In the early 1930s, a young man leaves Shanghai to come to Europe and reunite with the love of his life.

A journalist probes a corporate pollution scandal and uncovers a secret island lab where her father runs a classified fly DNA experiment, only to find it overrun by giant mutant killer flies.

Delicately flirting with eroticism, the animated film The Banquet of the Concubine, by young Chinese director Hefang Wei, recounts one of the most famous love stories of Imperial China. In this tale of bitter jealousy, nothing can sweeten the heart of an abandoned mistress, not even the luscious lychee.

The film depicts Confucius's later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.

Based on the story of the folk musician Nie Er and the creation of "The March of the Volunteers", national anthem of the People's Republic of China.

After the death of her policeman father, Xiaomai begins to look over his old journals filled with notes about the cases he investigated over the years. The mention of a purple scarf in the notes particularly catches her attention, prompting her to purchase a similar scarf from a mysterious website that claims to sell everything, as long as one can pay the price. Soon after, Xiaomai's close friend is found dead, strangled by a purple scarf. All of this awakens Xiaomai's memories of her childhood sweetheart Qiushou, whose mother was also strangled to death with a purple scarf by an unknown killer. Xiaomai and Qiushou grew up together and fell in love, but he suddenly disappeared from her life 15 years ago without a word. She begins to believe that Qiushou has returned and may be seeking revenge.

School For Passionate Girls

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

Four sisters, each with their different characters, embark on their separate roads to romance. Elder sister has vast experience of romance; second sister is predisposed to vampiness and wantonness; third sister is righteous and of noble character; fourth sister is just reaching puberty and experiencing the pangs of first love. Being sentimental, flirtatious and amorous, the four sisters form a backdrop conducive to songs and tripping the light fantastic.

Liu Lizhen is in love with her colleague, Zhang Li'an but marries her wealthy cousin, Lei Yingsun. She later gives birth to a child, who's father is Zhang Li'an which creates complications to her married life.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

A Chinese drama