The Epic of Cheikh Bouamama

In occupied Paris, an actress wed to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a potential witness. Soon they are killing everyone he even comes in contact with in order to get him.

Victim of manipulation, Cop Choucas is wanted for two murders and searched for by every cop in town.

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

In the early 1970s, Lakhdar, an Algerian peasant, is forced to leave his desert land and his family for France, but immigration weighs on him and he dreams of returning. This day arrives, he walks in Paris, events decide otherwise.

In 1880, in colonized Algeria, it was decided that the Algerian peasants of the Ouarsenis mountains would see their lands dispossessed in favor of the French colonists. Two methods were used to achieve this, either by sheer force or by a ploy forcing the fellahs to pay fines too high to be paid. The uprooted must then leave for the cities, swelling the mass of proletarians in the slums ...

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…

A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth, but a tenacious magistrate is determined not to let them get away with it.

Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a cross-dresser visit their office.

Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.

Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show.

A radiant young sex worker thrives amidst the clients of Paris’s Les Halles under the protectiveness of her pimp. Her carefully balanced existence unravels when she meets a working‑class man and falls in love, forcing her to confront the emotional and social consequences of pursuing a different path.

Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

Three girls: Susanne, Annie and Catherine, just have finished high school and meet every night to have a good time in discos and bars with frequently changing boyfriends. Susanne’s younger sister Betty often joins them and copies their behavior, believes everything they say. So she soon ends up with with projectionist George – although she doesn’t take the pill yet.

Thirty-four year old Ramsès has established himself as a clairvoyant in La Goutte d’Or, Paris. A shrewd manipulator and something of a poet, he built a sound business consoling people. Elusive and dangerous youths, freshly arrived from the streets of Tangier, disrupt his business and the whole neighbourhood. Until the day Ramses has an actual vision.

The Algerian War is seen through the eyes of a group of Algerian freedom-fighters who have been captured and incarcerated in French-run military prisons both in France and Algeria. In addition to attempts at escape, this prison drama also includes propaganda and brainwashing attempts by the French and scenes of torture. In what is possibly the most horrible torture of all, the inmates are forced to listen to broadcast speeches by General Charles de Gaulle -- speeches which illustrate the changing relations between the French and the Algerians.

A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.

In 1988, Johnny Leclerc, the son of a Norman mother and an Alsatian father, lives in a suburban housing estate with his friends. He behaves like a Muslim, observes Ramadan and wears a djelaba. He's even convinced that his name is Abdelbachir and that he was born in a small village in the bled. When his friend Yacine gets into trouble with a local kaid and decides to return to Algeria for the vacations, he smuggles himself into the Sabri family's luggage to fulfill his dream and finally get to know his "roots". As soon as he arrived on the Algerian coast, Johnny felt right at home. But Yacine is opposed to his father, who wants to arrange his marriage.

Prague, 1920. Milena's father wants her to follow in his footsteps and be one of the first female doctors in Czechoslovakia, but she is determined to be a writer. She elopes to Vienna with the Jewish music critic Ernst Pollak, and starts a correspondence with Franz Kafka. She leaves Pollak and returns to Prague with her father, where she befriends and translates Kafka. As a journalist, Milena covers the 1923 Ruhr worker's strike and meets the communist architect Jaromir.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

In an Algerian village, just before the war of independence, the inhabitants are under the thumb of a local strongman and a wealthy merchant. Among them is El Faïza, an old woman searching for her son who has escaped from prison. The gendarmes arrest El Faïza and seize the property of the villagers who haven't paid their taxes. The situation is ripe for a revolt…

A successful playwright reflects on his journey from his Armenian roots to adapting in France, forty years after his family's move to Marseilles. He now goes by a new name to fit in better with French society.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.

Zine and Rayanne plan to flee to a dreamland, a fantasy haven on the north shore of the Mediterranean. The crossing is commonly made in fishing boats and other small craft; hundreds of harragas die each year. Zine embarks for Spain with a group of others, while Rayyane decides to stay back to raise more money for the crossing - which involves tricking his uncle into lending him money under the pretense of running a local business. But, like so many other working poor around the world, Rayanne refuses to weigh the danger against the prospect of a better world.

This is not how the young Swiss couple imagined their desert trip: on their way to Timbuktu, they break down and are stranded in the Algerian desert of Tar. Oliver is more concerned with the broken truck than with Elena, so she explores the oasis alone. There she meets two women: a mysterious fortune teller and the young Aya. And then there is Saïd's small public telephone exchange, which connects Tar with the outside world. While Elena discovers a new world, Oliver wants to end the trip as soon as possible.

The story of a family in the instability and violence that shook Algeria during the riots of October 1988 in the midst of the rise of fundamentalism and intolerance, disappointments and prohibitions, corruption, nepotism and abuse of power. On October 5, 1988, young Algerians occupied the streets... Afterwards, Algeria would plunge into the chaos of the Black Decade which would last more than ten years and leave more than 150,000 dead.

Inspector Tahar and his apprentice are invited by Mama Traki, a popular Tunisian heroine, to spend their vacation in Tunis. Before leaving Algiers, they stop at a tourist complex where a murder has just been committed. The investigation full of surprises and twists and turns will take them to Tunis where they will find Ommi Traki and his family...

Malek is a surveyor who is semi-retired, but at the urging of a friend he takes an assignment in western Algeria. The region in question was the site of frequent battles during the civil war, and an earlier survey that would make it possible to bring electrical utilities to the area was cut short by the fighting. While the zone is still unstable, Malek sets out to complete charting the area, and finds the locals regard him with suspicion and hostility.

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

Makhlouf Bombardier, unusual, decides to be elected mayor of a dechra (village). So he surrounds himself with trusted partners to organize a great campaign for his election. Bombardier became the mayor of the village and is organizing an international film festival to compete at the Carthage festival. In his action, he is pursued by the Court of Auditors for embezzlement. So, his ultimate goal is to become the president.

A small town in Algeria, in the years 1960-1962. Two young idle boys and rock fans, Boualem and Salah, try to survive in the turmoil of war, taking great care not to get involved.

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.

Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.

An oasis lost in the Saharan desert more than 700km from Algiers. A society still functioning on centuries-old rituals. The only connection to the city is a bus that passes once a day. Moussa, disabled from birth, lives there with his sister Zineb; They try, together, to reconstitute a family unit that the war has destroyed. The family is the dream of the idyllic times of childhood, of times when parents took all the responsibilities. Moussa is perfectly independent, although he has no arms, he nevertheless loves being cared for by his sister. Zineb, for her part, does not dare to face the new world that a marriage would constitute. Life passes punctuated by the same gestures. Zineb takes the bus to go to work at the date packaging factory. Moussa goes to see the schoolmaster, draws or dreams of Mériem, the woman he loves. A rose secretly grows in the sand, which Moussa waters every day.

An Algerian social satire that tells the story of Boujemaa, who marries a second wife in addition to his first wife, who is ill and with whom he has a son and a daughter. Living all under the same roof, the new wife imposes her authority in the house. The lives of the family members are then turned upside down.

El Kalaa, a village in southern Oran. Although already married, old Sidi planned to marry another. He sets his sights on the beautiful Aïssa, with whom Kaddour, his adopted son, is in love. The old man decides to play a trick on Kaddour to teach him never to covet a woman that an elder wants to marry...

The story of an Algerian family trying to be like everyone else, enjoying a house and having fun in life, especially when the mother insists on buying a car, but the father refuses to do so. The mother intervenes in a strike to talk and eat until the car arrives, The father reluctantly agrees to buy it, so the mother gets up and rushes to the dining table and begins the adventure with this car in a satirical comedy atmosphere where she is exposed to many flaws along the way and intervenes every time their neighbor repairs it because he has fallen in love with their daughter, but her mother opposes it.

On his return to Algeria, Belkacem Hadjadj, a young graduate of INSAS in Brussels, joined Algerian television and signed "Le Bouchon", his first feature in the register of an Italian comedy, around the misadventures of a tenant experiencing a water leak.